Monday, 15 July 2013

Rome Photos


I have had my first trip to Rome and Sicily. Hot! We arrived at the villa overlooking the romantic Roman hills. The sun was low and warmly welcoming. (all roads lead to Rome, when in Rome)  We walked over the impressive centuries old steps of the Coliseum and along past the Roman forum, where there are so many old stories. 


We visited the Papal Vatican museum, the holy city and the vastly decorated walls of St Peters. We viewed the craftsmanship of the paintings by Raphael and Michelangelo’s Sistine chapel, that stared down over us as if both warning and inspiring on man’s heavenly aspirations, and we stared in awe. The Vatican is one of those places bestowed with so much colourful and turbulent history that it felt both strange and familiar to walk on those revered and well worn marble and mosaic floors. 
We entered the dimmed and hushed Sistine chapel adorned with Michelangelo’s majestic glories to God. I am not sure what I expected; the lower half was painted as curtains and the chapel is a much taller and darker room than I foresaw. These glories to God were painted with divine hopes and as the crowds follow behind us, they seem to mirror the soaring images painted on the walls in an all too real way, and that is the memory I take away with me – the shared hopes of people for a better way. 
I ask my son if he was impressed. He is not into iconic religious images and his view was that the images captured now by the Hubble spaceship are much more incredible and inspirational. Perhaps he missed the incredible feat of how the Sistine chapel was painted at that time and at such a great height. I am not religious but this is sure inspiring. 


Later we loitered at the packed fairylit Trevi fountain and we ate at the Peroni restaurant where there was that fun spirit and energy we encountered once before in Paris. A small man in a red T shirt, known as Mr Chef, popped out at times to salute his guests – when there was much clapping and laughter as he produced his famous frankfurter cakes!  

I have been adding my ITALY photos of the past 5 years, from Barga, Lake Garda, Florence, Venice, Abrusso and Rome, you might enjoy - 
http://pkimage.co.uk/romeitaly

Sunday, 7 July 2013

Music Styles 2013

Willy Moon
Music Styles 2013
There is so much fun retro style these days!

From the crisply suited smooth operators (Willy Moon, Hurts) to the rough edged wanderers (Tom Waits, Jake Bugg), the soul divas (Adele, Emeli Sande), the pop icons (Rhianna, Elton, Kylie), the club music players (Calvin Harris) the casual indie kids (Radiohead, The National), the guitar singer songwriters (Paul Simon, Jake Bugg), to the fantasy icons (Madonna, Lady Gaga), the glorious emo kids, the glum rockers, the earthy folk blues singers…... more!

I was flicking through music reviews and I notice today in music (as in fashion) so many individual styles. This is a good thing! Back in the 50s,70s and 80s there was often one main look – the mop top mods, the rock n rollers, the spiky haired punks. 

‘Style’ today is more all encompassing, freer, diverse and more expressive.

Hurts
Hurts cool 80s style
New Music 2013
New Albums – Biffy Clyro (Opposites), NOAH & THE Whale (Heart of Nowhere),
Laura Marling (Once I Was an Eagle), James Blake (Overgrown), Bonny Rait (Slipstream), Foals (Holy Fire),

Sunday, 30 June 2013

Neil Young and his band Crazy Horse rocked the SECC



His father was a writer and he told Neil – ‘Write every day, you never know what will come out.’
Young is a kicks ass, no holes barred, tells it like it is singer songwriter. He has travelled along many long highways, sometimes in vintage cars, and he remembers which car he was driving to record each of his albums. Neil left Canada in his early twenties to find that LA sound. He had already met Steven Stills.   

The opening salvo for the SECC concert was full of colour and drama and set a scene that forecast a quality concert; when men in white coats assembled the stage with very large speakers and a solo microphone and finished with pipers playing Flower of Scotland. Young enjoys staging and film and for each of his tours chooses a theatrical scene.
From the start Young, guitarist Frank ‘Poncho’ Sampedro and bassist Billy Talbot were hunched together in a communal heavy guitar rock. The Crazy Horse players sound is strongly guitar based and they performed some overly long tracks on this Alchemy Tour. 


