MMmmm, not
sure what to say here. I’ve watched these types shows over many years .
The show
stated with Justin Timberlake – isn’t he American? In recent years the show has become more and
more Americanized.
But is it
more that the mega super cities are now a globalized culture unto themselves –
this show might have been in New York, Monaco, or Tokyo? The music would sound
more or less the same in any major world city – some retro Ed Sherran (he reminds me of Tracey Chapman), some rap,
some dancers in sexy outfits, one rock band and spattered with a few reality TV
show winners.
Where is
any unique indigenous culture then? Perhaps the major cities don’t have any
anymore – with their AirB&Bs, over done Xmas lights, major chain stores.
Those of us who don’t live in a huge world super cities lost touch with
what these places are about? Do we really want to visit Rome to find it is the
same as New York? Or that Paris is the
same as London? Don’t we want to have unique
cultures, arts and heritage and yes music, that we care about?
These 'cultural shifts' are important also for our present day political confusions.
Many of us are confused. The mainstream supposedly ‘free press’ feeds us gossip
rather than any authentic investigative
journalism. (while there are pockets of enlightened journalism). Meanwhile the old tabloid foreign owned press
feeds the older generations lies.
I live north
of Glasgow, which is also a major cosmopolitan city, and I have access to some
of the most beautiufl countryside – Loch Lomond, Campsies, Trossachs.
Glasgow is
rather unique – it has an abundance of small, mid and large venues for all
kinds for musicians to meet and play. And there continues a healthy grassroots
music scene. Each January Glasgow hosts the world's largest folk, roots and
world music festival, which brings together American, traditional. Gaelic, Celtic (Quebec, Basque, Brittany) Irish, Shetland
and Orkney islands – with pipers, singers, guitarists, songwriters, composers.
Celtic Connections mixes contemporary influences long with oral and musical
traditions.
We want to
collaborate with different places and offer unique work – but not at the
expense of loosing individuality and difference, because that only leads to
blandness and a homogenised world. To produce quality in the arts we must know
our own stories.
These major labels reject indigenous, organic heritage and culture unique to
different regions.
The Irish and Scots took their music over to America’s
Smokey mountains, new Orleans – where it missed with ragtime blues, sea
shanties, French Cajun, slave work songs and cowboy songs.
“You hear all the finer points and
you learn the details. “ Bob Dylan.
‘I had all the vernacular down. I
knew the rhetoric. None of it went over my head – the devices, the techniques,
the secrets, the mysteries – I knew all the deserted roads that I travelled in
too. I could make it all connect and move with the current of the day.’
Understand the finer details
Dig deep, to understand the stories.
We must not ‘break into smaller pieces’ – it has to be about
balance though between being international and looking outward, but in order to
do this well we must first know and understand our own stories. We must be
national in order to be also international. The most successful artists know
this instinctively.
States in Europe are no longer
about ‘ethnic bases’ controlled centrally – now they are more about citizens
rights to speak their regional languages
This is a long switch from ethnic to civic nationalism, which has been
happening in Scotland too. This is causing tensions. Europe hundreds of years
ago had large empires (such as the
Habsburg empire, the holy Roman empire) – Europe is now a place of numerous
nation states.
