Venues, Glasgow Music

Glasgow Hydro audience

Glasgow named as City of Music

 

Glasgow is a vibrant and exciting city of music, with the diversity and range of music venues. It has a slightly wild, irreverent and challenging side. Many musicians also say Glasgow audiences are the best!

 

From the concert hall to the modern 14K seater Hydro; iconic mid-size venues and the large number of small venues. World renowned venues include – the Barrowlands, King Tuts, Oran Mor and the Old Fruitmarket. These venues offer a close up and intimate live music experience.

 

There is also the unusual and historic venues – the Tall Ship, on the Clyde, the Macintosh church, Nice n Sleazys, St Lukes, Brel. All this matters in terms of building a healthy and active grassroots music scene for the future. Plus a number of busy folk clubs, jazz bars and more.

 

The Arts and music is a huge industry for the UK and for Scotland. 

 

Glasgow boasts lively Trad sessions, decades of history, iconic venues, intimate gigs,

 

 Outstanding festivals, passionate audiences, record shops, 

 

 

Mary Chapman Carpenter and Friends

Del Imitri Hydro

MY MUSIC PHOTOGRAPHY

Over the past years I’ve been to many memorable concerts and taken photos of my musical heroes. I saw my music and lyrics hero Bob Dylan on the Braehead arena - I have to assume he found the large SECC arena impersonal and remote for his previous gig here. I went with my teenage son and his audience is certainly a broad church – from the dedicated disciples who go every concert to the curious. At 70 Dylan is a proliferate as ever with a new album release in 2020, with his stunning, immersive songs.

 

Another icon was Paul Simon, Clyde Auditorium, which was uplifting and joyous. Plus Fleetwood Mac, Elton john, Neil Young. Paul McCartney.

 

On the smaller stages – Arcade Fire, Barrowlands, Admiral Fallow, King Tuts, Hiam, swg6, 

Oran Mor, Emeli Sande. Karine Polwart, Tall ship.

 

I’ve seen other folk heroes at both Celtic Connections and Milngavie folk club - notably the legends Dick Gaughan. Dougie Maclean, Rab Noakes, Gaelic singer Julie Fowlis. And Blue Rose Code (Ross Wilson) was another favourite.

 

Plus the excitement of taking photos at the Royal Albert hall London for Emeli Sande!  2012. I’ve taken photos at many top class gigs – its often been a thrill and an honour with the buzz of the pit and the adrenalin rush to try to capture the right image, that not only tells the story but the artist expressing their innermost reflections..

Music photography expresses my passion of both art and music.

King Tuts famous steps!

Scotland’s Lost Mandates

 

Quebec often comes up, even the newly formed UK Supreme court comparing our ancient Scotland nation to the Canadian state. 

 

If you look up ‘secession’ – it takes many forms – from quietly agreed separations or federal governance to fierce tribal warfare, for example in Africa. So following on from the keenness to compare Scotland to the state of Quebec, (rather than other small nations such as Iceland or Finland) Its interesting to note that after Quebec’s independence referendum, Canada agreed to more self determination for Quebec. 

 

Unlike the British state or UK, which immediately turned to English votes for English laws and Brexit - and to restricting Scotland’s self determination even more. So the British state attempted to pull even tighter with muscular unionism! – leading to all the “stresses and strains” across the UK, and the calls of reform, which are all akin to a parent refusing to allow their fifteen year old to grow up!

 

Looking back to the calls for both Scotland’s and Ireland’s home rule before the great war 1914 – the British state across the 1900s became ever more centralised. This has held the UK back, no longer able to exploit its lost empire, most of the wealth has been held in the south east while the rest of the UK declines. Of course Scottish secession, as a threat to the British state, will be keenly on MI5s radar.

 

Nicola Sturgeon, was she too managerial? The SNP had large mandates, with 56 of the 59 Scottish MPs in 2015…why was this not enough – what more of a mandate is required? We really must wonder. Did she get bogged down in detail rather than seeing the bigger picture?

 

Journalist Ian MacWhirter wondered why the two biggest political figures of Scotland’s 25 years of devolution, have ended their political careers mired in police investigations – and that Scottish politics is far too intertwined with the Scottish justice system. 

 

But surely the Big Debate across the UK is between a centralized state and a more federal one? If we compare to say Spain or other European nations, in Spain each state collects their own taxes. Quebec collects its own taxes and VAT, immigration policies, laws, trade etc. etc. 

 

Independence is a journey – as Scotland already has it own law system, Parliament, central bank, civil servants – it is partly on its way. Scotland only has control of 20% of its welfare, expenditure and 40% of tax. 

