Sunday, 30 November 2025

Two Competing Narratives



Two competing narratives can sit side by side. 
Scotland is different – according to highly respected historians and political theorists. We may not always be better though. 

 We have a long history of Scot against Scot; and some aspects of history that many of us will not be proud of. Scots in America were part of the Founding Fathers, but Scots also set up the infamous Klu Klux Klan – an extreme form of racial hatred. Scots exploited Caribbean trade of sugar and tobacco. While not as heavily involved in the slave trade, as other countries.

 

We have our own Scots narratives – the narrative of Kenmore street, of close ties to Flanders, other Celtic nations, of Scotland’s long history of trade. Scots were also leaders in the European enlightenment. Scots scholars studied and taught in Paris and other leading European universities.  

 

According to Scotland’s leading historian Tom Devine, Scotland is different to England in fundamental ways. Scotland has long been an outward looking nation, whereas England has been more inward looking. We’ve had centuries of trade and migration, by ship clearly before cars – to Scandinavia, Flanders and other north sea neighbours, were closer than London. Scotland’s auld alliance with France. Scots mercenaries who fought in Sweden or Italy.

After the union 1707 a lot changed – with the integration of the Dutch navy and Scots enterprise. At that time Scotland had a population of 1m and England of 4m. many Scots were well educated, since the Reformation. 

 

** I read Steven Knights views on Britain in the Sunday Times recently – totally different to my own images. He is the creator of Peaky Blinders and now House of Guinness series. 

He believes strongly in a Britain as England narrative – with the other three nations as mere appendages, with limited input or unique and important cultural identities

 

“I’m fiercely loyal to Britain, he states, the things we’ve created the inventiveness of the people, the way so much new stuff comes from here… “If you’re loyal to Britain. And what Britain has always been is a sense of humour, tolerance, getting on with it, and not glorification the divisions.” I don’t like this, they’ve terrible, they’re awful, they’re the liberal elite. I hate them thing.” His Britain/ England narrative is complete different to the one I hold. 

 

Can these two narratives co-exist? Knight is angered people call union jack flag wavers fascists. ”We fought a whole war against fascist, so anyone who thinks the union jack represents something other than resistance to that is wrong. When fascism was all over Europe, there was only one place where it wasn’t and that was where the Union Jack was from.” 

 

He advocates we should celebrate English/ British exceptional-ism in culture. “ Creative nationalism is something I would favour. Knight writes that the British are ‘aware of their absurdities’. Has this come about since the collapse of the British empire, since the second world war? – and the British/ English have to accept they no longer dominate – that English exceptional-ism is a belief of past glories. And the recent years of the destruction of Scots industries by Thatcher, of jobs and culture of recent decades. He forgets that the Scots were the workers of the empire.

 

Scots voices are fighting back, with innovative voices across our nation, of Scotland, with creativity in design, tech, arts, music, engineering, debate, political theory, renowned festivals, science, technology and more.  

 

**My narrative around the Union Jack is totally opposite! History tells me stories of oppression and divide and rule across Scotland, Ireland and further afield across the British empire. After Henry VIII declared himself king of Ireland – supposedly to bring peace to warring Irish tribes. The British empire is not taught in English schools, which considering how important it was over many centuries is rather neglectful omission. The British oppressed in Africa with extermination camps and also in India. 

 

We might ague the British empire brought increased trade and connections also. But with the slave trade there is also a lot to feel ashamed of.  We have aggressive marches across Glasgow, and their banging whistles and drums. Its about the domination of one group over another. I think of the dreadful troubles in Northern Ireland – of the brick walls, knee capping, indiscriminate shooting and tanks in Dublin. 

 

I think of Britain’s involvement with the slave trade and its imperial and now corporatism across the 

globe. In my personal narrative Britain is not a country, but a landmass like Scandinavia. I highly recommend Tom Nairn’s book the break up of Britain, probably the best read on the subject of the collapse of the British state. And of the corruption of the monarchy’s enchanted glass.


Pakistani author Pankaj Mishra was writing about the two totally opposing narratives in the middle east – one of the Israelis (from the river to the sea) and the other of Palestinians (our Homelands) in his book After Gaza. It all made me think in Scotland we also have two opposing, irreconcilable narratives. In 2025 Scotland is stuck, so how can we move forward in love, in peace and in liberal thought?

 

Indy for Scotland’s self determination and improving democracy. Scots need a say over our own energy resources, immigration, climate, and infrastructure. We can still unite for good trade and security together. Unionism is for strength by being run by London, and being ‘together’ with the high centralization in London, of the Global corporate elites control. Westminster refuses Scotland another vote.  

