Alan Bisset ‘Vote Britain’

Alan Bisset ‘Vote Britain’

Take a listen!

Professor Alan Riach writes of how brilliantly many of our Scots poets and writers use both satire and extreme scorn to consider very serious issues, and he mentioned Alan Bisset’s Vote Britain - in his recent article in the National, ‘A Flyting philosophy distilled from books’ : Alan Riach

Vote Britain” begins: “People of Scotland, vote with your heart. / Vote with your love for the Queen who nurtured you, cradle to grave, / Who protects you and cares for you, her most darling subjects, to whom you gave the glens she adores to roam freely through, the stags her children so dearly enjoy killing. / First into battle, loyal and true. The enemy’s scared of you.”

“It moves through very serious issues indeed and uses extreme scorn and satire and ferocious comedy to prompt us to consider them. That combination of humour and seriousness is a literary skill, an approach or technique that runs back through MacDiarmid to Burns and Fergusson all the way to Dunbar, and is another example of the democratic strain that characterises Scottish literature.” 

“I have no use for any measure of devolution. I want complete independence and the complete disjunction of Scotland from England. The Westminster Government can never give us independence. Independence is not given but taken.”

This time we will be prepared for a new vote – far far more than back in 2013. We’ve now had 5 years to gather arguments and to look at both sides.  And for us to consider what the union has meant and to question if it is really a “union” at all?  We must be more radical too – after all why have independence at all if its not for something new?

It’s too soon right now for the IndyRef 2 vote – but we need to be ready. Brexit appears to be leading us all off a cliff edge by those in Westminster who appear to not know what they are doing. It’s quite scary. What are they doing? 

We need to focus on invigorating debates, open hearts and minds, investigate what democracy really means, examine creatively, listen and read widely,

 ‘VOTE WITH YOUR HEART,  VOTE BRITAIN!’

https://alanbissett.com/2012/01/13/my-contribution-to-the-debate-on-scottish-independence/

 *A Flyting philosophy distilled from books : Alan Riach

He writes about how important it is for all of us to read – and to read a variety of materials. And how that will effect change to a more democratic Scotland. Flyting is when poets get together and try to out do each other in words!

“If folk are to be open to the big questions and have some fun talking about them, the discussion needs to be snappy and sharp, and the whole world is the location in which the debate needs to take place, in popular culture and also in the entertainment world as much as in the most serious, esoteric or difficult arenas. Politics has for so long normally been the provenance of slippery, sneaky, snaky evaders of direct questions, the organised and impenetrable self-congratulators or the unapproachably smug and affluent. Radical thinking makes a different politics, informed by irreverence, imagination, honesty and respect for what matters. It gets us to the fundamental things. This is what close reading helps us to do. Or close listening.

When we open the maps to find the destination of a different Scotland, more democratic and less institutionally dominated, we know that even if the cartography is mistaken today, at least the maps show that the land is there. Whatever actually happens, or can be made to happen, change starts happening in the way you think about what might happen.” 

Extract from A Flyting philosophy distilled from books : Alan Raich -  http://www.thenational.scot/culture/14927143.Alan_Riach__A_flyting_philosophy_distilled_from_Scottish_literature/

We need to focus on invigorating debates, open hearts and minds, investigate what democracy really means, examine creatively, listen and read widely,

Mr Bob Dylan’s Nobel Literature prize

Political choice too - in todays rather scary world of extreme, fearful and narrow governments, who are giving into the voices of fear.

 Bob wrote of our common humanity, of tolerance, of inclusion and diversity, harmony.  Play a song for me Bob, play it questioning, sometimes angry sometimes full of wonder. Play it loud and deep.. The answers may yet be blowing in the wind.

Bob wrote of Masters of War, of a hard rain a going to fall, of love conquering all, of important freedoms,

He tied himself to the nearest tree, with the deepest roots.

Play it loud now Bob for all the disenfranchised, for those who cannot be heard, for the weak, for the blind….

 

Forever Young photos by Douglas Gilbert

 Journey to Becoming:  the Travelling Journeyman 

 FOLK SONGS spoke to him most directly… Dylan looked for songs that make you question what you’d always accepted, that break hearts, have power of spirit.

We are in a constant state of becoming.

He always believed in the constant state of becoming, that you must always travel and never arrive, that the road does not lead to the truth - the road is the truth.

The times writer Bryan Appleyard wrote,  ‘Not only does Dylan make great art, he inspires it I others.’

‘When you got nothing you got nothing to lose,

You’re invisible now, you go no secrets to conceal.’ 

