Song Bird Christine McVie

 

Fleetwood Mac 1970s

I was deeply saddened to hear of the death of our beautiful songbird Christine McVie. – best known for songs with the rock band Fleetwood Mac such as Don’t Stop, Little Lies, Hold On, and of course her classic Songbird. She says the song came to her overnight and she had to keep singing it until morning when she was able to then record! 

 

Christine began playing with Fleetwood Mac in 1968, initially as a session player and joining the band in 1970. Her first compositions with Fleetwood Mac appeared on their fifth album, Future Games. She remained with the band through many changes of line-up, writing songs and performing lead vocals. 

In early 1970s the band moved to LA after the death of Peter Green and Lindsay Buckingham and Stevie Nicks joined. Christine and Stevie were great friends. Rumours is one of my all time favourite albums. 

Christine spoke of her long standing friendship with Stevie Nicks -  “We're totally different, but totally sympathetic with each other. We are dear, dear friends. We don't have any competition on stage,” McVie told Rolling Stone of her band mate Nicks in 2014; that was but one of the many compliments the two artists have exchanged in public over the years.”

Fleetwood Mac were distinctive being led musically by two women! Also for mixing English rock and LA sounds. 

Lindsay Buckingham & Christine McVie

In 1998, after 30 years with the band, she left and returned to England to set up home there. She then lived in semi-retirement, releasing a solo album in 2004. After therapy to over come her fear of flying she was able to visit band mate drummer Mick Fleetwood in Hawaii and returned to playing with the band. She also recorded an album with Lindsay Buckingham.

Reunion Fleetwood Mac 2014

McVie was an English musician and songwriter. She was best known as keyboardist and one of the vocalists of Fleetwood Mac. McVie was a member of several bands, notably Chicken Shack, in the mid-1960s British blues scene

She was described as "the prime mover behind some of Fleetwood Mac's biggest hits". Eight songs written or co-written by McVie, including - “Don’t Stop, Everywhere, Little Lies, Hold On, (on Fleetwood Macs 1988 Greatest Hits album)

She played on the band's last studio album, Say You Will. McVie also released three solo studio albums. As a member of Fleetwood Mac, McVie was inducted into the Rock and Roll Hall of Fame and in 1998 received the Brit Award for Outstanding Contribution to Music.

She appeared on stage with Fleetwood Mac at the O2 Arena London 2013 and rejoined the band in 2014 and for their On the Show tour 2014. McVie received a Gold Badge of Merit Award from BASCA, the Ivor Novello award for Lifetime achievement. She was also the recipient of two Grammy awards

 

 

My Chats and Tributes to Scots Legend Rab Noakes

Rab Noakes Oran Mor

A Present with no Past has No Idea, Quote Rab Noakes Branch song. Good Roots

So sad to hear the news of our loss of singer songwriter Rab Noakes - what a true gent and legend of Scottish music. Rest in peace. I've had the privilege of taking Rab's photos at several concerts over many years since 2010. 

I’ve had several chats with him over the past decade, both in person and online. I have such fond memories in my twenties we used to sing his early songs. More recently my son played an excellent version of his classic Gently Does It and Moonlight and Gold.

Rab was always a smartly dressed folk singer songwriter, and one of the top guitarist. He drew influences from the 60s radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many influences. The story of the song mattered to Rab, so his chat between songs laid the musical scene and atmosphere.

In the 60s and 70s, Rab played with greats such as Gerry Rafferty and Lindisfarne. When I hung out in the folk scene then, i remember well the harmony singing of Noakes songs, such as Branch, Clear Day, Together Forever. Back in 2007 I saw Noakes still going strong at an Oran Mor gig. He often includes a fifties classic, this time a song my husband remembered his mother singing. He is also a dedicated Dylan follower – check out his excellent version of Dylan’s Mississippi. 

Martha Rafferty & Rab Noakes

Noakes says music is all about the dialogue and more about performing than simply the song. Those residency night gigs were artists can learn their craft in front of the live audience and the live performance when 'flying' in the heart of the music toughens you up and you have to learn loads of songs. He played in Denmark six nights a week. Noakes ran his own production company Neon. 

Rab led several tribute concerts at Glasgow’s major music festival. Celtic Connections, for Gerry Rafferty and Michael Marra. I expect we will have a concert for Rab – it’s the passing of a whole generation of the folk scene – and we look forward to the passing of the baton to the younger generations. 

