Scotia's Bard Dick Gaughan - NEW album Harvard Tapes

I am proud to have taken photos at Gaughan’s concerts and met him a few times. He spoke of singing with Emmy Lou Harris and was totally unassuming. I was sad to hear he had a stroke in 2017, and I attended a wonderful tribute concert for him at the Old Fruitmarket, during Celtic Connections 2019. 

Since the 70s, Gaughan has been one of Scotia’s most powerful, authentic and honest Bards. He does this through an open chord tuning on his Stratocaster, and an unerring, defiant and hard-hitting voice. Like Burns before him, he believes we all deserve an equal chance in life. Like Burns he draws on the old traditions and adds his own verses and tunes.

He digs deep into our social heritage of the voices of ordinary folks, unrecognised folk and of those who labour for a better world. He also includes the voices from further afield – America, England, Ireland, France, more . He was a central figure in 1970s Celtic folk revival with Boys of the Lough and his early classic album, Handful of Earth. He also worked with Billy Bragg, Andy Irvine, Five Hand Reel and Clan Alba. Gaughan is half Irish and Half Scots. 

**I first heard Gaughan back at a folk club in Edinburgh in the 80s, when he stood out as so different to the often romanticized view of soft, Scottish folk pop. I’d never heard folk music that challenged in this way. Since then I have heard Gaughan perform at the Celtic Connections concert hall his powerful version of Burns Parcel of Rogues to the Nation. I heard him take it intimate and emotional with Burns Westlin Windsat my local folk club, when he said, it was the best song ever written and says all there is to say really. He challenged with Outlaws and Dreamersand life on the edge. He told stories of old soldiers and miners, such as the powerful Why Old Mew Cry. Gaughan often starts his set with the honesty of the song, What You do With What You’ve Got.

He speaks of the English Diggers - "I tend to side with people like the Diggers, those English revolutionaries who fought without weapons for a fair share of the land that rightfully was the property of everyone to begin with," says Gaughan, summing up his philosophy, and smiling.

Between songs and while tuning his guitar, he tells his stories, often with dark humour and pathos. He talks of the real Scotland, the one he knows in Leith. “We used to elect our king in Scotland, you know. The last one we elected was Macbeth.”

**I heard an interview with Dick on radio Scotland when he spoke of his guitar playing being influenced by Davy Graham,

“When I heard of the murder of Chilean folk singer Victor Jara, by the fascist Pinochet. I knew, I couldn’t just play the old tunes, you had to speak out, and really that is what the tradition is all about. “

"I knew then I couldn't just play old tunes. You had to speak out. And, really, that is what the tradition is about. Traditional music--which to me has always meant just the songs that people sing and listen to, be that rock 'n' roll or old ballads--it has always had to do with politics. People's music, folk music if you will, is very dangerous stuff! It is subversive to acknowledge that ordinary people actually have a culture with artistic merit. This gives the lie to those who would like us to think that the poor are poor because they are stupid! There is a lot of wisdom in some of those old songs, and no reason I can see why songs about the politics of today are not part of The Tradition! I sing 'em, anyway, and that's the tradition I know."

Traditional music - It has always had to do with politics.”

Dick Gaughan at Milngavie folk club

Check out Dick Gaughan’s website -  NEW LIVE ALBUM The Harvard Tapes - https://www.greentrax.com/music/product/dick-gaughan-the-harvard-tapesI

http://www.dickgaughan.co.uk/

Concerts at Celtic Connections and Milngavie folk club - all Photos copyright Pauline Keightley.

**Dick Gaughan Interview with Phil Cunningham Radio Scotland March 2012

Dick chose five songs that have influenced him –

(1) Big Bill Broonzy – Glory of Love

(2) The Shadows – Apache

(3) The Beatles – Love Me Do

(4)  Bob Dylan – Subterranean Homesick Blues

(5)  Davy Graham – 67

Photography & Journeys 2018

2018 has been a constructively rewarding year.

