Showing posts with label Red Pump Special. Show all posts
Showing posts with label Red Pump Special. Show all posts

Thursday 27 February 2014

Rab Noakes Milngavie Folk club

Long Dark Night (Demos and Rarities 1971 - 2011)
Where Dead Voices Gather
Do That Again
Wrong Joke Again (Red Pump Special)
Brand New Heartache (The Everly Brothers)
I'm Walkin Here (new album 2014)
Your Clear White Light (Lindisfarne).
The Sketcher on the Last Train
Out of Your Sight
More than I can say

The welcoming club was packed out with people standing at the sides - the club is often filled with addicted folkies like myself(!) and with relaxed friendly chat. The last time I saw Rab here the crowd was half this size perhaps as it was the month before Christmas. I usually pick gigs of artists I particularly enjoy.
In 2013 Noakes released a 40th anniversary edition of his Red Pump Special album. He told us that the album was first recorded in Nashville with a cracking squad and somebody in the room had worked with Hank Williams.

Noakes sang 4 excellent cover songs choices  Brand New Heartache (The Everly Brothers?), Your Clear White Light (Alan Hall of Lindisfarne), Guessing Kitchen Porter (Michael Marra) and O The Wind and the Rain (Percy's Song) - Rab likes juxtapositions in songs and this one was a murder ballad sung to a sweet guitar waltz. 

Rab sings songs of different eras with small histories and moods and stories and like fine wine gets better over time... I dont' wish to pick out favourites as every song has something special.  He said the mark of a good song was if it can age with you.

One song was about being able to recognise a window of opportunity when it opens...., and I wondered about his lost times when he left Stealers Wheel with Gerry Rafferty and his slot on the BBCs Old Grey Whistle test.  He told the stories behind his songs and musical journeys and his songs range from harder hitting questions to subtler optimisms.
Rab called his style 21st century skiffle - in the style of Guthrie or Leadbelly before the folk revival and also a wee bit Buddy Holly.  Noakes crosses the generations, as he looks and sounds both of now and of those fifties folk songs. .

I can understand that artists like to perform their newer material while I know also that fans would wish to hear some of his older favourites such as Branch or Clear day - perhaps the audience might sing the backing vocals!

Don't' Act Like your Heart Isn't' hard
Travelling Light
Jackson Greyhound
Guessing Kitchen Porter (Michael Marra)
It happened All the Same
O The Wind and the Rain (Percy's Song)
Time Slipping Away
Don't say Money Doesn't' Matter

Rab Noakes PHOTOS -
Rob Noakes -  with  Where Dead Voices Gather' - still relevant and even better than his younger days.... 

Friday 28 December 2012

Rab Noakes Milngavie Folk club Dec 2012

For a man who's been touring for a very long time Rab Noakes looks fit and well. He was asked how long had he been singing in front of people and he answered that he thought it was about 60 years but that it seemed like no time at all. In fact 'it didn't too seem a day too long.'

Noakes guitar playing is both melodic and assured. He has written many memorable and thoughtful songs, that are sometimes full of pathos, over his career in music - such as Branch, Eden's Flow, Clear Day, Together for Ever, and Turn a Deaf Ear. He mixes folk, blues and rock n roll styles. He played with well known Scottish singer songwriter Gerry Rafferty in his pop-folk band Stealers Wheel in the early 70s. I first heard Noakes songs in my twenties when we had singing sessions and his songs were always favourites for harmony singing.

During his long career there has been influences by a wide variety of music from skiffle to the Rolling Stones. He mentioned guitarist Dot Watson, who was his first reference point, and said that he enjoyed 'rootsy' country music rather than 'pop' country. He saw The Rolling Stones in 1964 at the Barrowlands and explained that in their first albums they were gatekeepers for many to interesting blues artists, such as Rufus Thomas's 'Walkin The Dog' which Noakes performed.

Noakes had an older wooden guitar with him as he likes to use different guitars for different melodies. His latest album 'I'm Walking Here' will be Tin Pan Alley and 21st century Skiffle Music.

Noakes enjoyed sharing his fond memories of his musical career and had many interesting anecdotes. He remembered phoning Dylan's manager about the old Scots songs that Dylan sang on his Bootleg album in 1961. He frequently mentioned Gerry Rafferty, whom he remembered with great affection and said when he first met him he was an unassuming young man from Paisley with all these outstanding songs. Noakes explained that Rafferty often used the day as a metaphor for life in his songs. He spoke of the Humblebums' Concert at the City Hall in 1969 and how after Rafferty died in January, 2011, he strummed a guitar melody about the loss for a long time. Eventually, while at an art gallery in London, Noakes wrote words that seemed to work with the melody on his smart phone. The song was the poignant 'No More Time', which Noakes performed in his second set.

He spoke of the recent loss of another legend, Scottish singer songwriter Michael Marra. He described Marra as a master of location and brevity, with words that resonated wider. He performed Marra's 'Oh No More Will I Roam No More, It's Over.'  Noakes is organising a concert in Marra's memory for Celtic Connection 2013 called 'All Will Be Well'.

During the interval a fan asked Rab to sign his vinyl of Red Pump Special, and Noakes reminisced about the day the photographs for the back cover were taken in Edinburgh.

SET (1). Brighter blue, Blues Around Me Now, That's the Way the Whole thing Ends, Out of The Blue, Walkin the Dog, Branch, Light in my Heart, Seeing is Believing, Turn a Deaf Ear,
SET (2)  Highway To Take Me Home, Absence, Goodbye, Oh no more will I roam no more, it's over, ( Marra), Bye Bye Blackbird, No More Time, Moonlight and Gold, That's the Way the Whole thing Ends, Encore: See what booze has done for me, Mississippi,

Rab is quiet and unassuming, and his demeanour, look and sound remind me of Buddy Holly and those 'Americana rock n' roll week day blues'.  He hails from St Andrews.
I especially enjoyed his song Gently Does it (Standing Up album 1995). He is a big Dylan fan and for his encore sang a excellent version of Mississippi. I was pleased my son came and he has been playing this song since the gig.  Nice to hear!

Noakes says music is all about the dialogue and more about performing than simply the song. He spoke of those residency night gigs were artists can learn their craft in front of the live audience and the live performance when 'flying' in the heart of the music toughens you up and you have to learn loads of songs. He played in Denmark 6 nights a week. (I hope those residency nights are not in the past with those large tv screens so prevalent in bars nowadays?) Noakes now runs his own production company Neon.

It seems to me that these intimate venue gigs enrich and soothe the soul. His new album will be called I’m Walking Here – and will be Tin Pan Alley, 21st century Skiffle Music.

Noakes was supported by Colbeg,
It is fun for me to follow the older folk tunes and folk artists alongside the newer pop music songs. I begin to wish some of these older folk artists would collaborate more with the younger musicians.

A two way street though. Experience and wisdoms might be passed on and the energy and enthusiasms of the younger artists could inspire and innovate. Mumford have cleverly mixed dance rhythms with folk tunes to great success.
 Gently Does It
  • (Rab Noakes)
And a few years ago you'd been on this road so long
Now they're building a highway to take you home
Gently does it for a change
I used to think you were just like a mountain range
Your big boots stomped where small men feared to tread
I can hardly believe what I've just read
They say you can't travel any more
But you've got the key to a new front door
And don't you know 'cause you once said it all
When you stand so high you've got so far to fall
Not everyone can look you eye to eye
'Cause you get difficult, dangerous I'm damned if I lie
But we all pay the price
And they place your ante high.