PHOTOS at Edinburgh International Book Festival 2014

Game of Thrones George RR Martin arrives

Kate Adie

Bonnie Greer

Alan Massie

A few images from Edinburgh International Book Festival 2014.

Huruki Murakami at Edinburgh

There was a definite hushed awe over Murakami's rare appearance at a book festival.  Twenty years ago he started the ‘Wind Up Bird Chronicles’.  He usually writes in the first person narrative and he said he was uncomfortable with using the third person - that he didn't want to look down at people, but to rather stand on the same level as his characters; it was more democratic he thought. He said his writing has been a long journey.

His first novel appeared in 1979.  He appeared unassuming and reclusive - he said that he wished to be a quiet person and to live a quiet life. He wrote about extraordinarily strange people and events though!.

He appreciated strong interferences to push the story forward.  He enjoyed irony he said and many of his stories are terrifying and scary.  He spoke of the bloody histories and the collective memories of history and he thought that everybody is cursed and poisoned by the past. The Manchurian history was important for his writing. 

The Well. He spoke of his lifetime dream to be sitting at the bottom of the well where he was super heavy. The water might be coming up. He wrote of nightmares and odd unrealistic coincidences and he said that strange coincidences happened to him.

Questions. He said that the translation of his books were good.

He said that  his stories were not planned and that he had no idea where the story was going. 'It is not fun to know the conclusions. I like to think, what's going to happen today. I like to be spontaneous.

'Imagination is an animal I keep alive.'

He said that once a book is gone, it is gone. 

Why were his characters so sad? I didn't notice he replied, Everybody is sad.

He said he liked to write to music that runs through the novel.' I need music to write on - the harmony and rhythm is important to me to keep the readers reading. I need music.'

I am always looking for the right music to help to me write.,

Murakami is a serene and humble man.

Vic Galloway Jura Unbound, Night of Music and Words

Siobhan Wilson

A night of Music and Words. This evening was a highly successful one with Scottish voices. Galloway has written a book 'Songs in the Key of Fife.'  He spoke of the creative people and places - was it the coastline of Fife or that you use your imagination of die he wondered.

 

Andrew Mitchell of the Hazy Janes began the evening at the Jura Unbound at Edinburgh International book festival 2014, with a strong set of songs on both piano and guitar.  We were treated to powerful and moving readings by authors - Anneliase Mackintosh, Kate Tough and Liam Murray Bell.

Later we had the beautiful voice of Scottish songstress Siobhan Wilson. 

Michael "Vic" Galloway (born 4 August 1972, Muscat, Oman) is a DJ on BBC Radio Scotland and BBC Radio 1, Galloway presents a self-titled show on Radio Scotland (formerly known as Air) every Monday from 8:05pm-10pm and does the BBC Introducing Scotland Radio 1 programme Wednesday evenings/Thursday mornings from 12:00-2:00am. He presents BBC Scotland's T in the Park television coverage every summer and has also presented the station's The Music Show.

A Bird is not a Stone: Palestinian Voices

Liz Lochhead

Maya Abu al-Hayyat

Liz Lochhead, Scottish maker, Christina De Luca and Maya Abu al-Hayyat, Palestinian poet gave a talk Edinburgh book festival 2014, on their book A Bird is not a Stone, an anthology of Palestinian poetry and is in English, Arabic, Gaelic, Scots and Shetlandic. 

Maya Abu al-Hayyat, who is from Palestine and only got her visa to come to the festival a few days before the event, is an engineer, novelist and poet. There was the shared joy for the writers to be sharing such a cross border event, exchanging ideas and appreciating our similarities. Lochhead enjoyment of Maya’s reading of her poems in Arabic was obvious.

After an introduction from Liz on how the project came about and of their trip to the camps and crowded place that is present day Bethlehem, we were given three very eloquent readings first in English by Lochhead, then in lyrical Shetlander from Christina followed by Maya’s emotive readings. It was interesting the different rhythms and feel of the readings and the depth and beauty of the Arabic voice.

With the Shetlander voice, Christina said she wished to get the right tone and earthiness.

The poems were chosen by the Palestinian poets and then translated by 29 of  top Scottish poets( )

The book contains a foreword by Lochhead on their experiences. She spoke of the lack of water for several days and how everyone wanted to reassure them that they were not terrorists. She said, what else but poetry has the beauty and truth to try to cross boundaries. The last poem was about the many ways to smile.

A Bird Is Not A Stone is taken from George Wiley’s words of the birds that flew over the Berlin Wall. This event about a project begun in 2012 is very timely with all the dreadful killings of present day Gaza

Art and poetry voices may try to carry the silent voices across the world of the ordinary people’s lives and of the mothers who wish to watch their children grow up in a world that is not torn in two.

They thought a Scottish poem we might share would be A Man’s a Man For A That. A thoroughly enjoyable book festival event.