I was delighted that one of Scotland’s top singer song writers Rab Noakes has used my photos from his Celtic Connections gig 2017 - on his new album Anniversarywille. Back in the 60s and 70s, Rab played with greats such as Gerry Rafferty and Lindisfarne. When I hung out in the folk scene then, I remember well the harmony singing of Noakes songs, such as Branch, Clear Day,To each and Everyone, Somebody Counts on Me. In 2007, I saw Noakes still going strong at an Oran Mor gig. He often includes a fifties classic, and this time a song my husband remembered his mother singing. He is also a dedicated Bob Dylan follower – check out his interpretation of Dylan’s Mississippi. 

Rab Noakes Old Fruitmarket Celtic Connections

I also had my first front page in the Scotsman of Chelsea Clinton, in Edinburgh to promote her book, She Persisted. Also photos used by major media (the BBC, Albert hall, Celtic Connections and more) and by press outlets. I have exhibited at Celtic Connections music festival.

I need to allow space, movement, escapism, movement and time for dreams in my images. There have been times when I was so in the moment. I’ve had shoots with hours of time when the artists, the musicians, the dancers who have put their hearts on the line over their commitment to hours of hard graft.  

Journeys

I have been travelling the Scottish islands – first to Orkney, which was awesome, and all its history. Orkney gently tells many stories – ancient sagas from its rich past. Second the outer Hebrides and the beauty of the shimmering soft blues of these landscapes is breathtaking, and its expanse of sands and surging seas....

 

V & A Dundee

Other Projects

I’ve been pursing many projects - too many perhaps! - and I’m often inspired. Hopefully.

My interest and love of history continues apace – this began as a child and with visits to Edina’s historic castle and the Holyrood palace, where I purchased a small blue book on the Stewart kings. At school though, I only learnt of the Tudors and European history.

We learn invaluable lessons by following those who walked before us. I’ve been searching for Scotia – in Edina’s ancient streets and reading Robert Crawford’s The Bard, a very well researched Robert Burns biography that focuses on his poetry and songs. Writing requires a great deal of research, time, commitment, editing, resources and mostly patience too – as do all the arts. We need many skills. 

In these strange times, the arts matters more than ever. 

Culture matters. Our stories matter.

Robert Burns Ellisland

This summer I was so pleased to visit the last farm our great poet Robert Burns lived in. Ellisland is just north of Dumfries and incredibly is pretty intact as when Burns lived here and contains books and other material he had there.  

 **In 1788, Rob and Jean settled at Ellisland farm, a few miles north of the town of Dumfries. It was romantic and he was so pleased to have the river Nith running beside the new farm. A new farm house had to be built: the land was neglected with old ‘run-rigs’ strips, little drainage, no hedges to keep animals off the crops and no farm house. They had a servant and farm workers at Ellisland farm, so he was then able to write many songs and poems while he lived here - Auld Lang Syne (1988), Banks O Doon (1791) and his masterpiece the narrative poem Tam O'Shanter(1791). 

Robert Burns had enjoyed a second winter in Edina in 1788, when stayed in St Andrews square. 

He left Edina that March, little knowing I would never return there. He wanted to return to find his muse to the land and to raise his young family. 

Burns married his Jean in March 1788 and they lived for a time in a small room in Mauchline. 

He was offered the choice of three farms and decided on Ellisland. The farm houses and Byre had taken some time to build and Jean stayed with his mother to learn about cheese making for those months.

Burns found time to write near the woods of Craigie burn near Moffa and at the Hermitage.  He visited the Birks O Aberfeldy on his highland tour. He wrote and sang in the open air to study nature and human nature both. He studied the life of nature around him, from the wild flower, the river banks, the woodlands, the bird song, the small animals underneath, and the fields of corn.

His most famous song, Auld Lang Syne was written after he heard an old man singing this songs and Burns added new verses. Burns collected all these old songs on his Scotia travels, which inspired him to write his own songs too

He wrote Tam O Shanter – his most famous narrative poem on a free day as he walked along the shady path by the banks of the river Nith. He lived at Ellisland for four years. 

He also began training to be an Exciseman, which meant long rides away from home. 

