The Nature of Nationalism

Excellent article by Isobel Lindsay National July 2018 on the nature of nationalism. 

Lindsay writes that, “nationhood  is morally neutral – like say parenting. It ranges from commitment to place, self-government, national identity and to enthusiastic internationalism in which nations co-operate within agreed structures. 

At the football World Cup we saw a display of nationalism that was good natured – both internationalism with competition and co-operation among the nations, promoting their national interest within a set of agreed rules an shared objectives." 

The commitment to a specific place and people is an essential part of the human condition. The group is essential to our survival and the development of culture. Below the surface we are all nationalist. Nationhood is about shared values, distinctive identity, civic culture, shared experience and mutual understandings. What is the alternative to nationalism and the nation state?  

Uniquely, and unlike populist far right national groups in Europe. Scotland's nationalist movement, going back to the 19th century, was led by people whose values were egalitarian, liberal and internationalist - Roland Muirhead, Cunningham Graham, Compton Mackenzie, Neil Gunn, John Maclean. In other words a fight for civil and social rights. 

Lindsay writes, “It has been one of the failings of the left in England to ignore national identity issues and it gives the opportunity to the right to impose their interpretation on nationalism.”’ 

Therefore “England has allowed the right to define Britishness and Englishness in their own image - of monarchy, military and of a mythical rural idyll.” 

Isobel Lindsay on the nature of nationalism, The Nation July 2018

http://www.thenational.scot/comment/16357986.isobel-lindsay-why-we-need-to-talk-about-nationalism/

BRIT Awards 2018

 Has England lost its identity in a London melting pot?

MMmmm, not sure what to say here. I’ve watched these types shows over many years .

The show stated with Justin Timberlake – isn’t he American?   In recent years the show has become more and more Americanized.

But is it more that the mega super cities are now a globalized culture unto themselves – this show might have been in New York, Monaco, or Tokyo? The music would sound more or less the same in any major world city – some retro Ed Sherran  (he reminds me of Tracey Chapman), some rap, some dancers in sexy outfits, one rock band and spattered with a few reality TV show winners.

Where is any unique indigenous culture then? Perhaps the major cities don’t have any anymore – with their AirB&Bs, over done Xmas lights, major chain stores.  

Those of us who don’t live in a huge world super cities lost touch with what these places are about? Do we really want to visit Rome to find it is the same as New York? Or that Paris is the same as London?  Don’t we want to have unique cultures, arts and heritage and yes music, that we care about?

These 'cultural shifts' are important also for our present day political confusions. Many of us are confused. The mainstream supposedly ‘free press’ feeds us gossip rather than any authentic investigative journalism. (while there are pockets of enlightened journalism). Meanwhile the old tabloid foreign owned press feeds the older generations lies.

I live north of Glasgow, which is also a major cosmopolitan city, and I have access to some of the most beautiufl countryside – Loch Lomond, Campsies, Trossachs.

Glasgow is rather unique – it has an abundance of small, mid and large venues for all kinds for musicians to meet and play. And there continues a healthy grassroots music scene. Each January Glasgow hosts the world's largest folk, roots and world music festival, which brings together American, traditional. Gaelic, Celtic  (Quebec, Basque, Brittany) Irish, Shetland and Orkney islands – with pipers, singers, guitarists, songwriters, composers. Celtic Connections mixes contemporary influences long with oral and musical traditions.

We want to collaborate with different places and offer unique work – but not at the expense of loosing individuality and difference, because that only leads to blandness and a homogenised world. To produce quality in the arts we must know our own stories.

These major labels reject indigenous, organic heritage and culture unique to different regions. 

The Irish and Scots took their music over to America’s Smokey mountains, new Orleans – where it missed with ragtime blues, sea shanties, French Cajun, slave work songs and cowboy songs.

“You hear all the finer points and you learn the details. “ Bob Dylan.

‘I had all the vernacular down. I knew the rhetoric. None of it went over my head – the devices, the techniques, the secrets, the mysteries – I knew all the deserted roads that I travelled in too. I could make it all connect and move with the current of the day.’

Understand the finer details

Dig deep, to understand the stories.

We must not ‘break into smaller pieces’ – it has to be about balance though between being international and looking outward, but in order to do this well we must first know and understand our own stories. We must be national in order to be also international. The most successful artists know this instinctively.

The switch from Ethnic Nationalism to Civic nationalism 

States in Europe are no longer about ‘ethnic bases’ controlled centrally – now they are more about citizens rights to speak their regional languages  This is a long switch from ethnic to civic nationalism, which has been happening in Scotland too. This is causing tensions. Europe hundreds of years ago had large empires  (such as the Habsburg empire, the holy Roman empire) – Europe is now a place of numerous nation states.  

Edinburgh festival 2017

Royal Mile performers and festival goers

Every August is a highlight of my year to venture on Edinburgh’s historic streets and to culturally recharge my batteries at the world’s largest arts festival. There’s a special freedom of creativity, where nearly anything goes – a smorgasbord melting pot of colour, comedy, dance, song,

There’s also the high water marks of the main festival – with opera, classical, ballet, drama, and more. .

Edinburgh is ideal to see on foot with the Royal mile, the mound and over to the new town.

This year EIF celebrates 70 years!

Begun in 1947.

Comedy at the Pleasance and elsewhere is the main attraction. Remember to read the Scotsman reviews!