Young performed new material such as ‘Walk Like a Giant’ from his latest album Psychedelic Pill - which was 20 minutes long and was played like a storm cloud full of charged disturbed energy, along with the added drama of special effects and the song finished with a releasing rain. .
Well received songs were Cinnamon Girl (1969) and long time favourite Heart of Gold, when Young took to the stage with only an acoustic guitar. This went down particularly well with the large SECC audience but was really the first opportunity to sing along or to relive memories. Then he sang a sensitive version of Dylan’s Blowin in the Wind. Young enjoys older instruments of character and he took to a honky tonk piano to sing his lovely new song Singer Without A Song. After this too short interlude it was back to the Crazy Horse rock. The band closed the set with the thunderous guitars of ‘Hey Hey My My’
There was a lot of synergy and energy in the bands playing. I read that when Neil was playing guitar with his band Buffalo Springfield, a reviewer noted his guitar playing had a special charge and flow to it. He took this to heart with his future music and live playing. 
American icon Young has a distinctive tenor voice and his back catalogue of songs includes some of the most memorable songs from the early 70s. I was disappointed not to hear After the Gold Rush and Helpless. For me it is always about the song. When Young has an array of songs to choose from, I’m not sure I understand the one token classic. I guess it depends what we expect of our musicals heroes.
Set List: Love and Only Love, Powderfinger, Walk Like a Giant, Ramada Inn, Hole in the Sky, Heart of Gold, Blowin In the Wind, Singer Without a Song, Mr Soul, Cinnamon Girl, Everybody Knows This is Nowhere, Fuckin Up, Hey Hey my My.

It is good he is still rocking in the free world, and I understand Neil wants to keep things fresh and moving on, but concerts by other living legend veterans of the 70s have their back catalogue of songs as the back bone of the gig, with newer material interspersed over them. Some of the band’s material was limited and repetitive. Sorry Neil!
Young on his band Crazy Horse – “We want to show our audience who we are. It is a very special thing we have, the way we play off of one another, the real deal. But it all comes from the songs, the images in our minds and hearts, the lyrics and the way they resonate. That is the fuel in the band. That is what will make the music relevant.”  
Some of his best loved songs – Heart of Gold, Helpless, After the Goldrush, Living in the Free World, Old Man.

I have recently been reading Neil Young’s autobiography Waging Heavy Peace which is a great read and he is an engaging and colourful character. 
Some Quotes – ‘In my life I've had various health threats, polio, seizures, a brain aneurism. None of these things has really changed me much, although it is hard to say for sure. These are vents that are part of my life, they make me who I am. I am thankful for them. They are scary.’ 
‘It is lonely job out there performing. I like it when the sound is right and the audience is into it and the music is relevant. If one of those elements is missing you are screwed. You are killing yourself slowly.  You need all three elements.’
 
Young is known for his clawhammer acoustic guitar playing and for music that is sometimes ragged and sometimes melodic.  Best known for folk and country rock and electric hard rock with his band Crazy Horse.  Young is an outspoken advocate for environmental issues and the welfare of small farmers, having co-founded Farm Aid in 1985.

*I was excited for taking photos at the gig – but these days many American artists are severely limiting access for the photographers. The concert was being filmed also but not with cameras on a moving track. We were limited to the side of the pit behind a red line. On top of this Neil’s face was half shaded with his hat and surprisingly the light was poor quality too. A concern for photography is that filming is taking over and stills are being used yet how creative is the filming. If I look at the best quality photography they far outshine grab stills.
 

Wednesday, 12 June 2013

Beverly & John Martyn


Martyn soothed the soul with his folk blues
The early 70s were a golden time for new music albums.  In 1973 singer songwriter and expert guitarist, John Martyn, released a defining British album of the 1970s Solid Air. The title song was a tribute to Nick Drake. He developed a new sound of acoustic guitar through a fuzz box, phase shifts and Echoplayer first shown on the album Stormbringer.  
Martyn’s music exhibited feelings of serenity, freedom and rapture that he craved in his life. In 1967 he recorded his experimental album London Conversation outside, which gave the record a free, unconstructed feel. .
I was going to write this blog about John, but when I started reading about him I discovered he gained much from his wife Beverly Kuter (which then led to my blog on woman and art).


