Scots Gaelic Kim Carnie Transatlantic Sessions, Celtic Connections 2024, #ccfest2024,

 

Scots Gaelic singer songwriter, Kim Carnie, lead singer with Manran, performed at the Transatlantic Sessions, Celtic Connections 2024, #ccfest2024,

Kinnaris Quintet PHOTOS at Celtic Connections 2024

Electrifying, genre-bending and joyous!

 

Kinnaris consists of five accomplished musicians - Jenn Butterworth on guitar, Aileen Reid on fiddle, Fiona MacAskill on fiddle, Laura-Beth on mandolin, and Laura Wilkie on fiddle. 

 

The all female band sparkled on the Old Fruimarket stage! And the packed audience, with many well dressed female fans, were ready to party. This is as far from the decades old folk image of arran sweaters as we might choose to get! 

 

Their set was begun with a toe-tapping tune This Too – after which the band were joined on stage by the ever-popular Celtic Connections singers Julie Fowlis and Karine Polwart with a rousing Emeli Sande song, Read All About It and a poignant Gaelic song Puirt sung by the enchanting vocals of Julie Fowlis, while backed perfectly by the dynamic band. 

 

Aileen Reid

Karine Polwart, a festival stalwart and activist for inclusivity, had us all singing along to her emotive song, Come Away In. and them moved by a stirring song Lost Words Blessing.

 

This wonderfully escapist concert was brought to a fitting climax with the Kinnaris tunes Wonderful and Saltsprings. Kinnaris play with verve, with both a lightness of touch and also high energy. They mix many influences to great challenging effects, from traditional Scottish, Irish, Bluegrass, Classical, Scandinavian and Appalachian music; with which they create technically exciting arrangements, while their performances are filled with a contagious positive verve. 

 

An upbeat evening to remember! 

Karine Polwart

Laura-Beth Slater

II  Kinnaris were very well supported by the dynamic, high energy playing of Ciaran Ryan, Scottish tenor banjo player, one of the UKs top players and a founding member of folk band Dallahan, His second solo album, Occupational Hazards, was released 2024. 

 The evening concert was opened by Norwegian band Gangar, with their fresh take on Nordic roots music and a modern rock take on traditional tunes.

Roaming Roots Revue at Celtic Connections 2024

 

Brownbear

What a wealth of talent!

The Roaming Roots Revue celebrated its ever popular, sold out show, with its 12^th year as part of Celtic Connections. This year honouring the modern Scots song, interpreted and chosen by some of Scotland’s top talent. The concert was hosted by the excellent talent of Roddy Hart and his band the Lonesome Fire and backed by the RCS Symphony Orchestra, conducted by John Logan, which created a rich and dynamic backdrop for the songs. 

 

The show was an eclectic and diverse look at the development of the modern Scots songs from well renowned Gerry Rafferty to more recent hits such a Frightened Rabbit.  New talent Brownbear aka Matthew Hickman, sang Spin Another Web and Aztec Camera’s Somewhere in my Heart. Eddi Reader performed King Creoste’s Something to Believe In. 80s artists Frank Reader and John Douglas impressed with Al Stewart’s Year of the Cat.

 

A highlight was Justin Currie of Del Amitri – who sang Be My Downfall and Nothing Ever Happens, plus a dramatic The Fight to be Human. After which the crowd cheered along to Franz Ferdinand’s Take ME Out, well performed by a dancing Hamish Hawk! The popular singer Simon Neil sang Biffy Clyro songs Space and Victory Over the Sun, plus Frightened Rabbit’s Keep Yourself Warm.

Emma Pollock performed Gerry Rafferty’s classic Night Owl. Roddy Woomble shone along with the RCS Symphony Orchestra - after a wobble to get Rod Jones guitar plugged in – with Idlewild songs You Held the World in Your Arms and American English. Eddi Reader drew proceedings to a close with In a Big Country, followed with the entire ensemble's rousing The Whole of the Moon by the Waterboys. (An additional Roaming Roots Revue was performed on the Saturday at the famous Barrowlands venue.)