He will be sadly missed, his music lives on and in my memories of my son playing his classic "Gently Does it" and Rafferty's "Moonlight and Gold".

Rab at Milngavie folk club

He has been at the forefront of Scottish folk music for over 50 years, and has recorded over 19 studio albums. He often performed at the Glasgow music festival Celtic Connections. In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me. In 1971 Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan, He played on the first album by Gerry Rafferty’s Can I Have My Money Back, notably Mary Skeffington. He also played with the band Stealers Wheel. 

Noakes songs have been covered by Lindisfarne (Together Forever) and Barbara Dickson.

I will post some extracts on his songwriting from my nine RAB NOAKES reviews. 

Rab at a house party

**RAB gig reviews on my blog

2010 -  Oran Mor

2012 -  Concert for Gerry Rafferty

2012 – Milngavie folk club

2013 -  Concert for Michael Marra

2014 -  tour Barbara Dickson

2016 - MFC

2017 – Celtic, Old Fruitmarket

2022 - MFC

Rab with Alice Marra Celtic Connections

Eddi Reader, Rab Noakes, Dougie MacLean

Rab & Kathleen McInnes

Rab & Barbara Dickson

Rab & Jill Jackson

CHATS with RAB 

A gentle, questioning soul – with a generosity of spirit. 

I sat beside him at a couple of times at Celtic press release mornings. I told him of my sons guitar playing but that he lacked confidence, Rab said in his young days, performers laid the ground work playing the folk clubs for years – but today people seem to often expect quick, instant results. I told him my son enjoyed playing some of the folk tunes, particularly Gently Does It – I had taken my son to our local folk club to see Gaughan, Noakes, Dylan at Braehead Arena. My son also enjoyed rock and pop and learned electric guitar and bass from the rock band the Red Hot Chillis!

 CHATS with Rab at Celtic

I sat beside Rab at the Celtic Press launch on Tuesday. He seemed to know me - maybe from his Oran Mor gig, my review and photos for him and his chatting to me on facebook. Cool and what an interesting guy. 

He’s a massive Dylan fan too!  I asked him if he mentored younger artists – he said no he wasn’t going to simply give his secrets away! He said that too many young people expected things on a plate, and that they were spoon-fed everything. He had to put in years of graft to learn his craft and he thought that was the way things should be done.  He mentioned all these music schools now where they are simply ‘given’ everything rather than finding out for themselves. 

 

I agree. I worry so many young artists in the folk scene for instance have less depth of character in their voice. He said he enjoyed the thread on FB chat with me - interesting thread he said! I told him how interesting the book festival is, and that many authors are also painters and musicians too. I spoke of the Dylan ‘Forever Young’ photos, probably my favourite of an artist.  He remarked that Dylan had so much character he must be good for photos. And I told him of the Chinese writer who when he paints only listens to music for weeks and tries not to think in words at all.   

 

*On Facebook I posted – “The best music is timeless’

Rab replied, ‘No, the best music is very much of its time, and that a present with no past has no future.’ 

Noakes was born in St Andrews Fife in 1947 and grew up in Cupar. He drew influences from the 60s Radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many musical influences. In 1963 Noakes moved to London and worked for the Civil Service, and he played folk clubs at night. He returned to Scotland in 1967 and began a duo with Robin McKidd and they played their first gig at the Glasgow Folk centre. In 1769 he played a months residency in Denmark. Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan. 

In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me.

He played on the first album by Gerry Rafferty’s Can I Have My Money Back in 1971, notably Mary Skeffington. He also played with the band Stealers Wheel. He performed with Lindisfarne in 1972, on songs Turn a Deaf Ear, Nicely out of Tune, Together Forever, and Fog on the Tyne. He recorded with Lindisfarne for a John Peel concert and in 1995 produced a Radio 2 programme The Story of Lindisfarne. 

One of Noakes's best-known recordings, "Branch", from the Red Pump Special album, was released as a single in 1974 (recorded in Nashville Tennessee and produced by Elliot Mazer) and received Radio One airplay.  He played on a Woody Guthrie tribute album 1987, and toured with the Veraflames – along with Pick Withers, Rod Clements and Fraser Speirs.

Rab & Gerry Rafferty

Rab & Stealers Wheel

 

Worlds Oldest Parliaments for democracy

1. Iceland - 930

2.  Spain – 1188

3.  Netherlands & Belgium – 1581

4.  England – 1688

 

**A democracy is a political system or a system of decision-making within an institution or organization or a country, in which all members have an equal share of power.

