![]() |
Robert Burns statue bottom Leith walk |
This happened to the world’s greatest poet who was dismissed as simply a ‘heaven taught ploughman poet’ – when in fact he knew five languages and was a ferocious reader of the classics, philosophers and of the Scottish enlightenment.
There has been devious, underhand, manipulative moves - not
only to ignore the Scottish contributions to the world of the arts, writing, history,
and science -.but to whitewash them out of history by those who support the
Unionist establishment, the Anglicised Scots of all things English, who see their
future in a House of Lords!
**As an example in 1854 the Irish poet Oscar Wilde was born and
his mother named him - Oscar Fingal Ossian - ‘Isn’t that grand, misty and
Ossianic” she said - yet today who has heard of James MacPherson's Ossian poems? More recently the 1980s
there were moves by the English controlled Arts council to close the Scottish
National portrait gallery and ignore Scottish art, which was strongly opposed,
and thankfully has instead been refurbished and is flourishing today.
![]() |
Oscar Wilde |
What I did learn was of Tudor England and of English writers such as Shakespeare, Wilfred
Owen and some American writers. My only lessons in Scottish history were a couple
of Burns songs with the Primary schools choir – Ca the Knowes, Comin Through
the Rye. I was hooked. I feel angry that at school and college in Edinburgh, I
learnt of French, American and English writers – but nothing on the great
Scottish writers! Hopefully today with Scottish studies at our universities,
this has improved in our schools too.
We need to ask - Why have we Scots forgotten? The idea has
been to suppress the subordinate cultures such as Ireland, Wales and Scotland. Writers likes Burns and others fought against this in the years after the
forced union. I was reading of the origins of Romantic poetry after I picked up
a book at the National portrait gallery London on Romantic poets – of the Ossian poems of James MacPherson (read by Napoleon and worldwide),
Allan Ramsay, Robert Fergusson, Walter Scott, and of course the unparalleled
Robert Burns - there was no mention - the international success of Scottish
writers has been suppressed.
A few years ago my son
graduated at the Royal college of Surgeons Edinburgh, where I was surprised to
learn that we have the oldest centre for medicine in the world! There have also
been many great Scottish scientific and medical innovations.
Artist and teacher Alexander Moffat and poet and lecturer Alan Raich,
write in their informed book, Arts of Independence –“In most countries in their
national galleries, half are devote to International Art and the other half to
the Art of that nation itself." This is not the case in Scotland where Glasgow artists have been neglected too, as recently as the 1980s and they had to go to New York for recognition.
“Scots suffer from “virtual
universal historical illiteracy’, says historian Tom Devine, “ perhaps that’s why they’ve
struggled to engage with the Referendum campaign."
I believe it is not only very important, but also time we honoured our great Bard, with a statue of him in St Andrews square (and not the other forgotten tyrant Dundas).
And that we also honoured Fergusson (Burn’s muse), Allan
Ramsay and the many recent great Scottish writers along with the manygreatrecent
authors with a decent Scottish writers museum.
Nationalism understandings matters – it matters to know and understand our
roots, heritage and the stories that inform our nation. To understand the
places and streets we walk upon. And not in an exclusive way but an inclusive way.
![]() |
Hugh MacDiarmid |
“The idea that national self-determination can fuse and
ignite art, safeguard its provision, be the ground from which self-knowledge,
love of others and the optimism of curiosity grows.”