Roddy Hart

Roddy Woomble 

Simon Neil

It would have been impossible to include every quality song of the recent decades in one concert – while I might have enjoyed to hear Deacon Blue’s Dignity or a Michael Marra song, but we were certainly very happy to hear the popular Proclaimer's anthem Sunshine on Leith, ably performed by Admiral Fallow’s Sarah Hayes and Louis Abbott! 

Scotland has seen a resurgence of the Scots folk scene back in the 60s and 70s with folklorists and song collectors such as Margaret Bennett, Hamish Henderson, Dick Gaughan, plus the rock and pop successes over the 80s and 90s. Scots songwriters mix the ballad traditions and contemporary influences to great effect. We should be proud and happy to see the new generations take up the mantle that was first worked on to preserve Scots voices in the 1700s by poets Allan Ramsay, Robert Fergusson and Robert Burns.

Eddi Reader

Eddi Reader

Biffy Clyro’s Simon Neil, 

Idlewild’s Roddy Woomble and Rod Jones, 

Del Amitri’s Justin Currie, 

Camera Obscura’s Tracyanne Campbell, 

Admiral Fallow’s Sarah Hayes and Louis Abbott, 

Plus Emma Pollock,  Hamish Hawk, Brownbear, 

Review & Photos by Pauline Keightley  -  https://pkimage.co.uk

  

Celtic Connections 2024!

 

 

Folk music. What is folk music?

This festival is definitively NOT about only about folk music. Some might argue it should be more narrowly about Trad – while others want to hear experimental cross overs and colorations. 

Celtic Connections is definitely full of unexpected collaboration. One of its strengths is it diversity – crossing boundaries while drawing on Celtic heritage and traditions, 

 

There is always a wide variety of MUSIC at Celtic Connections – with its breadth of genres and cultures. The festival is known as Europe’s premier folk, roots and world music festival, and the home of  spectacular musical collaborations. Celtic Connections has continued to expand into a multitude of genres over its 30-year history. In 2024 the festival will stage an ambitious  genre-defying programme of acoustic, traditional, indie, Americana, Jazz, blues, orchestral, experimental and more. 

 

Americana – Bruce Hornsby, Bela Fleck, Molly Fleck. 

Pipes – Finlay MacDonald, Skerryvore (folk rock), Ross Ainslie and Ali Hutton. 

Gaelic – Julie Fowlis, Joy Dunlop, Breabach, Daimh

New composition, orchestral

Fusion, and rock bands, 

Trad music, jazz and blues

Ceilidh and dance, 

 

Some highlights - 

Concert for revolutionary John MacLean - Red Clydeside . 

Irish group, the Bothy Band -

Dougie MacLean anniversary concert. 

 

The festival includes a Showcase, education, open mic, late night sessions, new talent, multi-cultural. Plus the Scottish National Whisky festival

Celtic Connections of one of the world’s largest winter music and folk festivals, I always remember being in the Press office with a London reporter. I said you must have folk festivals like this in London – he replied, ’Oh nothing at all on this scale!”

“Celtic Connections stands as a testament to Glasgow’s status as the UK’s top cultural and creative city, honoured by the European commission. The festival embodies a global tapestry of music, welcoming diverse traditions from across the world. “

 

I’ve been covering Celtic Connections concerts from 2008-2024 (over 16 years) with both reviews and photos. I have so many highlights to recall – impressive opening concerts, old Fruitmarket buzz, the ABC venue (sadly no longer there due to the art school fire), the late sessions, Danny Kyle stage – and so much more.

TICKETS   at www.celticconnections.com. Celtic Connections 2024. 

 

Celtic Connections 2024 ANNOUNCED!

Tim O'Brien

Eddi Reader

CELTIC CONNECTIONS festival 2024  set for expansive programme of unmissable music!   Images copyright Pauline Keightley

World-renowned Glasgow festival Celtic Connections returns January 2024 with a full program and many international visitors – to brighten our winter nights!

