Coastal Connections: at Celtic Connections Festival 2020

This new festival within a festival proved a highly successful and sold-out event. For the price of a ticket, we were given a wristband as access to musical performances of the highest calibre, celebrating Scotland’s vast coastlines and many islands.

The festival was held over the concert halls several spaces – the main auditorium, exhibition hall, Buchannan suite, and Strathclyde suite. The main event took place in a more relaxed setting in the main hall, with tables and chairs set up in the front area. All this proved ideal for families and for dancing. 

Some of the festivals top ceilidh bands took part – 

From north Uist we were treated to the perfect voice of Julie Fowlis along with Eamon Doorley, Zoe Conway and John McIntyre. Diamh from the Hebrides, proved a strong presence with accomplished musicians and with lead singer, Ellen MacDonald

Capercaillie from Oban, were the ultimate professionals: a band with strong tunes with contemporary rhythms led by

 accordion player and festival director Donald Shaw and with the moving Gaelic voice of Karen Matheson. Tiree-based Skerryvore are a powerhouse ceilidh band led by pipes and song, and they lit up the final show here. 

The more intimate spaces musicians included  - Orkney bands Gnoss and Fara; fiddler Gillian Frame from Arran; Ceol Nan Eilean from Benbecula; from Cape Breton Miller, MacDonald, Cormier and Feis Rois with John Somerville’s Voyage of the Hector; Esther Swift’s The Flood; from Lochaber Ingrid Henderson, Anna and Mairearad from the Black Isle. 

There were also art displays and musical instruments on show. I thought there might have been more coastal signage or art displays. There certainly are many outstanding photographers who shoot powerful images of Scotland’s incredible coastlines, perhaps a display for another day.

I’ve been fortunate myself to visit Scotland’s islands recently and the north coast. If the weather is kind ( as it is in may or the autumn) there is nothing to surpass the wildness, the subtle, shifting light, blinding wind or thunderous waves or perfect white sands.

(photos from north Uist nature reserve, Scarra Brae Orkney, North Coast 500

The festival had a dramatic opening spectacle with STORM, a 10m high sun goddess STORM made of driftwood by Edinburgh’s Vision Mechanics to celebrate our seas. Her voice the chorus of the waves to celebrate our seas, care of our coastlines and to put our environment first – she made her journey from the Clyde to the Glasgow concert hall.

GRIT orchestra Opening concert CELTIC CONNECTIONS

GRIT orchestra perform the Declaration:  A triumphant opening concert with the excellent and exuberant GRIT orchestra!

The concert hall buzzed in anticipation of this years festival. Some may think  - isn’t January a low month – not when the Celtic fiddles dance; along to the feet-tapping dance rhythms of percussion and drums; the vibrant rich brass; the mellow, haunting flutes; the heart-topping pipes – and all topped with the melodic, soaring voices such as Gaelic singer Karen Matheson and Fiona Hunter. 

The Grit Orchestra is an 80-piece ensemble of folk, jazz and classical musicians, who first performed Martyn Bennet’s  ground breaking album, with conductor Greg Lawson at the festival in 2015. 

For the first half of the concert they performed new compositions for one of the most famous statements for freedom, Declaration of Arbroath, ahead of its 700th anniversary in April and also inspired by Bennet’s own innovative creations.To explore concepts of freedom and what does freedom mean?

The new compositions for the Grit orchestra were – first cellist Rudi de Groote piece, Declaration Opening which offered a haunting anticipation; followed by fiddler Patsy Reid’s Suppliant Hearts with upbeat fiddles juxtaposed with stirring pipes; Oran do loch lall, a Donald Shaw introspective composition then captured a more gentle mood with the perfect voice of Gaelic singer Karen Matheson; next was the climatic freedom piece Ve Skerries by fiddler Chris Stout and harpist Catriona Mackay, with the impressive male voices of the all male Chapel choir and a Freedom poem read by poet Liz Lochhead - “What matters is not what we say, but what we do.”

This was followed by Fraser Fifield’s, atmospheric Secret Histories and saxophonist Paul Towndrow’s Declaration Ending, when woodwind and brass solos sounded the hope filled finale. 

  

II  For the second half of the concert the orchestra treated us again to Martyn Bennet’s Grit album tracks, with firm favourites and sung by Fiona Hunter - No Regrets, Blackbird, Play the melody on the chanter. Alongside Bennet’s drama and dance grooves, he understood the significance of the memorable melody. The Grit orchestra music is a unique contemporary sound that fuses  traditions, folk songs and modern dance beats. 