 

The happiest and most successful countries are those based on fairness of opportunities where private schools have been abolished and there’s not a two tier system – that is the small nation of Finland. 

 

“Economic Growth”, the favourite slogan of Starmer’s Labour, is not the successful formula for a happy nation. Would federalism work here UK, with so much power centralised in Westminster? Probably not. The debate is therefore between – where does sovereignty lie – with Westminster or the people?

 

Keeping the Celtic Traditions Alive

 

A decade ago I spent a few days in Montrose. My partner said there’s not a lot to do here. I went a walk to the library and to my surprise discovered that Montrose had been the centre of a Scottish Renaissance in the 1930s, led by the poet Hugh MacDiarmid. 

Nearly a century ago there was the Scottish Cultural Renaissance from Montrose – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Crichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, musicians and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Twisted Pine

Julie Fowlis

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back!  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Capercaillie, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture, online social network algorithms, fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan in the National newspaper about the significance of culture over live, in his article, ‘Do not lose sight of the Scotland that we are all fighting for’. 

I believe people vote with their hearts not their heads. Then again there’s Bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The National has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

Duncan Chisholm will play BURNS Gregg fiddle New York!

Duncan Chisholm, 

one of Scotland’s acclaimed fiddlers and composers, will play Scotland’s poet Robert Burn's Greg fiddle at the Hoolie at Carnegie hall New York this April

 

I took this photo when Chisholm was playing with Su a Lee for her Celtic Connections concert to celebrate her album Dialogues.

https://www.carnegiehall.org/Scotlands-Hoolie-in-New-York-0800PM 

  

An 18th Century fiddle linked to Robert Burns is to be used again for two special concerts.The Gregg fiddle - believed to have been owned by the poet's dance teacher - will be played at the OVO Hydro in Glasgow and Carnegie Hall in New York, 

It is usually on display in the Robert Burns Birthplace Museum in Alloway but will be loaned thanks to a collaboration between the Hoolie in the Hydro concert series and the National Trust for Scotland. The Gregg fiddle, dating from 1750, belonged to William Gregg and is thought to have been played at the Bachelors club Tarbolton where Burns was learning dance steps. 

Hoolie in the Hydro organiser and broadcaster Gary Innes said the two gigs would be a "landmark occasion. Robert Burns is an unparalleled figure within Scotland’s culture, so to be able to bring part of his legacy to the Hoolie stages, both at home and across the Atlantic, is remarkable. I hope it will create a moment of magic for both the musicians and our audiences.”

Two of Scotland’s most accomplished players - Ewen Henderson and Duncan Chisholm - will perform using the intricately decorated instrument.  Duncan has travelled to the museum in Alloway to learn the intricacies of playing the instrument. The event will then cross the Atlantic next year for an event held as part of New York's Tartan Week celebrations on 5 April.

Edinburgh International Festival 2025 announced

 

This years theme is “the Truth We Seek”

Now for the first time in its 75 year history run by both a scot and a woman. 

 

In our present world of chaos and uncertainties, Edinburgh festival cultural celebrations bring offerings of light and hopes. The festival offers several Scottish premiers. 

 

 Succession actor Brian Cox appears in theatre show, Make it Happen. 

 

Shakespeare’s As You Like is a Radical Retelling

 

Scottish ballet’s Mary Queen of Scots

 

Mozart’s La clemenza di Tito, opera in concert

 

Our 2025 Edinburgh International Festival invites you to explore The Truth We Seek — a journey into the elusive nature of truth, in our personal and public lives.      Nicola Benedetti, Festival Director

 

TICKETS on sale - https://www.eif.co.uk/

 

TOP FOLK songs

 

My TOP FOLK songs

Jock O Hazeldean, Walter Scott

The Blacksmith, traditional

Ye Banks and Braes, Robert Burns

Westlin Winds, Robert Burns

Gently Does It, Rab Noakes

Scotland Yet, Davy Steele

Garden Valley, Dougie MacLean

 

Both Sides Now, Joni MItchell

The Times they are a changing, Bob Dylan

Poetry Shapes Us

 

While Burns loved the lassies, his legacy is much deeper and more wide-ranging poetically than his love life. Some of his songs are so familiar, perhaps we can overlook his literary significance – both of his time and of ours.  The musicality of his song writing and poems, is unmatched and many famous poets and songsmiths name Burns as a favourite writer– from Bob Dylan to Wordsworth. 

In his short life he touched hearts, wrote of the worth of man (and woman), respect for the natural world, of freedom fighters, and he was a man o independent mind. 