Thursday 18 January to Sunday 4 February 2024, 

 

With one of its biggest-ever capacity festivals Celtic Connections is known as Europe’s premier folk, roots and world music festival, and the home of  spectacular musical collaborations. Celtic Connections has continued to expand into a multitude of genres over its 30-year history. 

 

In 2024 the festival will stage an ambitious  genre-defying programme of acoustic, traditional, indie, Americana, Jazz, blues, orchestral, experimental and more. Glasgow, UNESCO City of Music will host over 300 events across 25 venues  over 18 days.  Venues include Glasgow Royal Concert Hall, Barrowland, Pavilion Theatre, Barony Hall, Old fruitmarket.  

 

From high-energy rhythms fusing contemporary sounds with traditional music, to intimate and soulful acoustic performances. Along with the anticipated 110,000 attendees, musicians will descend on Glasgow from Scotland, North America, West Africa, India, Australia, Ukraine, Norway, Sweden, France and Ireland, more!

General tickets on sale at 10am, Wednesday 11^th October at www.celticconnections.com. Celtic Connections 2024. 

Celtic Connections 2024 will take place from Thursday 18th January to Sunday 4th February. General tickets go on sale 10am, Wednesday 11th October 2023, with advance tickets on sale now for Celtic Rovers festival supporters. The programme can be viewed in full and tickets purchased at www.celticconnections.com.

Images copyright Pauline Keightley

Highlights include:- 

●     Celtic Connections Opening Concert, Glasgow Royal Concert Hall stages the European premiere ATTENTION! New symphonic work from American Grammy winner Chris Thile - “the best mandolin player in the world” - with the BBC Scottish Symphony Orchestra

●     100 years on since the death of Scottish iconic revolutionary socialist John MacLean, a centenary concert  to recognise the significance of the Red Clydeside era – with music, poetry on his legacy, will be led by Karine Polwart, Eddi Reader, Billy Bragg and Siobhan Miller

       Scotland burgeoning traditional music scene is celebrated with Dallahan, RANT, Breabach, Mec Lir, Heisk, Session A9 and The Canny Band alongside emerging artists like Beth Malcolm, TRIP, Lauren Collier, Tarran and Amy Laurenson

●     Another special international collaboration Citadels of the Sun, in tandem with Jodhpur Rajasthan International Folk Festival, Irish and Rajasthani musicians come together Barony Hall to share common themes that connect the two cultures. The show will feature Martin Coyle, Paul Cutliffe, Sarah E Cullen, Asin Khan Langa and Sawai Khan Manganiyar

●     A wealth of transatlantic talent at the 2024 festival includes country royalty with Carlene Carter (daughter of June Carter Cash), 15-time Grammy Award winner and banjo virtuoso Béla Fleck, beloved singer-songwriter Bruce Hornsby, and festival favourites Sarah Jarosz, Teddy Thompson, The Milk Carton Kids, Tommy Emmanuel, Darlingside and bluegrass star Tim O’Brien,who with his seminal album The Crossing.

●     50th anniversary of the Scottish Chamber Orchestra , with unique arrangements and guest performances from Scotland’s Paul Buchanan (The Blue Nile), American singer Aoife O’Donovan, visionary folk band Lau and harpist Maeve Gilchrist

●      Beloved Scottish singer-songwriter Dougie MacLean will mark five decades of extraordinary music making with a special show entitled Songmaker 2024 - Celebrating 50 Years of Music

●     Roddy Hart’s Roaming Roots Revue 12th year, Songs of Modern Scotland. modern classics along with the Royal Conservatoire of Scotland Symphony Orchestra, and Scottish talent Biffy Clyro’s Simon Neil, Idlewild’s Roddy Woomble and Rod Jones, Del Amitri’s Justin Currie, Camera Obscura’s Tracyanne Campbell, King Creosote, and more

