Peggy Seeger Oran Mor

The timeless story of songs and words

I enjoyed a gig last week at the Oran Mor Glasgow with the delicate clear voice of folk legend Peggy Seeger (wife of renowned folk  songwriter Ewan MacColl) She sparkled and shone at the age of 80 and took us into her world of music. She said that it is only music that uses all of our minds.

What a lovely classy, dedicated and informed lady!  She offered us some of her collection of stories she held in a large notebook – some were funny, some profound and some moving. Seeger is an accomplished musician and the daughter of folklorist Charles Seeger and her brother is the American folk singer songwriter Pete Seeger.

The Gig

Peggy played a full set with her two sons from 7.30 to 10, (there was no support) with a twenty minute interval. I was glad I wasn’t late!  I feel sure it must take careful thought to choose from a lifetime catalogue of traditional folk songs and stories to chose from. Peggy beamed and showered little pearls of wisdom. 

They began the set with the traditional folk song Hard Times. They sang of longings and of good times and the words, “The dark rolling sea between you and me, How I long for the days gone by.“ Neill and Callum sang Freight Train and also a couple of unaccompanied songs. 

She clearly enjoyed sharing the stage with her two sons with Neill and Callum, who provided lovely blended backing harmonies and guitar. They played some traditional folk instruments - autoharp, banjo, guitar, concertina and piano. Ewan and Callum sang Freight Train. and also a couple of unaccompanied songs. 

The family trio finished the set with the life-affirming Ewan song The Joy of Living. For their encore Peggy treated us to the real version of MacColl’s most famous song, First Time Ever I Saw Your Face. Folk artists sing with a realism and true heart and never over sing or over do the emotions. 

There are no pretensions or airs or graces around Peggy. She stood for several songs and for others she clutched her instruments. Occasionally she waved her hands and arms wide. Peggy beamed and showered little pearls of wisdom.  It was heartening to see Peggy still full of joie de vivre and ready to command the stage! At 80, not only is she wise and like the highest quality red wine, she is still challenging herself to be fresh and relevant. 

After Ewan died Peggy returned to America. She returned to the UK in 2010 and has recorded her first ever solo album which marks a musical rebirth after she suffered from serious ill health.

In 2015 Peggy released Everything Changes. She has said that she enjoyed greatly working with a full session band for the album, which was produced by her son Calum MacColl and features musicians Simon Edwards (Talk Talk, Kirsty MacColl), James Hallawell (The Waterboys, David Gray), Martyn Barker (Shriekback, Goldfrapp) and Kate St John (Dream Academy, Nick Drake). 

I was pleased with my photos and hope they tell the story of the gig - it is always a challenge and at a classy gig like this full of dedicated folk fans I don’t like to disturb the set and I always aim to be discreet.  I take photos either seated or at the side. This was a family affair with her sister-in-law managing the tour.

Women need to say STOP! 

One story from Peggy stood out – about an Amazon tribe where they considered the men tended to be destructive – they cut down trees for canoes, they killed animals for food and they fought wars. Wheras the women were the nurturers of the crops and the children. So they felt the women needed to tell the men when to stop. They would say STOP, we have enough canoes stop cutting down trees. They would say we have enough to eat, STOP killing animals. We don’t need any more wars STOP! When one of the tribe visited the western world she wondered why there were only male voices to be heard and why the women were not saying STOP.

Music is the healer and motivator.

The Shires Oran Mor

The Shires entertained us with big-hearted memorable songs and warm smiles!

I first noticed The Shires single on radio Scotland a few months ago, for its strong melody and vocals and upbeat vibes.

 After only a few shows things have taken off for the pair and they were signed to Decca Records in 2014 and to Universal Music Nashville, The Shires are singer-songwriters Ben Earle and Crissie Rhodes.

The audience were all ages here tonight in the busy hot venue. They started their set tonight with the energetic fun of their debut single 'Nashville Grey Skies'. They followed their upbeat opening tunes - Ben took the tempo down on piano with some touching country ballads  - 'Think I'm Falling in love with you', 'Statements' (their next single), 'Let Me Be The One' and Made in England.’.

After which they took the energy up with several country rock pleasers and their single 'Friday Night' had the packed audience singing along. For their last song 'Tonight' – ‘Your mine I'm Yours’, they divided us into two sections to sing the two parts and they were thrilled on their return on stage for their encore to be greeted with the audience singing the song back for them!    

For the encore they sang 'When It's Real Love' the first song Ben played for Crissie and a popular cover of the Bee Gees love song 'Islands in the Stream'. 

Crissie looked the part with her golden locks and she sang with pure country tones and strong harmonies that added that extra sparkle. Ben is a touching, smooth musician and songwriter who made it all feel effortless. This duo has songs people remember. The Shires are the first ever UK country act to be signed to a major Nashville label. Their debut album Brave in 2015 made the UK top ten.   

The Shires PHOTOS - http://pkimage.co.uk/theshires
http://www.theshiresmusic.com

*This was a two for the price of one event and the show was started by another fun country duo on guitars - two entertaining Americans John and Jacob, who had the crowd cheering and dancing along. They played with pumping guitars, some well chosen covers and their own songs. They are hit-making Nashvillle songwriters and their new singles have attracted Radio 2 airplay. Worth watching out for these guys too!  http://johnandjacob.com

There appears to be a resurgence in interest in country music today. It has shaken off its over-produced days and gone back to basics with more authentic, striped back arrangements. My favourite country musician is Jerry Douglas, who is such an expressive and dynamic player of the resonator guitar and he plays at Celtic Connections here every January. 