I read recently about Beverly Martyn (or Bev Kutner) who had worked with Paul Simon, Nick Drake and Jimmy Page before she met John. I was surprised to hear of their song writing collaborations, her being a partnership with John and then her being left at home with the children, a home on top of a hill. A home she didn't even choose. 

Apparently John Martyn wrote his best songs with Beverly Kutner, his wife, which she gets little credit for.  Bev played piano while they wrote songs together for the album Solid Air and John would say that he would ‘credit her on the next song!’

Beverly and Martyn recorded three albums together  - Stormbringer, Road to Ruin and Bless the Weather - before John was persuaded by his record label to go solo. Beverly was then left on the house on the hill to raise their children while John toured. When John turned to drink he became abusive towards her and after one threatening scene Bev decided to leave him after ten years of marriage.
....and yet John wrote the song May You Never with Bev, all very poignant really. 

May You Never has to be one of the all time greatest songs yet when the song  was released as a single in 1971 it didn’t chart. The end of his marriage to Bev signalled the end of their classic songwriting decade.

Martyn was born Iain McGreachy and he gew up with an unsettled childhood. John spent his childhood between his grandmother in Glasgow and his mother in London. On tour Martyn was accompanied by jazz double bass player Danny Thompson for most of his music career. His blend of stand out bluesy folk and slurry style of singing gave Martyn a stand out sound on the 1960s folk circuit. Over his 40 year career John released 21 studio albums.
Times quote – ‘an electrifying guitarist and singer whose music blurred the lines between the boundaries of folk, jazz, rock and blues.’ 


Friday, 31 May 2013

Haim at SW3 Glasgow



I like Haim - good to see a girl band that really play and look good without tottering about the stage in huge heels! In their video they are even playing basketball! Girls in America play sport much more than here.
I heard the band perform on the BBC Jools Holland show and I thought they had a new refreshing sound. 

Glasgow’s hippest venue SW3 was packed with many female fans joining the front rows. Haim have already  supported Florence and the Machine a few months back, which was certainly a good support slot to achieve!

The three sisters let loose their joyful harmony singing and cool rhythms. Este, the oldest is a talented bass player – as are Danielle who plays guitar with drama and energetic Alana on keys, along with drummer Dash Hutton. They are all equal band members and take turns on lead vocals which makes them a fun live band. . . . 
The crowd enjoyed their Fleetwood Mac cover and new single Falling. A favourite was their song Save Me, which is also a favourite of mine. They finished their encore with the fun full on drama of drums and their song Let Me Go.

They had a relaxed manner and played with subtle and infectious energy. There are shades of Fleetwood Mac. What took my attention was their rather unusual and enjoyable rhythms.

This band is the second Californian girl rock band I’ve taken photos of – the first being Warpaint a few years ago. Not sure where the Scottish girl bands are? 

Wednesday, 29 May 2013

Photos May 2013


Some exciting times in May!
Viking Galaxy played King Tuts on 17th May to a packed and enthusiastic crowd it was all very exciting really!    
I go to many fun gigs - yet it is hard to explain what its like when it is your son's gig at such an iconic venue as 

King Tuts Glasgow. On the stairs are painted the lists of top bands who have performed here over the years. Simply ultra cool! : ))  
Emeli Sande sang at the White House for a tribute to the incredible singer songwriter Cariole King!  How amazing that must have been for her.

Some exciting new music releases in 2013 - Biffy Clyro, Haim, James Blake, Laura Marling - who has taken things back to guitar, voice and song (minus band) which perfectly showcases her intimate sound.  


Copyright. I try to be patient when I find my images being used on any major websites or for other promotions such as flyers without requesting my permission for the use of the images…? Most media people are fully aware they should contact the author in the first instance. One site using my image was the Arts Council of England!  Very strange really. Links are always appreciated, but for all my efforts to get the image not really enough.
Music and Portrait Photography. Celtic Connections, Edinburgh Festival.

Wednesday, 22 May 2013

Viking Galaxy at King Tuts

Viking Galaxy headlined Glasgow's King Tuts, which could have proved a daunting experience for a band so early in it's career. They met the challenge bravado as the packed crowd where enthralled by their rock 'n' roll theatre! The band have strong stage presence with their leather trousers, capes, catsuits, pan pipes, horned space helmets and an array of plastic weaponry. 