Burns was only thirty and he had been the toast of Edina - he was the new father, the struggling farmer and the ambitious bard. 

Perhaps he had been doing too much - a young father, Exciseman, farmer and collecting songs and writing poetry.  

It became all too much. He sold off the stock to leave the farm life for town life in Dumfries.  

And in 1981 he and his young family left Ellisland for a town house in Dumfries town

Paul Simon Hydro July 2018

Magical and spiritual music which lifts the heart and soul. 

As we dance, have our hearts broken, enjoy nostalgia and our dreams can fly too, Simon began contemplatively with America And Fifty Ways, before taking up the energy with his full band for his wonderful Boy in the Bubble.  

Simon later reclaimed his fond child Bridge Over Troubled Water. He said this song simply passed through him.  He talked about his musical journeys and songwriting. 

Simon writes some of the best and most poignant lyrics. 

He sang more Surrealist songs -

If you and I were an accident 

Then the road offers no resistance,

I’m beneath the stars,

Dazzling blue

His set was interspersed with his hit songs, while he left the best for last. So many highlights! – Mother and Child Reunion, Slip Sliding Away, along with his fun dance tune such as Me and  Jolio Down by the Schoolyard. As well as his outstanding lyrics, Simon songs have those well known riffs 

What a joyful encore when Simon treated us to his best loved songs – Homeward Bound. Sounds of Silence….

There was lots of love in the room and all those spiritual voices.

Simon's Song Odysseys.  

Milngavie folk club PHOTOS

Banny Gallagher

MY PHOTOS at the very popular local Milngavie folk club, run by Jason Smith . I’ve taken some of my favourite images here at some wonderful intimate concerts from some of the cream of Scottish folk talent – Dick Gaughan, Michael Marra Kris Drever, Karine Polwart, Rab Noakes, Benny Gallagher, Cara Dillon, Dougie MacLean,  Donovan, Rose Code Blue. 

MILNGAVIE FOLK CLUB - http://tickets.jmsconcerts.co.uk

DICK GAUGHAN

Kris Drever

John McCusker

Rab Noakes

Michael Marra

Karine Polwart

Dougie MacLean

Michael Marra

Rab Noakes & Barbara Dickson

Blue Rose Code

Cara Dillon at Milngavie folk club 2017

Sam Lakemand & Cara Dillon

Cara sings with  a purity of tone and very natural sound.

She both looks and sounds angelic. Dillon and her talented husband Sam Lakeman (brother to Seth Lakeman) performed a full set at Milngavie town hall stage along with their top quality folk band - Luke Daniels (accordion), Niel Murphy (fiddle),  Ed Boyd (guitar).

With only Sam on piano, on ‘Bright Morning Star’ Cara encouraged her audience to join her chorus, with the words ‘Day is breaking in my Soul’. She also sang an intimate version of Beth Sorrentino’s ‘River Run.’

She sang a moving Tommy Sands ‘There were Roses’ for these turbulent days and a hope there may remain peace in Ireland. She sang of that the shamrock and thistle may flourish together.

She performed an expressive ‘She’s like the Swallow’, and the folk classic ‘Black is the Colour.’ Along with two new album songs and a couple of Irish language songs. She does many quality interpretations of folk classics – although I missed her wonderful take on Dougie MacLean’s ‘Garden Valley’. Her songs touch on themes of love, human frailty,

Between songs we enjoyed her friendly chat. There is a special close synergy between Lakeman’s dynamic piano and Dillon’s perfect subtle floating voice.

Cara also sang her excellent interpretation of  Van Morrison’s ’Crazy Love’  and then she finished her set with her award-winning song ‘Hill of Thieves’.

An evening of intimate song and heartfelt honesty, as Cara wished us joy with her encore song ‘Parting Glass.’

*Luke Donnelly from her band, was the entertaining support with his ‘Revolve and Rotate’ from the 1880.

ALBUMS, A Thousand Hearts 2014, Hill of Thieves 2009, Cara Dillon 2001, Sweet Liberty 2003, Upon a Winters Nights 2016.

http://www.caradillon.co.uk