 

Nationalism is both good and bad” wrote politician historian Tom Nairn. All Nationalisms are different. He claims Scotland’s nationalism is unique as Scotland jumped ahead to a modern state 1700s. By contrast European states moved to modern states 1800s, due to the uneven nature of capitalism. 



 

Thursday, 23 October 2025

Robert Burns Art influences

 





Robert Burns and other poets wrote with Scots Voices. In the 1700s many worked to write down and collect the old Scots songs.  

At a time when mainly Tory unionist voices were being heard - no other writer has done more to keep Scots voices and language alive than Burns. 

I was taken aback at the new Scottish Art galleries Edinburgh on my visit in October 2023, that there was only one mention of Robert Burns – with regard to his “Hunt” poem in an Edinburgh tearoom painting. I felt Burns legacy was a deliberate forgetting. Did his writing influence Scottish art? The main focus in the galleries was on the works of Walter Scott. 

 

Burns was influenced himself when he met many of the major enlightenment figures in Edinburgh in 1786, particularly James Hutton - whose theory was of the whole earth as a living organism. Burns explored the symbolism and spiritualism connections between the natural world, the creative fires and the established church teachings from his father – where dance was frowned upon.  

 

Burns thought of how he might fuse all these new ideas together in his poetry. Later in 1794, he wrote My luv is like a Red Red Rose - ‘ I will love you still my dear till all the seas gang try and the rocks melt with the sun.”  Burns collected and rewrote many of the auld Scots ballads.

 

Burns most famous narrative poem Tam O’ Shanter, was about warlocks, witches, faeries, demons – of the struggles between Old Spunkie’s creative fires and the church teaching - Tam O Shanter. He wrote this poem after a dream, on his walk along the River Nith at Ellisland farm. The Scottish painter Lachlan Goudie and his father were inspired to illustrate a book of the scary ghosts and witches in Tam O’Shanter. 



It was wonderful to see the new Scottish galleries in 2023. 


I realise Scott lived in Edinburgh but Burns was there for quite a few months in 1786 ad 1787. And was greatly influenced by his time there. He visited the men’s social clubs – Fencible Chronicles down Anchor Close. He visited William Creech’s bookshop and publishing house at the Tollbooth near St Giles cathedral and the Mercat Cross, where each day the great and the good met. 

 

He met the great love of his life here, late 1787, Agnes McLahose (or his Clarinda) – who he wrote many letters to, and his great parting song Ae Fond Kiss.

 



**Scott may have been read widely worldwide in the 1800s, but to my mind (and most Scots) Burns is our national hero and bard. He was painted by his good friend Alexander Nasmyth on their walks to Rosslyn. I realise Scott did write memorable books and poems – but his books seems one-sided and narrow of a mythical Scotland that is lost and gone forever. Of a Tory unionist Scotland, that is only part of Scotland.

 

As I walked around the Scottish art galleries – I thought ‘which’ Scotland are we emboldening and remembering here? After the first section covering the romantic period, I entered the brighter more modern period, with the windows open to the east Princes street gardens views and which display some of Scotland’s great impressionist artists – The Glasgow Boys, James Guthrie, John Lavery, William Macgregor: The Scottish Colourists, John Peploe, John Fergusson, Francis Cadell, Leslie Hunter. A memorable display.  

 

Burns was influenced by the Ossian poems of James MacPherson, as the first Scots bard – and also by the other great Scots poets. Burns was writing and collecting Scots poems before Scott, in fact he met a young sixteen year old Walter Scott at an Edinburgh literary party, after which Scott wore about Burns. 


*     *     *     *

 

 


Burns words, images and narratives are all pervasive, whether its his emotive love poems, his love of nature, his voice for all the people with his Socts a Hae and Mans a Man. His poetry has a big impact worldwide on authors in America and on Russian Burns clubs. Steinbeck’s 'Of Mice and Men' and J.D Salinger’s ‘Catcher in the Rye’.

Burns is the most significant Scotch image, heritage, word and song. We should be very proud of his legacies!



Demarco’s Festival of Thought

 

We hoped the internet would open new horizons –  and it does – but it also the internet means ideas go down dark, narrow rabbit holes and echo chambers. Our Scots bard was a free thinker – because he was well read and informed. A Man O Independent mind.

Edinburgh festival promoter, Richard Demarco advocates for a new – ‘Festival of Thought’ – to bring together the best minds and creative thinkers to counter this crushing of ideas by blind right wing dictatorships that aim to shut down open debate and silence creativity. Edinburgh was the home fo the Scottish enlightenment 1750 to 1790. 

 

*Freedom to be Creative 

 - Scottish cultural icon Richard Demarco, and long time Edinburgh festival supporter, has attended every festival since 1947. He advocates we need informed debate to counter the rise of the right across Europe and the world. 