●     Contemporary Scottish Celtic outfits with RURA and Talisk iconic Barrowlands; Skerryvore expansive sound, UK top 40 album Tempus; Skipinnish celebrate 25 years, renowned folk groups Blazin’ Fiddles celebrate 25th years, Kinnaris Quintet headline show Old Fruitmarket with Julie Fowlis and Karine Polwart, and Skye’s Valtos celebrate Gaelic song SWG3

●      Showcase Scotland - a part of the festival which facilitates international collaboration - will this year partner with the country of Norway to showcase Scandinavian talent, while other festival favourites including Transatlantic Sessions will return

Festival-goers can also look forward to the usual mix of screenings, workshops, dementia-friendly concerts, late night sessions and pop-up performances at the Festival Club, as well as a thriving education programme that will benefit thousands of children across Glasgow.

Donald Shaw, Michael McGoldrick, John McCusker, Tim O'Brien, John Doyle- Late Sessions

Donald Shaw, Creative Producer for Celtic Connections, said: “It’s that time of year where we lift the lid on the incredible shows and events we have in the works for Celtic Connections. Celebration and collaboration are at the heart of the festival and once again we will bring the world’s music to Glasgow audiences this winter. I’m very excited that our 2024 edition will welcome a huge portion of international talent back to our stages, particularly our transatlantic cousins in America, and that we will be back to staging one of our biggest ever capacity festivals. We would encourage audiences old and new with a love of music to discover all that this diverse programme has to offer and spend the dark winter nights with us.”

Creative Scotland Head of Music, Alan Morrison said: “The 2024 Celtic Connections programme puts Scotland at the heart of a musical map of the world. This is arguably the festival’s strongest-ever international line-up, opening our ears to the inspirational sounds of artists from so many different countries and cultures. Running through it all, of course, is Scotland’s own musical lifeblood, the traditional tunes and contemporary twists that continue to thrill audiences and brighten up our winter days and nights.”

Culture Secretary Angus Robertson said: “I’m greatly looking forward to this year’s Celtic Connections and the warmth it always brings to the colder months with leading Scottish and international musicians across a variety of genres set to descend on Glasgow for what looks to be another fantastic showcase of talent. 

 

Banksy Deconstructs at First Exhibition Glasgow

He deconstructs art and is radical, surprising. Dismaland, anti-war, 

 

It’s easy to understand Banksy’s desire to have this first major show of his 25 years of art making at the Gallery of Modern Art (GoMA) Glasgow (once the Royal Exchange) with the coned Duke of Wellington proudly outside – coned comically now for 40 years after the council gave up trying to remove the cone.

 

Glasgow is a challenging and vibrant place – a place of a multitude of music venues, both big and small, where impressive stone architecture sits side by side with glass modernism, acute poverty and impressive art and architecture – tall Rennie Mackintosh design, merchant city venues, westend wealth, Clyde ships (now mostly silent like past ghosts) and swaying walkways that connect north and south Glasgow; the meetings and protests at George Square, down Ingram street and along Nelson Mandela place.

 

Glasgow is very much about its people and street art makes sense in a city that won’t be silent.

We first enter a dark, enclosed space with flickering lights, sounds and movement to represent street life – rather than the usual quiet of art galleries. There’s Banksy’s anti-war images – throwing flowers and hearts. There are many images of children. 

For Brexit - 'VOTE LOVE'

Banksy early on realised  the power art activism and art as protest can make. He eventually realised that the backgrounds didn't matter on the walls, where space played an important part too.

It was important to be seen and out on the ordinary city streets. To express how we are lost at times and our inhumanity.

It's also a protest to art elitism. Towards the end of the exhibit he shows us how he shredded his girl with a heart image, after a bidder at Sotheby's bid 750K! One thing missing after occurs though - where is nature except in his bunch of flowers? 

Hope in humanity sits alongside despair here – can we forge new pathways? Often surprising, questioning, 

“The purpose of art is not to hold up a mirror to life but to take a hammer to challenge it"