Their songs Call of the Valkyrie, Space Chariot, Raid and Pillage, and Galactic Plunder all went down well. Their catchy melodies give their music broad appeal while their thunderous soaring riffs and vocals won't leave metal fans disappointed!  


The King Tuts gig was the perfect showcase for their brand of theatrical rock!  The band’s shows combine costume, props and comedy with well-written, catchy power metal which all made for a fun night.

The band includes - William Hill (lead vocals), Ross Keightley (bass) and Mike Parkin (guitar), Mathew Brown (keys) and Alasdair Dunn (drums). Three of the band members met at school where they won the school talent show. Watch out for them at a venue near you! More gigs around the UK are to follow, updates are on their facebook and twitter. 'Viking Galaxy' is a space viking metal band based in Glasgow who released their debut album, 'First Contact', at Love Music Glasgow on Record Store day this May. Viking Galaxy's 'First Contact' is available on Amazon.

I go to many fun gigs - yet it is hard to explain quite what its like when it is your son's gig at such an iconic venue as King Tuts Glasgow. On the stairs are painted the lists of top bands who have performed here over the years. Simply ultra cool!
Fun crowd and great tunes. The band have just released their 'First Contact' album. I love King Tuts one of my favourite Glasgow venues!  http://soundcloud.com/viking-galaxy

Woman and Art

I read recently about Beverly Martyn (or Bev Kutner) who had worked with Paul Simon, Nick Drake and Jimmy Page before she met John. I was surprised to hear of their song writing collaborations, her being a partnership with John Martyn and then her being left at home with the children, a home on top of a hill. A home she didn't even choose. Apparently John Martyn wrote his best songs with Beverly Kutner, his wife, which she gets little credit for.  Beverly and Martyn recorded three albums together  - Stormbringer, Road to Ruin and Bless the Weather - before John was persuaded by the record label to go solo. She played piano while they wrote songs together for the album Solid Air.  John said that he would credit her 'on the next song.' Beverly was then left on the house on the hill to raise their children while John toured. When John turned to drink he became abusive towards her and after one threatening scene Bev decided to leave him after ten years of marriage.
....and yet John wrote the deeply caring song 'May You Never', all very poignant really.  
Beverly and John Martyn

I also used to wonder about the artist Margaret Macintosh, the wife of the better known Glasgow artist Rennie Macintosh. She was first a collaborator with her sister, and later with her husband, the architect and designer Charles Rennie Mackintosh. Macdonald was celebrated in her time by many of her peers, including her husband who wrote, "Remember, you are half if not four-quarters of all my architectural...Margaret has genius, I have only talent." It is not known exactly which of Charles Rennie Mackintosh's works Margaret was involved with but she is credited with being an important part of her husband's figurative, symbolic interior designs.  These include the Rose Boudoir at the International Exhibition at Turin, the designs for House for an Art Lover and the Willow Tea Rooms. Her best known works include the panel The May Queen, which was made to partner Mackintosh's panel The Wassail for Miss Cranston's Ingram Street Tearooms, and Oh ye, all ye that walk in Willowood, which formed part of the decorative scheme for the Room de Luxe in the Willow Tearooms. Together with her husband, her sister, and Herbert MacNair, she was one of the most influential members of the collective known as the Glasgow Four. She exhibited with Mackintosh at the 1900 Vienna Secession, where she was arguably an influence on the Secessionists Gustav Klimt and Josef Hoffmann.
Panel by Margaret Macintosh

There have been some outstanding women photographers.  
Great Women Photographers include Eve Arnold and Dorothea Lange (Migrant Mother).
Migrant worker by Dorothea Lange

