Celtic Connections 2025!

 Europe’s biggest winter festival celebrates 32^nd year Celtic Connections Glasgow 16^th Jan to 2^nd Feb

The world’s leading folk, roots and world music festival Celtic Connections has unveiled its ambitious program 2025. Glasgow UNESCO City of Music-  25 venues, 300 events across 18 days, anticipating 110,000 visitors and 1,200 musicians and artists

The premiere winter festival will illuminate stages across Glasgow. Eclipsing dark winter nights with a kaleidoscope of internationally-renowned music, exciting new performances, unique showcases and one-off collaborations. Around 1,200 musicians from 20 countries will descend on Glasgow for the international celebration of Celtic music. 

 

*Celtic is about the most unique and inspired collaborations, emotional tribute concerts, beautiful Gaelic song, traditional ballads and instruments, exciting ceilidh bands, and accomplished musicianship. Plus international and Celtic music. 

 

Highlights include – Grammy-award winner Lyle Lovett, Katie Tunstall, 

**Opening concert – celebrates Glasgow 850, “Let Glasgow Flourish”  the city’s Coat of Arms, to pay tribute to the city’s rich artistic heritage of music, art, poetry, dance and film. How this has fed into Celtic Connections. With unique collaborations, from well-kent faces and emerging talent.  

 

Bluebells Barrowlands; Peat & Diesel Emirate; Braebach with Scottish National Jazz Orchestra (SNJO); 

celebrated Gaelic singer Julie Fowlis will undertake her first orchestral commission at the festival with the Scottish Orchestra and her Scots-Irish quartet Allt, alongside Zoe Conway, Eamon Doorley and John Mcintyre. 

Malinky 25^th anniversary concert.  Frigg, Finnish band, Scandi folk with BBC Symphony Orchestra. Old Fruitmaket – Glasgow trad scene TRIP headline show; Gaelic song and Hebridean music with Ceolos @30 from South Uist. 

 

New Voices Commissions – BBC Radio Scotland Young Traditional Musician of the Year 2021 pianist Michael Biggins, Skye born harpist Clorstaidh Beaton and promising banjo talent Ciaran Ryan.

Showcase Scotland partners with Ireland, with Niamh Bury Trio, Nuala Kennedy and Eamonn O’Leary, Corar Trio, Florock, Grainne Hunt and Leonard Barry Trio.

 

The SNJO hosts Nu-Age Sounds: PLANET WORLD, The Old Fruitmarket, with Mercury Prize nominated pianist Fergus McCreadie and jazz singer kitti. And SAY Award shortlisted corto.alto folk-infused jazz Barrowlands, with Scots jazz talent Bemz, Pippa Blundell, Becky Sikasa and JSPHYNX.

 

Canntaireachd with Gaelic singers Kathleen MacInnes, Kim Carnie, and pipes.

Celebrated Gaelic singer Julie Fowlis will undertake her first orchestral commission at the festival with the Scottish Chamber Orhestra and her scots-Irish quartet Allt which, alongside Zoe Conway, Eamon Doorley and John McInytre. 

*Transatlantic Sessions celebrates 30 years of the roots of Americana, with popular house band led by Aly Bain and Jerry Douglas - and featuring vocalists Loudon Wainwright III, Julie Fowlis, Larry Campbell and Teresa Williams and Ireland’s Niall McCabe. Plus American folk-roots pop singer-songwriter Josh Rouse celebrates the 10th birthday of his famous album Nashville, Bluegrass sensations Hawktail, Boston’s Lake Street Dive share their avant-garde Americana sound. 

 

Tradition series, plus ceilidhs, late night sessions, Festival Club, screenings, workshops, the Scottish National Whisky Festival and education program. 

Duncan Chisholm

The very best in world music acts will once again be welcomed to the Celtic Connections line up. Fronted by London-born Nigerian singer Eno Williams, Ibibio Sound Machine will play the Tramway. A clash of African and electronic elements, the outfit is inspired by the golden era of West-African funk and disco and modern post-punk and electro. Femi Kuti & The Positive Force will also bring their iconic live show to Scotland. The eldest son of afrobeat pioneer Fela Kuti, Femi will showcase his jubilant energy and distinctive voice to a Glasgow Royal Concert Hall audience.