The Declaration compositions were described by festival director Donald Shaw as “a declaration of intent to grasp the thistle and give a sense of confidence to orchestral works from Scottish folk composers. It’s about freedom, exploration and intent. 

Conductor Greg Lawson said, “We must strive to be different and understand our differences – which will make us stronger.”

The Arbroath Declaration

...for, as long as but a hundred of us remain alive, never will we on any conditions be brought under English rule. It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom – for that alone, which no honest man gives up but with life itself.

1st half

Rudi de Groote - Declaration Opening

Suppliant Hearts - Patsy Reid

Oran do loch lall - Alexander Cameron/Donald Shaw/Norman MacLean

Ve Skerries - Chris Stout& Catriona Mackay

Secret Histories - Fraser Fifield

Paul Towndrow - Declaration Ending

2nd half

Move 

Nae Regrets 

Blackbird 

Aye

Karabach 

Chanter

Celtic Connections 2020 launched!

CELTIC CONNECTIONS 2020 launched!

16th Jan - 2nd Feb 2020

“That cross-cultural, interdisciplinary spirit is at the heart of Celtic Connections,”   

18 days of live music across Glasgow to warm our winter days!  The world’s premier celtic music festival 27^thyear, begun in 1994!  One-off musical collaborations, talks, workshops, film screenings, theatre productions, ceilidhs, exhibitions, free events, late-night sessions. Of traditional folk, roots, Americana, jazz, soul and world music. Celtic Connections brings together and celebrates special artistic collaborations. Many of the great innovations are brought about this way. 

GRIT orchestra Bothy Culture Hydro

**Opening concert the GRIT orchestra with new compositions -  “it is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom".   

Premiere for - 700^th anniversary of the 1320 Declaration of Arbroath: declaration of Scottish independence - by leading Scottish composers, commissioned for Celtic Connections and performed by the GRIT orchestra, legendary ensemble of folk, jazz and classical musicians and led by conductor Greg Lawson. Founded to continue the legacy of Martyn Bennett, who pioneered the fusion ofl folk with techno dance beats. Composers - Jazz-folk musicianFraser Fifield, cellist Rudi de Groote, Clarsach composer Catriona McKay, saxophonist Paul Towndrow, fiddlers Patsy Reid and Chris Stout. 

Lawson said the new work would interpret concepts of freedom expressed in the declaration within a modern context. “To be really free we need to be equal, we need to be diverse, we need to be open, we need to care.  You could say we are taking the declaration and turning it into an appeal: for tolerance, diversity, openness, respect. That's what freedom actually means." 

Niteworks

CONCERTS - A Celebration of Women in Piping  - Louise Mulcahy, Alana MacInnes, Síle Friel, Máire Ní Ghráda, Marion McCarthy, Enora Morice and Robyn Ada McKay.

Auld Lang Syne Burns celebration, with BBC Scottish Symphony Orchestra with Eddi Reader, Karen Matheson, Jarlath Henderson, Shona Donaldson.

Transatlantic Sessionsfestival favourite’s all-star line-up. Guitar virtuoso Tommy Emmanuel, Tennessee native Sierra Hull, multi-instrumentals Cahalen Morrison. Dervish lead vocalist Cathy Jordan and singer-songwriter Rachel Sermanni.

Transatlantic Sessions

**PLUS – Scottish music with Salsa Celtica, Braebach, Lau, Rura, Blazin fiddles, Mànran,Kinnaris, RANT, Hamish Napier, Sarah-Jane Summers. 

Americana music -  Iris De Ment, Sturgill Simpson, Anais Mitchell, The Lone Bellow, Frazey Ford, Della Mae, The Felice Brothers. 

CELTIC CONNECTIONS ALSO INLCUDES - BBC Radio Scotland Young Traditional Musician of the Year , Showcase Scotland, The Danny Kyle stage, and its education program. 

Talisk

Blue Rose Code

Rab Noakes

Aly Bain

TICKETS - https://www.celticconnections.com

Globalization versus identity

There is a significant struggle going on between remote, soulless, faceless, one size fits globalization – and our need for a sense of belonging and our roots, stories and identity. 

Many misunderstand what they term ‘Identity Politics’, as something harmful and isolationist. 

This is not the experience here in Scotland. Here it has nothing to do with race, and it is inclusive and about all who want to make a home here. Its about appreciating place, heritage and difference as positive things. The stories that make us who we are – our values, culture, 

Its also crucially important for Scotland to be international in out look and our major festivals are centred around welcoming the world to our doorstep.  