His voice was full of honesty about life - yes life is tough at times - but also his voice and words are full of hopes.  I missed Dylan the first time around.  I was too young for his first albums while I remember his songs, Blowin In The Winds, Mr Tambourine Man and Like A Rolling Stone - although these songs were often sung by others on the radio. In 2009 I watched Scorceses' informed, clever and inspired documentary on Dylan and what an 'ear' opener that was and from then everything changed for me - thank you Scorcese! 

Times they are A-Changing

You never arrive.

Words change their meaning.

Time changes everything

Can’t be wise and in love at the same time.

I read these notes he wrote for Broadside 1962. And this is it for me too - those who see wrong but walk on by.   “"Too many people are telling me where the answer is, but oh, I don't believe that. I still say its in the wind and just like a restless piece of paper , its got to come down some time, But the only trouble is that no one picks up the answer when it comes down so not many people get to see and know it.. and then it flies away again, I still say that some of the biggest criminals are those who turn their heads away when they see wrong and know its wrong.............."

It is all about spin when there is no vision or passions, that's what worries me the most...about centralizing power and in so doing restricting our basic human rights and freedoms, its very very scary. We have a system in place with no checks and balances to the power of the 'Crown' or Royal perrogative that resides with our prime minister. I read the Tory's in Westminster want to restrict our Human Rights and ban Extremism.

We have to value our independent, informed and free thinkers – they are few and far in-between.

Dylan, "People seldom do what they believe in. They do what is convenient and then repent... "

Is it the large media companies and their accountants who only want artists to play safe and who sing of the MOR and everything's OK with nothing too controversial? What would they make of a young Dylan singing Masters of War today? Would he even get a label deal?  I guess only in the folk circuits – how did Dylan get heard!

Where are any young singer songwriter with a voice of grit who might challenge assumptions. After all what is art is it doesn’t challenge?

One of the greatest Biographers of Bob Dylan was the award-winning Scottish journalist Ian Bell (who sadly died in 2015). I went to his talk on his book Time Out of Mind at Edinburgh book festival in 2015.  My BLOG on Ian Bell - http://www.musicfootnotes.com/search?q=ian+bell

Allan Ramsay festival

New Allan Ramsay festival Carlops 14 - 16 October 2016. 

Allan Ramsay Snr Born 1684 – 1758 Leadhills Lanarkshire, was a Scottish poet who strongly influenced Robert Burns. He was one of the founders of the Easy Club, a group of like-minded men who enjoyed literary discussions over a bottle of claret. It was known for Jacobite sympathies and Ramsay was determined the Scots language would not die out in the years after the Act Of Union (1707) when “North Britishness” was all the rage.

He started to earn money for his verse collections in Scots and then decided to turn his wigmaking shop in the Old Town into a booksellers. He also decided to  rent out books, and became known as the founder of Britain’s first library.

He also composed Scotland’s first opera The Gentle Shepherd, which is a ballad opera both comedy and a homage to the joy of pastoral life, which was his masterpiece. There is monument to Allan Ramsay Snr in Princes St Gardens.

Allan Ramsay Jnr was his eldest son. He studied art in London and Italy and then based himself in Edinburgh in 1738. He established himself as a portrait painter and later moved to London. Where he was appointed official portrait painter to King George III. Earlier this year, his long lost portrait of Charles Edward Stuart, painted at Hollywood in 1745, was bought for the nation at a cost of £1m and now hangs in the Scottish National Portrait Gallery. 

WB Yeats: Revolution of the mind

WB Yeats 

Revolution of the mind

Songs and imagining the immigration myths - There is no free state without Yeats.  Ireland does not exist without the Poet.

Excellent TV program recently about the Irish poet WB Yeats narrated by Bob Geldof.

Yeats became the Irish National Poet. He looked at the old myths and stories and wanted to write of the spirit and voice of Ireland. He had a vision of a pluralistic, tolerant Ireland that prevails today. 

He was a Protestant born in Dublin.  His father was  a barrister and his mother’s family were from Sligo Ireland which they visited often and where he learned of the myths and magic tales from the servants.

He later lived in London where he Oscar Wilde and other writers and poets. There he also met his muse, Maude Gonne, who was a revolutionary for a free Ireland.

He believed in the arts, poetry and in the sovereignty of intellect and the mind.

His work was about the celebration of pro Ireland NOT what Ireland is against and to celebrate Irishness – rather than oppose England.

He wrote “No fine nation without literature and no fine literature without nationality.”

           

He dreamed of a modern, tolerant nation that was open and pluralistic .  He wanted to tear down the idols of the market place. And he knew that nations are not about lines – and that every people need their myths.

