Monday 24 September 2012

Edinburgh Festival 2012

It has been a strange Edinburgh festival this year. I’ve been so busy I’ve felt distracted/ detached from it all somewhat and I have less energy. I spend most of my time here at the Edinburgh Book Festival, more to follow. The next part of the saga that is ‘magical mystery tour’ of the Edinburgh trams is that the buses now detour to avoid the digging at Haymarket. The tram lines were started in 2008? and it is now years later and they are costing millions more that expected and are an embarrassment for the city. Did the people of the city get a say over it?  I think not.

 Everyone needs to be an artist in the babble of shows and posters that is the EIF and Fringe. It used to be about amateur student shows. Now it has become slick with stylized big productions and most young people go to the comedy shows. I heard that the new Summerhall venue is about what the festival used to be before it all became corporate, comedy and rubbish. 

**My Theme this year was Love. Love knows our hearts desires, our mirrors. There are voices of hope in a world often torn asunder and we are full of wonder… surely?  Tolstoy wrote of reverence, humility and love and he felt that the narrative was outside his control. I promise myself I need to write more.  

Where do stories come from and why? 
Whatever else love is, it is always a mystery.

Fireworks end each night to mark the finale of the Edinburgh Tattoo. 


Sunday 16 September 2012

Nile Rodgers - Why Did Disco Suck?



Nile Rodgers Edinburgh Book festival 2012
Rodgers is one the most successful writers/ producers from the 70s. He wrote for Diana Ross's major hit album Diana, Madonna's Like A Virgin, David Bowie's Lets Dance and produced many hit singles such as - We are Family, Lost in Music, Lets Dance, Le Freak and many more. He was originally in the band Chic who had hits with Le Freak and Everybody Dance.

Nile gave a fun informal chat at the Edinburgh Book Festival's Speigel tent in August, with many impromptu plays of the guitar when the audience enthusiastically sang along. Nile talked about his music. He said when he wrote songs – first came the words and he always started with the chorus or hook. He likes to use the jazziest chords and fuse concepts together. He talked about the level of pop culture and that Bowie was ‘disruptive’ and therefore stood out in the charts. He believed in the ‘artistic powers’ of music itself. He said that the people made Good Times a No 1 which he said was his favourite song.  

Nile talked about his music. He said when he wrote songs – first came the words and he always started with the chorus or hook. He likes to use the jazziest chords and fuse concepts together. He talked about the level of pop culture and that Bowie was ‘disruptive’ and therefore stood out in the charts. He believed in the ‘artistic powers’ of music itself. He said that the people made Good Times a No 1 which he said was his favourite song.  

He learned flute and clarinet at school and later taught himself guitar. At 18 he auditioned for the children’s tv show Sesame Street for which he wore a crazy green wig!. He then worked at the Apollo theatre in New York with Screaming J Hawkings. 
On a trip to London he saw Roxy Music at the Roxy theatre!  Which he thought was so unique. He thought they should be the black version of Roxy Music and be a ‘totally immersive experience in music’ and they called themselves the Big Apple Band

They played sophisticated funk and their track ‘Everybody Dance’ was a big success in the dance clubs but there was little interest in a black rock band at that time. Jazz bands often went to France to make it then (Nina Simone and others) so they pretended that they were from France!  Chic was born and they had a hit with ‘Le Freak’ – which has been the biggest selling song for Atlantic Records and has such an awesome guitar riff!  

They then wrote hit songs for Sister Sledge – We are Family and Lost in Music. He wrote for Diana Ross – who he interviewed for three days firstly – Michael Jackson, Madonna, David Bowie and many more. He has jammed with Hendrix. Madonna's Like Virgin sold more than 20m records and Nile wrote David's Bowie's best-selling album Let's Dance in just 17 days.

Disco went out of fashion and in the late 70s disco suddenly sucked – and so Nile went into producing for others. Yet he said if you look at the biggest chart hits for artists at that time their hit songs were disco influenced – for example Rod Stewart (Do You Think I’m Sexy) , Queen ( Anther One Bites the Dust), Rolling Stones (Miss You). 