 

He wants to see Edinburgh host an annual “Festival of Thought”. His idea is to bring to the city the world’s finest liberal thinkers from the humanities, from the Arts and culture, from all the sciences and technologies. “There should be no separation between science and the Arts. Leonardo Da Vinci, perhaps the greatest artist ever to live, was a great scientist, an engineer and artist.”

He calls for ‘a Festival of Thought’ to help save liberal democracy. The Freedom to find Truth and Light. “Truth is the foundation stone for all creativity, for all the unlocking of great culture, in any genre, in any society, in any land.

*Its about Truth -  To remind the world of the role of culture in love, in peace and in liberal thought and liberal society. 

Demarco see the rise of the far right and Reform as a threat to the freedom that necessary for creativity. A Scots Italian who sees himself as a European and Reform as the enemy of the beliefs that he has held dear throughout his life. 

“Reform is a danger to the Edinburgh Festivals” he says.

 

Demarco fears the world is on the edge of a new dark age. There is the rise of the authoritarian right and with that the capacity of humankind to dim the flame of enlightenment, “to quench the human spirit.” ….Ukraine is more than a fight for territory and national sovereignty: it is essentially a fight for democracy, for freedom of the mind, the heart and the soul. He profoundly believes in liberal democracy as the only civilized way of managing society so that human beings are truly free.  

The Far Right - is trying to shut down freedom thought

“The rise of the far right is a threat to the freedoms needed for creativity”. 

 

How much does the media truly reflect truth today, and not simply meaningless Soundbites and Clickbaits - and the lack of informed debate. How is impartiality possible when one side peddle obvious lies. Politicians speak of growth or austerity (or both) while following policies that are the opposite – there’s been no growth. Many countries are in crisis, which allows the views of the Far Right. We can’t sit on the fence. 

Demarco calls for his friend Robert Sturus to come to Scotland for the festivals 80th birthday in 2026. Sturus is the director of the Rustaveli state Theatre of Georgia. In 1979 he brought Shakespeare’s Richard III to Edinburgh. 



II  
**The First Festival:  The origins of the Edinburgh Festivals, from the geopolitics of the past 80 years and his travels across the globe carrying a torch for culture. For decades he has been a central figure in Scottish cultural life and an early shaper of the Festival. He was a pioneer of the Fringe and a lifelong champion of the power of the Arts to improve lives and promote the benefits of culture. He’s been critical of the Festivals, arguing that the city has become a theme park and have declined into parochialism……

Out of the darkness of the war and the crushing of democracy, human rights and freedoms came a world in desperate need of unity.,,, the first Edinburgh Festival. “It was an expression of the flowering of the best instincts of the human spirit.”

He’d like to see Edinburgh rediscover that spirit and its idealism…..“When the Festival started in 1947, I thought that the city could be the cultural capital of the world. It brought the world’s greatest musicians, actors, singers, dancers, playwrights, poets, authors and artists to my home” says Demarco.…when hope was in the air and the post-war world of Edinburgh and Europe was alive with optimism and possibilities.”  

“We must bring Sturus to Edinburgh in 2026. To reaffirm the roots of the festival, as a celebration of European culture and art every form. To hear him speak freely.” 

III    Richard Demarco is near his 95th birthday and he still burns with urgent intellectual intensity and his passion for the civilizing qualities of culture and human creativity still burns strong.  Demarco says that out of the darkness of the war and the crushing of democracy, human rights and freedoms came a world in desperate need of unity.,,, the first Edinburgh Festival. “It was an expression of the flowering of the best instincts of the human spirit.”    

*      *      *       * 

**Martin Roche interviewed Richard Demarco – artist, author, organiser and cultural innovator – on the eve of his 95th birthday. Fiercely pro-European, Demarco proposed a new “Festival of Thought”. 14th July 2025  -  “A Reform government is a danger to the Edinburgh Festivals,” says Richard Demarco  He calls for ‘a Festival of Thought’ to help save liberal democracy. 

 

Extracts from.

**Article From a Perthshire Castle, Gauntlet of Truth is thrown down to Authoritarianism

Sunday National 31.8.25, Martin Roche



Among the white white sands

 

 Among the white, white sands 

I hear the shouts and screams below,

As colourful figures race so fast,

Carrying hope, carrying fear, carrying their small child,

The red, red blood dripping from their tiny hands. 

 

The fear and the cries fly on the stifling winds,

Asking why, why, what have we done,

Why, why, won’t it stop?

The destruction, the overhead drone attacks, the missile fire, and the land explosions,

How can we live?

 

We run, hold out our shaking hands for grains of rice

For life giving water.

As the bombs drop around us

Falling in the dry white sand.

 

They carry the stiff, white shroud,

Lined up to pray for the lost souls,

Soon there will be only empty silence

Soon there will be no one shouting below.

 

PK

 

September 2025