From small beginnings in 1994, the festival now attracts international artists, and this year will welcome artists from 20 countries - Australia, Sri Lanka, India, Pakistan, France, Italy, Nigeria, Spain, Wales, Ireland, Republic of the Congo and more. This year will see the launch of under-26s pass, and ensuring the magic of the festival continues to be accessible.

 

Ceiran  Ryan

Glasgow’s much-loved venues, famous for having the “best fans in the world”, are set to give artists a warm welcome -  The Old Fruitmarket, Barrowland Ballroom, SWG3, Saint Luke’s and Kelvingrove Art Gallery and Museum. Celtic Connections and Peat and Diesel will become the first band to play at the Emirates Arena in the city’s east end.

 

TICKETS -  Wednesday 16 October 2024 at www.celticconnections.com.

This year the festival will focus on several High-profile women – Madison Cunningham,  Lady Blackbird, Beth Malcolm, Abi Sompa, (Orchestral Qowwali Project). PLUS award-winning Karine Polwart headline show and 300 choir, Julie Fowlis and Allt and the Scottish chamber Orchestra. 

Karine Polwart

Julie Fowlis

Remembering IndyRef 2014

 

Its now ten years since indyref 2014 – and that glorious summer – that wonderful exhilaration of hope of building a better Scotland! One where our voices mattered, and where we could build a new constitution, real accountable and local democracy, and harness our potential. 

 

Today we might be celebrating….. Instead in the press its all ‘doom and gloom’ of broken Britain, of all the industrial closures here and business losses, the cost of living crisis and the scandals, that no lengthy enquiry will ever fix, except to pay lawyers vast amounts. Brexit means a 27% drop in exports and 32% drop in imports, more than a quarter of all trade. So many empty promises, never fulfilled. We were lied to. The vow, EU membership, Devo Max.

 

For me the indyref was all about Scotland having real local government as I’ve seen working abroad In both Europe and America. About freedom. About having a voice. Independence, where we could use all our great resources to protect the vulnerable, invest in children and offer opportunities. Instead we’re stuck. Independence – where the Scottish state or nation had its own media, immigration, energy policy, control of VAT: all the crucial levers to be a successful state or trading nation Independence and inter-dependence in Europe.

 

Instead Scotland is stuck and bitterly divided, with little hope, except for austerity mark 2 under Starmer’s Labour. It looks like Westminster is deliberately running Scotland down, with de-industrialization and closure of Grangemouth, while funding Stanlow refinery, north west England with 600 million for carbon capture and hydrogen. As well as millions for a petrochemical plant over in Antwerp.

 

All to keep Scotland dependent instead, as the last colony. Unionist believers may well ask, why would Westminster wish to do this, the most obvious answer is lack of interest, but also to use Scotland resources as it has done the past 100 years to prop up London. I don’t believe the Barnett formula, GERS figures or the BBC, which glosses over serious issues and finishes with some cute story to boost us up. The BBC is not serious, investigative journalism.

 

Many feel we needed analysis of 2014: for me by far the biggest issue was the independence side having no broadcasting, especially for older people not online. The UKs mainstream media puts out constant negativity slogans: SNP bad, SNP bad, Scotland bad/ failings, Nicola bad.  So that Scots have little faith or belief in themselves compared to Norwegians, Danish, Finnish or Irish. A constant stream of negativity. How do we reach Mail and BBC readers?

 

Lets not fool ourselves or believe the false rhetoric of the London press. Since Thatcher all the focus has been in protecting London\s banks and property, while the rest of the country works to protect this globalized future. And their failed economic model. And suffers for it. So that doesn’t fill me with much hope. I think of all the great writers, artists, scholars and poets, who’ve gone before – and wrote of Scotland the Brave, or Scots wa Hae, or the Drunk Man Looks at the Thistle….It all feels a pipe dream. (The Proclaimers, Letter from America, Dougie Maclean’s Caledonia, Hamish Henderson’s Freedom Come All Ye.)

  

Is it already too late? In the media I read of Ireland’s writers and successes on the world stage, but what of the great Scots writers and poets of today, who are hardly ever mentioned. We’re already too late for any Green Revolution – Denmark started decades ago. 