There are good aspects about globalization: ease of communication, progress, travel etc.

But there are many negatives too: giant exploitive corporations, reduced workers rights, pollution, its being characterless.  Our world has become so fast speed and automated and many of us spend so much time online interacting with a machine. 

I see young people returning now to valuing the real, authentic, local and the independent – hardback books, vinyl, traditional music, vintage clothes – something tangible and real to hold on to.

Also those posh socialists simply want to replace one elite with another. This is no answer. I want to se progressive, co-operative answer is to reform from within – by offering decent childcare, co-operative education, fair opportunities, improved healthcare. 

I want Scottish independence, because I believe in progressive and fair democracy.

PHOTOS & Review 25TH CELTIC CONNECTIONS 2018!

Opening concert Siobhan Miller & Kris Drever

Celebration this year of 25 years of Celtic connections music festival

 ‘The Sights and Sounds of Celtic Connections’

from the many lights overhead of the Danny Kyle stage that illuminate the aspirations of many young musicians; to those playing accordion, Uilleann pipes pipes , fiddle or piano in the concert hall foyer; the photographers images of concerts they’ve enjoyed; the old oak warmth of the atmospheric Old Fruitmarket where folk musicians or ceilidh bands never cease to amaze; to the packed anticipation of the concert hall audiences for another year of Celtic cheer to lift the gloom of January chills – and  as the snow falls on the opening night I feel grateful to be there! To the last Transatlantic Sessions concert when the days are longer. 

*Highlights for me this year were – Vibrant line up at the Opening concert; Beth Orton;  Bothy Culture and Beyond; Tribute concert Old Fruitmarket for Dick Gaughan;  film composer Max Richter; Shawn Colvin; Session A9; Transatlantic Sessions;

*Tribute concerts –  ‘Arrest this Moment’ for Michael Marra;  Tribute concert for Dick Gaughan.

Saltfishforty

Niteworks

One of the more interesting aspects of the festival is spotting the new talents emerging.

*The young musicians who drew attentions this year –  Talisk, Siobhan Miller, Siobhan Wilson, Friel Sisters,  Rura,  Alasdair Roberts, Kathryn Joseph, Misha Macpherson, Elephant Sessions, Saltfishforty Rose Code Blue. 

*Danny Kyle Stage Winners 2018,

Dlu  band, Lynne Carson, The Canny band, Galloway, Savannah Donolnoe and Charlie, Joel Gardner, Sam Begbie and Joe Doyle,

*International artists and visitors included - Cuban singer Juan de Marcos and Americans Sara Watkins, Sarah Jarosz and Aoife O’Donovan.

Northern Celtic Routes -  Connections to our Gaelic Irish cousins and also our strong links to Northern Celtic Routes from Norway, Canada, Finland and Sweden. Swedish accordionist Leif Ottossen. Quebec quartet Le Vent du Nord. This year Celtic connections twinned with Ireland.

Beth Orton

Eddi Reader

Julie Fowlis

On top of this CC hosts film, art exhibitions, workshops, ceilidh nights, talks, late sessions,

The biggest audience for Gaelic scots music at Bothy Culture and Beyond. Plus a whisky festival at SWg1. The FILM, the Groove is not trivial path to joy - social change through the arts.

The 18 days of the festival - Over 300 events over 26 stages and ticket sales over 130,000. Over the last 25 years the festival has grown at an unprecedented rate, increasing from 66 events in 1 venue with 27,000 attendees in 1994 to 172 events across 11 stages. to now over 350 events across 28 stages and an attendance figure of over 130,000.

There is always such a wide variety , eclectic, accomplished line up – from established and emerging talents.

Celtic Connections offers subtle intonation, creative musicianship, artistic storytelling, friendly collaborations.

Bothy Culture & Beyond

My Top Celtic concerts

I have enjoyed some of my best ever concerts at Celtic Connections – The opening concert with the GRIT orchestra, Cara Dillon, Rura the Old Fruitmarket, Jerry Douglas and his band, the legendary Rab Noakes and Dick Gaughan. Mary Chapman Carpenter, Richard Thompson, The Chieftains, Punch Brothers, concert for Gerry Rafferty; concert for Michael Marra, the awesome Transatlantic Sessions, beautiful Gaelic singers – Julie Fowlis, Karen Matheson, Rhiannon Gibbons.

Celtic Connections 25th festival!

World class musicians from all corners of the roots, folk, world, Americana, indie music world. https://www.celticconnections.com/

Martin Simpson & Tony McManus

Sharon Shannon

Far Far from Ypres