Celtic Connections 2026 announced!

World leading and award-winning festival offers major music gigs to intimate performances from – Thursday, January 15 to Sunday, February 1 2026.

A programme with 1200 artists over 300 events and 15 venues. 2026,  Rich showcase of trad, folk, roots and world music, Celtic Connections has grown over three decades to become Europe’s biggest winter music festival.  With a wide range of genres that include blues, soul, Americana and indie to acoustic, orchestral, jazz and electronic.   

Delivered by Glasgow Life in partnership with Innis & Gunn, the 2026 festival — its 33rd edition — will take place in venues including the Barrowland Ballroom, Old Fruitmarket, King Tut’s, Pavilion Theatre, Óran Mòr, Saint Luke’s and SWG3. The newly-refurbished Citizens Theatre will also make its debut and the Emirates Arena will host Scottish folk-rock super groups Skerryvore. Celtic Connections 2026 kicks off with a World Connections Opening Concert at Glasgow Royal Concert Hall.  A World Connections Opening Concert Glasgow Royal Concert Hall – to celebrate music’s global connections and power to unite people all over the planet. The universal language. With unique collaborations with innovative partnerships Malian singer Roki Koné – feminist supergroup Les Amazones d'Afrique – performing with one of Scotland’s leading folk bands RURA.

Festival highlights include:   Scottish fushion band Shooglenifty; Orcadian bands The Chair, Fara and Gnoss; Highland band Dàimh; Celebrated Cuban collective Buena Vista All Stars; Senegal orchestral sensation Baobab; Mexican drumming dynamo Antonio Sanchez, with harpist Edmar Castañeda and American Bela Fleck; Grammy-winning Americana singer-songwriter Lucinda Williams.

A tribute to one of the world’s most influential folk singers — Scotland’s Dick Gaughan — featuring a large cast of artists and rising Scots stars singer-songwriter Katie Gregson-McLeod and indie accordionist RuMac.

Our Mother Tongue to celebrate Celtic tradition languages – Irish Gaelic, Québécois, Welsh Gaelic, Scots Gaelic. A vibrant expression of cultural pride and linguistic resilience that boldly pushes creative boundaries. A celebration of music and songs in minority and Indigenous languages, Our Mother Tongue showcases an exciting line-up of artists who are proudly honouring their linguistic heritage while boldly pushing creative boundaries.

25 years of new Gaelic songs. Special interpretation of the songs of Robert Burns, the Scottish ballads, and two special nights of Gaelic song including Òran Ùr . 

The Transatlantic Sessions will be held on February 1, 2026, and will feature performers like Darrell Scott, and three singers who’ve been working together, Karine Polwart, Mary Chapman Carpenter and Julie Fowlis.  The packed 2026 festival programme also sees the return of many regular firm favourites, including the Danny Kyle Open Stage showcasing new talent, Festival Club, which returns to the Art School, and the Glee Club nights. 

 **Celtic Connections creative producer, Donald Shaw, said: “At the very heart of our 33rd festival are celebration, collaboration and connection. We are very excited that our 2026 edition will bring together such a wealth of talented musicians from Scotland and all over the world – from award-winning performers to young newcomers. And we can’t wait to welcome so many fantastic artists and acts to Glasgow in the new year to perform for our audiences in every corner of the city. 

“Celtic Connections is a celebration of the boundless power of music to connect and inspire; to transcend borders and provide a platform where Scotland’s own musical might is matched by global talent. Our diverse programme showcases a wealth of musical genres and styles, and we hope as many people as possible will take advantage of the opportunity to experience and enjoy all that’s in store. As we champion the universal language of music, we invite lifelong music fans and curious newcomers to join us as there’s something magical waiting for everyone at Celtic Connections 2026.”

Bailie Annette Christie, chair of Glasgow Life, added: “Glasgow is immensely proud that Celtic Connections continues to be such an incredible success in Scotland’s cultural events calendar, and every year shines a global spotlight on our vibrant UNESCO City of Music and its legendary reputation for audiences which are among the world’s best.

Dick Gaughan Retrospective, interview Radio Scotland

 

Dick Gaughan Retrospective, interview BBC Radio Scotland Anna Massie 

 

Thursday 17 July, 7.30pm - https://www.bbc.co.uk/programmes/p0lqmsnp/p0lqmrsj

 

Gaughan had a stroke in 2016, which means he can no longer play the guitar or perform for nearly ten years. 

 

His guitar is earthy, real and powerful –  an incredible presence and depth. 

 

Gaughan says his guitars is an integral part of his singing. The Song has a tempo all of its own. The guitar has to follow the song. 

There has been fundraising to support Gaughan's battle to reclaim his music. Please support -

 

https://www.gofundme.com/f/aatux2

 

Venues, Glasgow Music

Glasgow Hydro audience

Glasgow named as City of Music

 

Glasgow is a vibrant and exciting city of music, with the diversity and range of music venues. It has a slightly wild, irreverent and challenging side. Many musicians also say Glasgow audiences are the best!

 

From the concert hall to the modern 14K seater Hydro; iconic mid-size venues and the large number of small venues. World renowned venues include – the Barrowlands, King Tuts, Oran Mor and the Old Fruitmarket. These venues offer a close up and intimate live music experience.

