Scotland’s Lost Mandates

 

Quebec often comes up, even the newly formed UK Supreme court comparing our ancient Scotland nation to the Canadian state. 

 

If you look up ‘secession’ – it takes many forms – from quietly agreed separations or federal governance to fierce tribal warfare, for example in Africa. So following on from the keenness to compare Scotland to the state of Quebec, (rather than other small nations such as Iceland or Finland) Its interesting to note that after Quebec’s independence referendum, Canada agreed to more self determination for Quebec. 

 

Unlike the British state or UK, which immediately turned to English votes for English laws and Brexit - and to restricting Scotland’s self determination even more. So the British state attempted to pull even tighter with muscular unionism! – leading to all the “stresses and strains” across the UK, and the calls of reform, which are all akin to a parent refusing to allow their fifteen year old to grow up!

 

Looking back to the calls for both Scotland’s and Ireland’s home rule before the great war 1914 – the British state across the 1900s became ever more centralised. This has held the UK back, no longer able to exploit its lost empire, most of the wealth has been held in the south east while the rest of the UK declines. Of course Scottish secession, as a threat to the British state, will be keenly on MI5s radar.

 

Nicola Sturgeon, was she too managerial? The SNP had large mandates, with 56 of the 59 Scottish MPs in 2015…why was this not enough – what more of a mandate is required? We really must wonder. Did she get bogged down in detail rather than seeing the bigger picture?

 

Journalist Ian MacWhirter wondered why the two biggest political figures of Scotland’s 25 years of devolution, have ended their political careers mired in police investigations – and that Scottish politics is far too intertwined with the Scottish justice system. 

 

But surely the Big Debate across the UK is between a centralized state and a more federal one? If we compare to say Spain or other European nations, in Spain each state collects their own taxes. Quebec collects its own taxes and VAT, immigration policies, laws, trade etc. etc. 

 

Independence is a journey – as Scotland already has it own law system, Parliament, central bank, civil servants – it is partly on its way. Scotland only has control of 20% of its welfare, expenditure and 40% of tax. 

 

The happiest and most successful countries are those based on fairness of opportunities where private schools have been abolished and there’s not a two tier system – that is the small nation of Finland. 

 

“Economic Growth”, the favourite slogan of Starmer’s Labour, is not the successful formula for a happy nation. Would federalism work here UK, with so much power centralised in Westminster? Probably not. The debate is therefore between – where does sovereignty lie – with Westminster or the people?

 

Keeping the Celtic Traditions Alive

 

A decade ago I spent a few days in Montrose. My partner said there’s not a lot to do here. I went a walk to the library and to my surprise discovered that Montrose had been the centre of a Scottish Renaissance in the 1930s, led by the poet Hugh MacDiarmid. 

Nearly a century ago there was the Scottish Cultural Renaissance from Montrose – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Crichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, musicians and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Twisted Pine

Julie Fowlis

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back!  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Capercaillie, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture, online social network algorithms, fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan in the National newspaper about the significance of culture over live, in his article, ‘Do not lose sight of the Scotland that we are all fighting for’. 

I believe people vote with their hearts not their heads. Then again there’s Bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The National has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

Duncan Chisholm will play BURNS Gregg fiddle New York!

Duncan Chisholm, 

one of Scotland’s acclaimed fiddlers and composers, will play Scotland’s poet Robert Burn's Greg fiddle at the Hoolie at Carnegie hall New York this April

 

I took this photo when Chisholm was playing with Su a Lee for her Celtic Connections concert to celebrate her album Dialogues.

https://www.carnegiehall.org/Scotlands-Hoolie-in-New-York-0800PM 

  

An 18th Century fiddle linked to Robert Burns is to be used again for two special concerts.The Gregg fiddle - believed to have been owned by the poet's dance teacher - will be played at the OVO Hydro in Glasgow and Carnegie Hall in New York, 

It is usually on display in the Robert Burns Birthplace Museum in Alloway but will be loaned thanks to a collaboration between the Hoolie in the Hydro concert series and the National Trust for Scotland. The Gregg fiddle, dating from 1750, belonged to William Gregg and is thought to have been played at the Bachelors club Tarbolton where Burns was learning dance steps. 

Hoolie in the Hydro organiser and broadcaster Gary Innes said the two gigs would be a "landmark occasion. Robert Burns is an unparalleled figure within Scotland’s culture, so to be able to bring part of his legacy to the Hoolie stages, both at home and across the Atlantic, is remarkable. I hope it will create a moment of magic for both the musicians and our audiences.”

Two of Scotland’s most accomplished players - Ewen Henderson and Duncan Chisholm - will perform using the intricately decorated instrument.  Duncan has travelled to the museum in Alloway to learn the intricacies of playing the instrument. The event will then cross the Atlantic next year for an event held as part of New York's Tartan Week celebrations on 5 April.

Edinburgh International Festival 2025 announced

 

This years theme is “the Truth We Seek”

Now for the first time in its 75 year history run by both a scot and a woman. 

 

In our present world of chaos and uncertainties, Edinburgh festival cultural celebrations bring offerings of light and hopes. The festival offers several Scottish premiers. 

 

 Succession actor Brian Cox appears in theatre show, Make it Happen. 

 

Shakespeare’s As You Like is a Radical Retelling

 

Scottish ballet’s Mary Queen of Scots

 

Mozart’s La clemenza di Tito, opera in concert

 

Our 2025 Edinburgh International Festival invites you to explore The Truth We Seek — a journey into the elusive nature of truth, in our personal and public lives.      Nicola Benedetti, Festival Director

 

TICKETS on sale - https://www.eif.co.uk/