Historic Oran Mor

Motto by Scottish artist Alasdair Gray

Emeli Sande

The Oran Mor sits at the junction of Byres Road and Great Western road. It is one of the most iconic converted churches and is lit up at night in soft blues and gold. The upstairs auditorium is often hired for weddings and provides a perfect setting for many world class bands. 

Downstairs is The Venue where I have attended many unforgettable gigs – such as Emeli Sande back in 2007, when she was known as Adele and well before she was famous and five years before the release of her top selling album Our Version of Events. She had a wonderful voice but I never quite imagined one day she might be singing at the Olympic Games! I heard Emeli again here n 2012 when I first heard her wonderful new songs for her hit album….

I have also seen fun bands here, such as Broken Records, Head and Heart and The Low Anthem when I got some of my best ever images - as well as many top singer songwriters.  

The Venue is small, characterful and cosy and a place you can get engrossed in the performances.  

Broken Records

The Head and Heart

Emeli Sande Oran Mor 2007

I first took images of Emeli (then Adele) at her EP launch gig at Glasgow's Oran Mor venue. Emily was in the same medical course as my daughter then and she usually won the talent show at her uni course each year. 

She had an accomplished energetic rock soul band with her and performed a few upbeat songs. Then she took to the piano on the left of the stage and sang some Nina Simone songs. She had big hair back then!  She showed even then her unique passion in her voice. She had three backing singers too which surely showed how seriously she was being taken in 2007 by the industry.

I started this blog in 2007 while I wasn’t taking the blog as seriously then. Little did I know!. and if I might have imagined big things lay ahead. We all thought her voice was strong but it is impossible to be sure about anything in this fickle music business. What I hadn’t figured on was her drive and commitment which are certainly key ingredients.

I posted the photos from the gig and her PR contacted me about photos for her Aberdeen gig flyers and posters. I met her PR guy at a few events he had me along to shoot at.

Her manager phoned me about photos from London, which was really very exciting.  I started to pursue my music photography seriously in 2007 after I got some fun shots at a few gigs in 2006 with a small digital, and I purchased a SLR camera.  

Over this time she was very busy working on her uni course during the week and travelling to London on weekends to write songs and work on her music. She had a few hit songs – one with Chipmunk and another with Wiley.

Then in 2011 she played King Tuts…everything was being carefully planned. I met Emeli at her sound check there and she kindly signed some prints for me. 

At King Tuts she said she wanted to do "soul with a rocky edge." She is genuine and sincere and she appeared incredibly motivated. She sings of the wonder and beauty within all of us. I love the positive and true vibes of her music. She is excellent live and her voice has a moving resonance.

I believe that the successful artist have a purpose in their art – a message they need to convey and that they believe is important.

In July 2012 Sande performed at the London opening and closing ceremonies.This May 2013 Emeli won two prizes at this year's Ivor Novello songwriting awards for her hit song Next To Me as best song music and lyrics, and also most performed work. Her album Our Version of Events beat a record set by The Beatles for the most consecutive weeks spent in the UK's Top 10 by a debut album. I’m so happy for all her successes. 

We all left the Oran Mor (and the Albert Hall all those years later!) full of that feel good energy she exudes on stage.  

I look forward to the next chapter!

Karine Polwart Oran Mor 19th Sept 2012

Polwart is one of Scotland’s best loved songstress with her beautiful voice and relevant moving songs. 

Many folk artists fill the folk clubs but not so many can fill halls the size of the Oran Mor church auditorium. Her pure softly soothing voice captivated the full house in the clear acoustic church setting with its ornate stained glass windows and with Scottish artist Alastair Gray's colourful mural ceiling.

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Karine sang the flowing harmonies and melodies of her story-telling and honest songs. She had her usual two backing musicians, her brother Steven on guitar and Inge Thomson on accordion, plus for this larger event - percussionist Iain Sandilands who added depth and energy to the new songs along with a wind section that included flute and clarinet.

She performed songs from her well received third album Traces - Strange News, We’re all Leaving, Tears For Lots Wife, Salters Road and Sticks and Stones.

One highlight was a lovely duet of the song Solstice with the guitarist Craig from the Scottish band Unwinding Hand. Another set highlight was a haunting solo song from Inge Thomson. 

The set included songs from Polwart's new album Traces. The song Tinsel Show was written about the lights of Grangemouth which shone in the night sky near to where Karine grew up in East Lothian. Karine also included a few of her classic well loved songs from previous albums - Daisy, Rivers Run.

She spoke of her fascination with birds and how many of her songs reflected this. One stand out song from Traces was the song King of Birds. For an encore she sang Follow The Heron. Her new album has her classy songs and a more intricate depth to it.  

Karine said that as she wasn’t an Indie artist she wouldn’t simply come on and play the album songs and leave and that as she had come up through the folk circuit she would play two full sets with an interval and a raffle! 

I’ve heard Karine at several of those smaller folk venues, as well as her leading a Celtic Connections concert on Scottish songs at the Glasgow concert hall. This was another perfect setting for her intimate songs. 

I have met Karine a couple of times and just a week later at the Lake of Monteith Hotel Bar the night before my son's wedding!  She recognised me by name which made me feel just that little bit famous!. She is such a genuine person and this reflects in her music. 

I recommend checking out Karine Polwart's fourth studio album 'Traces' - http://www.facebook.com/karinepolwart/