First we need the EU’s protection to thrive. Poll figures confirm that imagined future appeals to the broadest range of Scots. Look at Irelands success model to follow. In the EU nations are both sovereign and inter dependent. Scotland can have both. I’d like to see more mature, consensual debate in the Scottish parliament moving forward. I’d like to see Scotland as a integral part of a more modern Britain, where each nation and region has its own sovereign state legislature and governance, but with far, far more local say. Maybe we need to redefine what is meant by independence and inter-dependence. We don’t have to have central control!

 

I like to hope Scotland has a bright future for our young people. How do we move forward? We must focus more on the future, on education and younger voices. It took twenty years for the Scottish parliament (1979 to 1999). Many Scots simply need time to consider. Another big flaw 2014 was the questions over pensions.

 

This question has never been about identity – because all who live in Scotland are able to vote here. So over this past decade, what improvements have there been exactly under the UK union? Because I can’t think of any!   

 

Irvine Welsh Resolutions, Edinburgh book festival 2024

 

Welsh has had a great deal of success since his first novel Trainspotting 1993 was made into a film. He spoke about his new book Resolutions, and said that he tapped into the energy of his characters.

Welsh was asked about his views on Scotland’s independence. He replied, In the 80s he didn’t believe in independence and his thought was that -  “Scotland was shite. In the 90s it was that England was shite – but now that English imperialism is shite!

 

Welsh discussed with Denise Mina, the third instalment of his bestselling CRIME series: detective Ray Lennox makes a connection between an eminent local and a group of missing foster care boys as he embarks upon a new life in Brighton. 'The truth is what we say the truth is . . .'

Lennox is determined to start a new life. He has left Edinburgh Police behind for a fresh career and a fresh relationship in Brighton. Then he meets Mathew Cardingworth. Rich, smooth-talking and immaculately dressed - yet he soon draws Lennox back to a past that he's desperate to forget. As Lennox identifies the links between Cardingworth, a series of violent attacks and the disappearances of a group of foster care boys, he is forced to ask himself: what must he sacrifice to expose the truth?

Welsh was asked about his views on Scotland’s independence. He replied, In the 80s he didn’t believe in independence and his thought that -  “Scotland was shite. In the 90s it was that England was shite – but now that English imperialism is shite!”

Recently Welsh interview with the National he said "Scotland voting no at the Indyref 2014 has been a disaster."

Marina Warner Forms of Enchantment Edinburgh book festival 2024

 

Paula Rego war 2003

New Ways of Beauty -   “We fight back with beauty”

 

Warner spoke of her experiences in Paris in the 60s, which offered new realms of experience. Stories and symbols. Intimacy of ideas, of subject matter and ideas. The conformity to an ideal

 

Paula Rego

*Warner discussed several crucial images - 

 

(1)  Paula Rego, War 2003, giving fear a Face

She was influenced by Goya. Hallucinary effects, with pastels.  

 

(2) Louise Bourgeois, Bodies of sense- femme- Conteau 

 

'Positive sew – negative cut': is the knife here about the mind, sometimes hurting us. 

(3)  Joan Jonas, Resonation, 2012 . Digital technologies

 

 

(4)  Hieronymus Bosch  - The Garden of Earthly delights (1490 – 1505)

 Prado Madrid - Icon clashes 

Message that can’t be tolerated and tell stories of the past empire building/ or vandalism. Meanings of building have changed in Paris – Olympic games preserving past and honour past. Statue repurposed.

 

The image is not an inert thing, may not be positive. No fixed meanings.

Dreamworks. A sense of energy, festive. Enquiry.

Relegating art to the elites – that art is not useful, is deplorable.

 

 

**Funding of the arts? - Language, art and buildings are how countries are defined. Neo Liberal policies are only market value thinking. Lord of the rings filming in New Zealand , depending on the film money. 

In Ireland – gerents, and in France, arts to be protected. Cuts to the arts in schools. In drama – read every word and are therefore more connected. 

 

The Art of looking – is a communal experience. Looking at art in books - graphics, illustrations - rewards attentiveness, mediation and slowness settles you.

In Scotland – Burns , Stevenson, Scott – create the bond that unites. 

 

BOOK –  Forms of Enchantment