Then there is the wonderful literary hub of the Edinburgh International book festival at Charlotte Square – with poets, artists, sportsmen, politicians, and more.

Hopefully the sun will shine, the tattoo fireworks every evening will light our skies, and there’ll be many more joyful celebrations for those twilight summer days and nights, and with autumn leaves soon in the air.

posters on the royal mile

EDINBURGH FRINGE 2017  Celebrates its 70^th anniversary

THE ALLIANCE OF DEFIANCE

The Fringe began in 1947 when eight groups arrived in Edinburgh hoping to perform at the newly formed Edinburgh International Festival but were refused entry. Rather than being discouraged from performing, they went ahead and performed on the fringe of the Festival anyway and so the Edinburgh Festival Fringe was born.

2017 marks the 70th anniversary of these eight groups’ defiance and the Edinburgh Festival Fringe is now the largest arts festival in the world.

The Fringe is a truly open access festival where, in the spirit of the original eight, no one is denied entry, making it the largest platform on earth for creative freedom.

https://www.edfringe.comm.

Suppression of Scottish Culture - Writers and Artists

Robert Burns statue bottom Leith walk

A recent tv program documented Burns success in American. There are 15 Statues of Burns there, more than to any other writer or musician. Yet in Scotland’s capital, which is covered in unionist statues along its Hanoverian new town streets there is one statue hidden away down the bottom of Leith walk. I was over for the Edinburgh festival and noticed all the George St statues, shockingly there is little on Scotland’s most famous son. 
This happened to the world’s greatest poet who was dismissed as simply a ‘heaven taught ploughman poet’ – when in fact he knew five languages and was a ferocious reader of the classics, philosophers and of the Scottish enlightenment. 

There has been devious, underhand, manipulative moves - not only to ignore the Scottish contributions to the world of the arts, writing, history, and science -.but to whitewash them out of history by those who support the Unionist establishment, the Anglicised Scots of all things English, who see their future in a House of Lords!

**As an example in 1854 the Irish poet Oscar Wilde was born and his mother named him - Oscar Fingal Ossian - ‘Isn’t that grand, misty and Ossianic” she said - yet today who has heard of James MacPherson's Ossian poems? More recently the 1980s there were moves by the English controlled Arts council to close the Scottish National portrait gallery and ignore Scottish art, which was strongly opposed, and thankfully has instead been refurbished and is flourishing today.

Oscar Wilde

This happened in Scotland’s schools where practically no Scottish history was taught until recently – nothing on the Scottish enlightenment, nothing on the great inventions, nothing of great Scottish writers, nothing of the medical inventions.

What I did learn was of Tudor England and of English writers such as Shakespeare, Wilfred Owen and some American writers. My only lessons in Scottish history were a couple of Burns songs with the Primary schools choir – Ca the Knowes, Comin Through the Rye. I was hooked. I feel angry that at school and college in Edinburgh, I learnt of French, American and English writers – but nothing on the great Scottish writers! Hopefully today with Scottish studies at our universities, this has improved in our schools too.

We need to ask - Why have we Scots forgotten? The idea has been to suppress the subordinate cultures such as Ireland, Wales and Scotland. Writers likes Burns and others fought against this in the years after the forced union. I was reading of the origins of Romantic poetry after I picked up a book at the National portrait gallery London on Romantic poets – of the Ossian poems of James MacPherson (read by Napoleon and worldwide), Allan Ramsay, Robert Fergusson, Walter Scott, and of course the unparalleled Robert Burns - there was no mention - the international success of Scottish writers has been suppressed.

A few years ago my son graduated at the Royal college of Surgeons Edinburgh, where I was surprised to learn that we have the oldest centre for medicine in the world! There have also been many great Scottish scientific and medical innovations.

Artist and teacher Alexander Moffat and poet and lecturer Alan Raich, write in their informed book, Arts of Independence –“In most countries in their national galleries, half are devote to International Art and the other half to the Art of that nation itself." This is not the case in Scotland where Glasgow artists have been neglected too, as recently as the 1980s and they had to go to New York for recognition.  

I sat beside an Irish woman at a Celtic Connections concert once and I mentioned the wonderful Irish Writers museum in Dublin and by contrast  the tiny Scottish writers museum in Lady Stairs Close. She wondered, perhaps there are only a few great Scottish writers and she may well wonder….where are they and how are they remembered?

“Scots suffer from “virtual universal historical illiteracy’, says historian Tom Devine, “ perhaps that’s why they’ve struggled to engage with the Referendum campaign." 

I believe it is not only very important, but also time we honoured our great Bard, with a statue of him in St Andrews square (and not the other forgotten tyrant Dundas).

And that we also honoured Fergusson (Burn’s muse), Allan Ramsay and the many recent great Scottish writers along with the manygreatrecent authors with a decent Scottish writers museum.

Nationalism understandings matters – it matters to know and understand our roots, heritage and the stories that inform our nation. To understand the places and streets we walk upon. And not in an exclusive way but an inclusive way.

Hugh MacDiarmid

***The great Scottish poet Hugh MacDiarmid wrote, “To be truly international, you have to be national to begin with, to see the entire Scotland – and not an Anglo-centric or Anglo-American perspective that dominated media and 20^th century cultural analysis.“

“The idea that national self-determination can fuse and ignite art, safeguard its provision, be the ground from which self-knowledge, love of others and the optimism of curiosity grows.”