 

“Poetry hold s mirror to a nations heart and soul. “ Jackie Key

“Its the language of being human” 

 

 *Famous Scots Poems 20^th century 

 

Memo for Spring - Liz Lochead

Drunk man looks at a Thistle – Hugh MacDiarmid

In my Country – Jackie Kay

A Man in Assynt – Norman McCaig

 

Gaelic Song

A rare beauty, or the big sky of Lewis. 

Gaelic poems were songs, tunes and words intertwined. The connections to place.

  

Norman McCaig

“Who owns this landscape – has it anything to do with love? Even the dead are part of it. Land is a character…Landscape is my religion, I feel at home. My substitute for religion and politics.“

 

Drunk man looks at a thistle – Hugh MacDiarmid – Where extremes meet

His poem, revolutionized Scots poetry ’to be yoursell” 

“He showed us that small nations are better than large ones, and the possibility of a new Scotland.” Alan Riach. “A revolutionary vision of what society can be. To rethink the Burns cult for a multi-faceted identity. Language matters.”

 

CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Transatlantic Sessions review classy concert review 2025

Always such a classy, sophisticated concert with the quality transatlantic band and top notch singers! Tonight celebrating their 30^th year! (since 1995). Transatlantic Sessions explores the musical connections between Scotland, Ireland and America. Tonight Ireland was represented by Niall McCabe and John Doyle. Scotland by Julie Fowlis, Aly Bain,Donald Shaw, John McCusker. James Mackintosh. America by Larry Campbell, Teresa Williams, Jerry Douglas, Daniel Kimbro, Tatiana Hargreaves and Allison de Groot. Transatlantic Sessions offers the familiar and the new and how music connects us. 

 

The show opened with Aly Bain’s ‘Federals’. Then Irish singer Niall McCabe impressed with an assured performance with his strong voice and songs, ‘Stonemason’ and ‘November Swell’. He sang a sublime version of his ‘Your Letter’, which invoked our Celtic bonds across the Atlantic, with only Shaw on piano and Douglas on lap steele.

 

Accomplished husband and wife duo, Larry Campbell and Teresa Williams from Tennessee, performed their love songs, such as ‘Did you ever love me at all and ‘That’s the way you make me feel.' Teresa and Larry were also on top form with their bluesy gospel song ‘Midnight Highway.’ Teresa was in a billowing eye-catching yellow shirt. Campbell played with Bob Dylan’s band for seven years, as well as many other notable musicians.

Niall McCabe

From the States, Loudon Wainwright III, certainly commanded the stage with his story-telling songs and gritty character. He was at his best with his ‘Swimming Song’, when Loudon impressed with the full band behind him, (fiddles, dubro, mandolin, guitar, piano, bass). He had everyone singing on his show stopper, the bard of Dundee Michael Marra’s ‘Hermless’. He later observed with his song “Things are weird right now - “No its not the end of the world as we know it, its just the middle of the night.”

A highlight was Scots Gaelic singer Julie Fowlis, who charms with her faster tempo music on ‘Domhnall Binn’, and also with her poignant lament of loss and longing ‘Ge fada ma Thriall (Catullus)’. With the song ‘Gradh Geal Mo Chrid’ from her new album ‘Looking for the Thread’ she held the audiences in a hushed silence, backed solely by Shaw’s piano and strings. She also played the pipes and whistle. Fowlis, from north Uist is one of the leading lights keeping the Celtic and Gaelic traditions alive. She literally sparkles on stage and brings class to any stage. After Culloden, highland instruments were banned but the Gaelic singing traditions were kept alive.

 

Loudon Wainwright III

From the band we were treated to fine tunes, from bluegrass to Shetland – ‘Stormy Point/ 'Far from Home'/ 'Bonnie isle of Whalsay'/ 'High Road to Linton.’ When each band member does a solo part. This accomplished band perform bluegrass, Americana, Scots and Irish folk tunes. The climatic finale featured Julie Fowlis with her song ‘Hug Air a Bhonaid Mhoir.’ After she joined the band on pipes, finishing with their usual set of rousing and uplifting tunes which always sets the audience on their feet. A toast to the excellent musical directors!

 

Transatlantic Sessions offers us both established and emerging singers – the perfect platform for the artist and the perfect house band. Concerts such as TS proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

Julie Fowlis

 

Review and Photos Pauline Keightley - https://pkimage.co.uk/

 

**ALBUMS – 

Julie Fowlis, Mary chapman Carpenter, karine polwart – Looking for the Thread.  

Niall McCabe – Rituals