 

There is also the unusual and historic venues – the Tall Ship, on the Clyde, the Macintosh church, Nice n Sleazys, St Lukes, Brel. All this matters in terms of building a healthy and active grassroots music scene for the future. Plus a number of busy folk clubs, jazz bars and more.

 

The Arts and music is a huge industry for the UK and for Scotland. 

 

Glasgow boasts lively Trad sessions, decades of history, iconic venues, intimate gigs,

 

 Outstanding festivals, passionate audiences, record shops, 

 

 

Mary Chapman Carpenter and Friends

Del Imitri Hydro

MY MUSIC PHOTOGRAPHY

Over the past years I’ve been to many memorable concerts and taken photos of my musical heroes. I saw my music and lyrics hero Bob Dylan on the Braehead arena - I have to assume he found the large SECC arena impersonal and remote for his previous gig here. I went with my teenage son and his audience is certainly a broad church – from the dedicated disciples who go every concert to the curious. At 70 Dylan is a proliferate as ever with a new album release in 2020, with his stunning, immersive songs.

 

Another icon was Paul Simon, Clyde Auditorium, which was uplifting and joyous. Plus Fleetwood Mac, Elton john, Neil Young. Paul McCartney.

 

On the smaller stages – Arcade Fire, Barrowlands, Admiral Fallow, King Tuts, Hiam, swg6, 

Oran Mor, Emeli Sande. Karine Polwart, Tall ship.

 

I’ve seen other folk heroes at both Celtic Connections and Milngavie folk club - notably the legends Dick Gaughan. Dougie Maclean, Rab Noakes, Gaelic singer Julie Fowlis. And Blue Rose Code (Ross Wilson) was another favourite.

 

Plus the excitement of taking photos at the Royal Albert hall London for Emeli Sande!  2012. I’ve taken photos at many top class gigs – its often been a thrill and an honour with the buzz of the pit and the adrenalin rush to try to capture the right image, that not only tells the story but the artist expressing their innermost reflections..

Music photography expresses my passion of both art and music.

King Tuts famous steps!

Keeping the Celtic Traditions Alive

 

A decade ago I spent a few days in Montrose. My partner said there’s not a lot to do here. I went a walk to the library and to my surprise discovered that Montrose had been the centre of a Scottish Renaissance in the 1930s, led by the poet Hugh MacDiarmid. 

Nearly a century ago there was the Scottish Cultural Renaissance from Montrose – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Crichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, musicians and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Twisted Pine

Julie Fowlis

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back!  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Capercaillie, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture, online social network algorithms, fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan in the National newspaper about the significance of culture over live, in his article, ‘Do not lose sight of the Scotland that we are all fighting for’. 

I believe people vote with their hearts not their heads. Then again there’s Bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The National has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Glasgow 850

Del Amitri

Glasgow is a city of surprises. Dotted around the city centre are many impressive, architecturally interesting buildings. The city also boasts several unique areas that offer culturally fun walks. Glasgow is a vibrant city of the arts. Its a challenging, dynamic place. There are many historic Victorian buildings, art galleries and tenements.

 

Glasgow is the City of Music and boasts world famous venues including the Barrowlands  King Tuts, Oran Mor, old Fruitmarket. 

 

First there is Glasgow’s Westend. With its university spires atop Kelvingrove park, where there is the dominate Kelvingrove galleries. Close by is the up and coming Finnieston with its unique cafes and shops and close to the new Glasgow Hydro arena and SECC exhibition centre. Up the hill is the lively and picturesque Ashton Lane. Glasgow’s university is one of the UKs oldest and here its worth seeing the cloisters and the Huntarian art gallery. 

 

On the east side there is the Merchant city, with the Old Fruitmarket and City halls venues, and busy night life. There are reminders here of Glasgow’s links to the tobacco and sugar trade. Glasgow was once the engine room of the British empire.  

 

The city’s main street, Buchanan St has the Lighthouse and the concert hall with Donald Dewar’s statue looking on. Just across from this street is the modern art galleries and the cone atop the Duke of Wellington’s statue. Then along Sauchiehall St are Macintosh’s famous tea room. There’s also Glasgow’s cathedral further east and the Acropolis views. 

 

Glasgow is a city of steep hills and long skylines with its many bridges over the river Clyde to Govan, once the world’s ship building centre where the Queen Mary liner was launched in 1934. 

 

Elaine C Smith

Eddi Reader

*There are major artists, writer, scientists, innovators, actors and musicians from Glasgow. 

Most well known Rennie Macintosh, The Glasgow Boys, 

William Macgregor, James Guthrie, Arthur Melville,

Glasgow Girls – Margaret & Francis MacDonald, Bessie Macnicol,

 

Actors - James McAvoy, Robert Carlisle, Kelly Macdonald, Peter Mullan, Elaine C smith, Gary Lewis, Janey Godley, Billy Connolly, 

 

Lord Kelvin, professor or maths & Physics, kelvin temperature scale, important for thermo dynamics.

 

Writers – Alasdair Gray, James Kelman, Jackie Kay, peter may, Debi Gliori, Edwin Morgan, 

 

Musicians -  Simple Minds, Del Amitri, Texas, Deacon Blue, Blue Nile, Wet Wet Wet, 

Franz Ferdinand, Lulu, Mogwai, Mark Knopler, Dick Gaughan, Eddi Reader, Donovan, Emma Pollock,

 

(Gerry Rafferty - Paisley, John Martyn, grew up in Glasgow)

Dick Gaughan

Mogwai