Trends come and go and by the late 70s many rock bands had become flashy (or trashy!) with over the top, overblown sounds and productions and in reaction punk was born in the 80s. The good thing about punk music was it 'let go' and simply went for it!  Never mind the rules, who cares - lets just be nuts and the more off the edge the better - punk was raw and raucous! Sometimes art needs to be rough edge.  So why did disco suck? Well there is that macho element in some music critics who can't accept that not all of us enjoy heavy rock. The uniformity of the mainstream plays it safe and we can only move forward when we question and challenge the accepted and that's what punk, the 60s, the revolution were all about.  
Nile Rodgers Edinburgh Book festival 2012
Yes there was an anti-disco movement but lets not forget at the start disco had much to offer.
Some of my favourite Disco tracks - Diana Ross Upside Down, BeeGees Grease, Chic Le Freak, Michael Jackson Billie Jean, Stevie Wonder Superstition. 
He was also in conversation a couple of nights later at the festival with renowned Scottish writer Irvine Welsh. This was quite a contrast with Welsh in his white t shirt and bald head and Nile with his long dark dreadlocks 

Nile Rodgers – sometime actor for Sesame Street, songwriter, musician, producer, arranger and guitarist. Le Freak, Everybody Dance, We are Family, Let’s Dance, Like a Virgin, The Reflex.
Nile has written his autobiography “Le Freak – An Upside Down Story of Family”, 

Disco is a genre of dance music. Disco acts charted high during the mid-1970s, and the genre's popularity peaked during the late 1970s. Its initial audiences were club-goers from the African American, Latino, gay, and psychedelic communities in New York City and Philadelphia during the late 1960s and early 1970s. Disco also was a reaction against both the domination of rock music and the stigmatization of dance music by the counterculture during this period. Musical influences include funk, Latin and soul music. The disco sound has soaring, often reverberated vocals over a steady "four-on-the-floor" beat, an eighth note (quaver) or 16th note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and a prominent, syncopated electric bass line sometimes consisting of octaves. The "disco sound" was more costly to produce than many other genres - disco music  included a large pop band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of "classical" solo instruments (for example, flute, piccolo, and so on). Disco songs were arranged and composed by arrangers and orchestrators, and producers added creative touches.  Recording complex arrangements required a team that included a conductor, copyists, record producers, and mixing engineers.  Disco songs used as many as 64 tracks of vocals and instruments. Mixing engineers compiled these tracks into a fluid composition of verses, bridges, and refrains, complete with orchestral builds and breaks. Mixing engineers helped to develop the "disco sound" by creating a distinctive-sounding disco mix.
With the advent of punk rock music an anti-disco sentiment developed. Many groups that were popular during the disco period subsequently struggled to maintain their success. The Bee Gees never had a major hit in the United States after the 1970s—even though later songs they wrote and had others perform were successful.

Music September


Some new albums worth checking out. 

Bob Dylan - 'Tempest' (tracks Scarlet Town, Soon After Midnight, Long and Wasted Years.) 

The XX - Coexist/  Mumford - Babel/  Muse - The 2nd Law/  Lucy Rose - Like I Used to/  Jerry Douglas - Traveller /  Plan B - Ill Manors (She Said,)

Douglas's album include a version of The Boxer with Mumford and Paul Simon no less. Also the lovely vocal of Allison Krauss on a song. Sitting alongside Douglas's exuberant dubro playing this all sounds excellent!    

Dylan at 71 continues to surprise us! : )  Dylan has written a track for his friend John in his latest album "Tempest" entitled "Roll On John".....for his friend John Lennon …. Dylan shows, through the prism of a broken heart, how the living carry the memory of those who have gone — and how that, in some small way, keeps these lost loved ones walking among us." [by Nick DeRiso -- excerpted from "something else".]  Bob Dylan's new album TEMPEST is available everywhere today. Download now at http://smarturl.it/tempestitunes

These days it's all about music sharing.

London Music


I look through NME 2012 ( or Q also) and I am so bored of the music coming out from the London labels these days – the predictable rock bands, samey pop for the tweeny market, and the introspectiveness of the guitar singer songwriter. There is little original. it is all to a preset formula - like a recipe that worked before and saying ‘well let’s just stick with what we know will sell.’ It is boring and samey.