Dorothea Lange 1895 – 1965 was an American photo journalist, best known for her Depression Era work for the Farm Security Administration ( FSA).  Her photographs drew attention to the plight of migrant farm workers, rural poverty and exploitation of share croppers. Her husband, economist Paul Taylor, interviewed and took economic data over the plight of migrant workers while she photographed and they documented rural poverty and the exploitation of share croppers and migrant labourers.  Her photos led aid being sent to the camps. Eve Arnold, 1912 - 2012 was an American photojournalist. She joined Magnum Photos agency in 1951 and became a full member in 1957. Her interest in photography began in 1946 while working in a photo-finishing plant and she learned photographic skills from at the New School for Social Research; She went on to photograph many iconic figures – including Marilyn Monroe. She left the United States and moved permanently to England in the early 1960s. While working for the London Sunday Times, she began to make serious use of colour photography. She received the Lifetime Achievement Award from the American Society of Magazine Photographers. She did a series of portraits of American First Ladies. She received an OBE in 2003.
Photographer Eve Arnold
There are many great women writers -  Virginia Woolf, Jane Austen, Sylvia Plath, Emily Bronte, George Eliot, more. I attend the Edinburgh International Book festival (EIBF) each year and in the book world there is a true equality - its' all about the craft and substance. 
In music in recent years there has been a rise in woman musicians gaining attention, as opposed to decorative woman singers. In the UK in particular there has been new strong solo women who play, write and perform – Adele and Emeli Sande.   
Emeli Sande

I have read of many out standing woman artists down the years – the question is how many of them have been able to break thorough and most have been left in the shadows of their better known partners. The women have been left with the day to day chores of raising children and keeping the home going. Of course being a mother is and should be the most rewarding  job of all - and it is. I have raised three children and it is also very demanding (!) on a woman's time and energies. In the UK in particular, the role of homemaker as it is known in the States, is undervalued and not treated with the respect the role deserves. In America mothers are given more respect as they are after all the bedrock of society. I don't know why.

Even in today's world of equality were many women are the main wage earners it falls to their lot to also be the main homemakers too. So this is a few words here to the forgotten woman artists and writers.. and a special few to those woman who are breaking free.
Perhaps women need to feel they can be equals in the creative arts - particularly in art and music. 
To name but a few of the great women behind the men. I am certain there are many many more. 

Marilyn Munroe by Eve Arnold

Tuesday, 21 May 2013

Emeli Sande Oran Mor 2007


I first took images of Emeli (then Adele) at her EP launch gig at Glasgow's Oran Mor venue. Emily was in the same medical course as my daughter then and she usually won the talent show at her uni course each year. 
She had an accomplished energetic rock soul band with her and performed a few upbeat songs. Then she took to the piano on the left of the stage and sang some Nina Simone songs. She had big hair back then!  She showed even then her unique passion in her voice. She had three backing singers too which surely showed how seriously she was being taken in 2007 by the industry.
I started this blog in 2007 while I wasn’t taking the blog as seriously then. Little did I know!. and if I might have imagined big things lay ahead. We all thought her voice was strong but it is impossible to be sure about anything in this fickle music business. What I hadn’t figured on was her drive and commitment which are certainly key ingredients.

I posted the photos from the gig and her PR contacted me about photos for her Aberdeen gig flyers and posters. I met her PR guy at a few events he had me along to shoot at.
Her manager phoned me about photos from London, which was really very exciting.  I started to pursue my music photography seriously in 2007 after I got some fun shots at a few gigs in 2006 with a small digital, and I purchased a SLR camera.  

Over this time she was very busy working on her uni course during the week and travelling to London on weekends to write songs and work on her music. She had a few hit songs – one with Chipmunk and another with Wiley.

Then in 2011 she played King Tuts…everything was being carefully planned. I met Emeli at her sound check there and she kindly signed some prints for me. 
At King Tuts she said she wanted to do "soul with a rocky edge." She is genuine and sincere and she appeared incredibly motivated. She sings of the wonder and beauty within all of us. I love the positive and true vibes of her music. She is excellent live and her voice has a moving resonance.


I believe that the successful artist have a purpose in their art – a message they need to convey and that they believe is important.
In July 2012 Sande performed at the London opening and closing ceremonies.This May 2013 Emeli won two prizes at this year's Ivor Novello songwriting awards for her hit song Next To Me as best song music and lyrics, and also most performed work. Her album Our Version of Events beat a record set by The Beatles for the most consecutive weeks spent in the UK's Top 10 by a debut album. I’m so happy for all her successes. 

We all left the Oran Mor (and the Albert Hall all those years later!) full of that feel good energy she exudes on stage.  
I look forward to the next chapter!