Yeats gave the Irish ‘who they were’ before the endless fighting. Yeats elevated the old heroes – political expression of a people. – Pens not guns.

http://www.bbc.co.uk/yeatsbobgeldof

Meanwhile in Scotland in 1780 a Robert Burnes, 

also wrote of the old stories and collected the old songs around Scotland, from the borders to the highlands. He too became the core and poetic voice of a true and honest Scottish voice. 

In 1920s after WW1 in Montrose, as part of a Scottish Renaissance there, another poet Hugh MacDiarmid took up this mantel again and he too wrote in both Scots and English – drawing on the past stories and imagining the Scotland of the future.  He was one of the visionary poets that began the Scottish national civic movement.

Poet James Macpherson & OSSIAN

I read of the Ossian poems and their effect on Robert Burns. When I went to research this blog I was astonished at his story!  The author of the epic poems of Ossian - supposedly about the Celtic hero Fingal (more later). At this time in the late 18th century there was a rebirth in romantic thinking which led to the Romantic movement which has a big impact on all the arts in Europe.  

(1736 – 1796) was a Scottish writer, poet, literary collector and politician, known for his interpretations of  the Ossian poems. He was the first Scottish poet to gain an international reputation.

Macpherson's work - The Highlander (1758); 1760 as Fragments of Ancient Poetry collected in the Highlands of Scotland; 1761 Fingal, an Ancient Epic Poem in Six Books, together with Several Other Poems composed by Ossian, the Son of Fingal, translated from the Gaelic Language and written in musical measured prose. 1765 Temora, The Works of Ossian in 1765

When the epic Ossian poems were published by the Scottish poet James MacPherson  in 1760  - a fantasy of a third century Gaelic bard who wrote of a Celtic hero named Fingal - they achieved success  internationally. The general consensus today is that Macpherson was the author and had based them on ancient Gaelic folk tales. According to the clan Donald site Fingal of the Ossian poems was based on the Greatest Hero of the Celtic Race -  (Somerled) Somhairlidh mac Gillebride mhic Gilledomnan.  and not an ancient Irish hero as some made out at all. 

Did Macpherson equate the Scottish hero to Irish legend, in order to have his works published at all? At this time, after the Jacobite 45 wars, Highland culture was being severely repressed (the punishment was Transportation). Poetic license in other words and one of the beauties of poetry - that we can express ideas, concepts and beliefs we cannot so clearly in prose. The Scottish Highlands then became "a place of great beauty and romance - rather than one of wild warriors and hardships." (Tom  Devine).

The Clan Donald site believes Fingal was based on the renowned Celtic warrior king (Somerled) Somhairlidh mac Gillebride mhic Gilledomnan -  who died in Renfrew 1160 fighting the Scots. He was king of Argyle and the Western Isles. They believe the works were poor translations and that Macpherson deliberately wrote under the Ossian name  - as a fantasy to associate the ancient Gaelic poems to Ireland. They believe he did so to protect himself, as after the Jacobite 45 wars the English decided to repress the Highland culture and way of life.  

Herder, Goethe, Napoleon, Diderot, Burns, Scott and Voltaire were great admirers of the poems. Thomas Jefferson thought Ossian "the greatest Poet that has ever existed". They were proclaimed as the Celtic equivalent of the classical writers such as Homer.  Painters and composers chose Ossianic subjects.  The poems also influenced the composers Mozart, Beethoven, Schubert, Mendelssohn who expressed the freedom of Romanticism. Schubert composed Lieder set to many of Ossian's poems. Mendelssohn was inspired to visit the Hebrides and composed the Hebrides overture, Fingal's Cave.  Poets, Byron, Coleridge, Wordsworth and Yeats were also influenced. Lady Jane Wild named her son Oscar Fingal Wilde (the Irish poet and playwright) after the writer of the romantic Ossian poems....

Robert Burns mentioned Ossian in the footnotes of his first book of poems. He too wished to be a national bard (Poems in mostly in the Scots Dialect 1786). After the success of Burns poems, other nations such as England wished to have their own national bard too.  The Ossian poems were part of the glorification of heroic individuals and artists. By contrast Burns social democratic background was of the people and nature with quite modern and environmental views (like Tolstoy) he understood the importance of valuing all life - from the smallest creature to the highest lord. 

The Clan Donald site believes Fingal was based on the renowned Celtic warrior king (Somerled) Somhairlidh mac Gillebride mhic Gilledomnan -  who died in Renfrew 1160 fighting the Scots. He was King of Argyle and the Western Isles. They believe the works were poor translations and that Macpherson deliberately wrote under the Ossian name  - as a fantasy to associate the ancient Gaelic poems to Ireland. They believe he did so to protect himself from Transportation as after the Jacobite 45 wars, the English repressed the Highland culture and way of life.  

Clan Donald James Macpherson Ossian poems - http://www.clandonald-heritage