This ridiculous slogan of  “Mother of Parliaments” – 301 years old from 1721, Is simply a made up slogan. Because Westminster is not the oldest parliament.

The oldest national parliament of Iceland. It is one of the oldest surviving parliaments in the world.

"The mother of parliaments" is a phrase coined by the British politician and reformer John Bright in a speech at Birmingham on 18 January 1865. It was a reference to England. His actual words were: "England is the mother of parliaments".

 

1834 act which created our democracy.

I don’t see how #Torychaos can improve! Its this UKs failed pre-democracy of a First Past the Post electoral system that causes this 2 party confrontational system. On party with a huge majority, leads to shallow, rushed, ill-informed and reckless decision making -  which compares badly to more consensual and collaborative government which results form a PR voting system. 

Iceland. The first Parliaments date back to the Middle Ages. In 930, the first assembly of the Alþingi was convened at Þingvellir in Iceland, becoming the earliest version of a formalised parliamentary system. It was a combination of national assembly, court of justice and yearly cerebration, where the most powerful leaders, called goðar, met to decide on legislation and dispense justice, with the whole community in attendance. 

Spain. In 1188 Alfonso IX, King of Leon (in current day Spain) convened the three states in the Cortes of Leon and according to UNESCO it was the first sample of modern parliament in the history of Europe, with the presence of the common people through elected representatives. 

Netherlands. An early example of parliamentary government developed in today's Netherlands and Belgium. during the Dutch revolt (1581), when the sovereign, legislative and executive powers were taken over by the States General of the Netherlands from the then-monarch, king Philip II of Spain. 

The modern concept of parliamentary government was further developed in the Kingdom of England (1688) and the Parliament of Scotland – which had sat 500 years from 1200s to 1707.   

The Parliament of Scotland was the legislature. The parliament, like other such institutions, evolved Middle Ages from the king's council of Bishops and earls. Begun in 1235, during Alexander II with a political and judicial role. By 14th century, the attendance of knights and freeholders and in 1326 commissioners from the burghs. Consisting of the "three estates" of clergy, nobility and the burghs sitting in a single chamber, the parliament gave consent for taxation and played an important role in the administration of justice, foreign policy, war and other legislation. 

The Parliament of Scotland met for more than four centuries, until it was prorogued sine die by Acts of Union in 1707. Thereafter the Parliament of Great Britain operated for both England and Scotland after the creation of the Kingdom of Great Britain 1707. The union articles guaranteed the independence of the Scottish church, Scots law and education. 

 

A democracy is a political system or a system of decision-making within an institution or organization or a country, in which all members have an equal share of power.

Modern democracies are characterized by two capabilities that differentiate them fundamentally from earlier forms of government: the capacity to intervene in their own societies and the recognition of their sovereignty by an international legalistic framework of similarly sovereign states. Democratic government is commonly juxtaposed with oligarchic and monarchic systems, which are ruled by a minority and a sole monarch respectively. Democracy is generally associated^[ with the efforts of the ancient Greeks, whom 18th-century intellectuals considered the founders of Western civilization. 

This ridiculous slogan of  “Mother of Parliaments” – 301 years old from 1721, 

Is simply a made up slogan. Because Westminster is not the oldest parliament.

Scotland’s Ties to Europe

One of the main reasons for Scotland’s enlightened thought  - Reformation 1560 to the 1700s – was our close collaboration, integration and trade with Europe. Our scholars studied in Paris and beyond, and also taught there.

 

When the UKs Brexit happened it was such a profound and distressing wrench for Scotland it was extremely hard to write about. Many of us thought the EU project had brought us peace, stability, security, and prosperity. Most Scots feel European of heart and mind and culturally. 

 

We didn’t understand what Brexit was for – was it a global Britain, to stop immigration, to be Singapore on Thames, with de-regulation and lower pay – or high paid jobs? Who knew? Those of us who lived through the 60s and 70s remember a UK in turmoil, a rollercoaster of financial crashes –  IMF, pound devalues, blackouts and strikes. 

 

Most Scots prefer the stabile European economy, to the insecurity of a Brexited Britain. We only have to look over the sea to Ireland. We have a major constitutional divide now in Scotland that will not be easily healed. How do we move forward? Half of Scotland has a vision of a new, greener and more successful Scotland.

 

The other half wants what they already know and prefer – to share resources with the rest of UK. The main drawback to the UK ‘centralising dependency’(not a union) is its extreme centralisation of power in London, which sucks and draws from the rest of the country.