Any true creativity offering something new never happens in the mainstream but rather in the peripheral edges.
There are the performers - Let Me Entertain You Robbie - and then is there is the real side of art and music the writers and creatives and that interests me.
As Joni Mitchell said, you can’t start out wanting to be both.  Elton, Carly Simon, Dylan and Emeli Sande all started out as writers and later were performers also.

Wednesday 22 August 2012

Emeli Sande heads back up the UK Album Charts

Scottish singer songwriter, Emeli Sande heads back up the UK Album Charts - After performing at the Olympic closing ceremony Emeli Sande heads back up the UK album charts with her debut album Our Version of Events. I have followed Emeli’s (she was known as Adele oddly back in 2007) music career since she attended medical school here in Glasgow and I took photos of her ep launch gig Oran Mor in 2007.  She hails from Aberdeenshire. I have a selection of images from her gigs here in Glasgow at King Tuts, Oran Mor and Old Fruitmarket the past 5 years here -  http://www.musicfootnotes.com/2012/03/emeli-sande-photos-2006-to-2011.html
Emeli sang Lennon's Imagine at the Olympic Closing ceremony.

Tuesday 14 August 2012

Black and White Music Photography

The Head and Heart Oran Mor
Dick Gaughan Milngavie folk club

Broken Records Queens Hall
Emeli Sande Royal Albert Hall
Edinburgh Festival, Scottish Ballet, Celtic Connections, Manchester Jazz Festival (MJF) - many concerts including Elton John, Fleetwood Mac and Snow Patrol. I try to mix the old with the new and capture moods such as quiet moments of inner reflection. 
One of my interests is images of new artists and several of those I've photographed are now signed to major labels -  Emeli Sande, Hurts, Mumford, Metronomy, Broken Records, King Creoste...  My favourite photographers are Mario Testino, Eve Arnold, David Bailey.  http://pkimage.co.uk/ 

1729 views

Thursday 9 August 2012

Edinburgh International Book Festival


Edinburgh Festival Photos

 LEO performed by Tobias Wegner, directed by Daniel Briere won Carol Tambor Best of Edinburgh Award
Neil Gaiman Edinburgh International Book Festival 2011
Mark Beaumont

Sunday 5 August 2012

Emeli Sande sang Welsh song 'Abide With Me' London Olympic Opening ceremony


Emeli Sande sang a haunting version of the Welsh song 'Abide With Me' at the London Olympic Opening ceremony which was very moving and a tribute to the victims of terrorism in recent years. Oddly American station NBC decided to cut the segment in favour of an interview.
On  Saturday when Jessica Annis won her gold medal for the heptathlon they played Emeli’s songs River.

Thursday 26 July 2012

Those Blues Lines of The Rolling Stones


Those strong R & B signature guitar lines were so danceable, the rhythms and weaving guitars that were the basis for their music. The Stones were the first, biggest and the 'bad boys sexually charged' rock band.
Brian Jones. It was Jones who started the band and gave it their name and more than that their 'electric blues' sound. He realised that the niche market for R & B could be taken to a mainstream audience. The lost boy, never satisfied and sadly he became the first of the '27 Club'. He was the UK's first slide guitarist and one of the best blues guitarists in London at that time. Before he left his hometown, Jones said - 'I'm gonna move to London, start a band and I'm going to become rich and famous.'    

Every time 'Brown Sugar' played at student parties, people took to the dance floor and the track never failed to get everyone on their feet. Mick Jagger is rarely still on stage - so does their music reflect his dancing or vice versa!  The French students that were in abundance In Princes street gardens Edinburgh over the summer months in the city also loved the Stones. Former school mates Jagger and Keith Richards became the main songwriting team in the band. At the start the band was led by Brian Jones, known for his mop top long blond fringe and cool demeanour( he was the hip mod), and they played mostly cover songs, that had been selected by Jones - such as Little Red Rooster. I started this blog a month ago as The Stones were another huge influence on my musical tastes. The past week I noticed coincidentally that it is The Stones 50th anniversary. I think I'm getting psychic over music now! 
Brian Jones, The Stones 1962- 69. There is a very good article on Brian Jones, founder of The Rolling Stones in Mojo - the band were initially called the 'Brian Jones Blues band.'  He started the Stones sound and then was sadly sidelined, perhaps due to his own personal difficulties - drugs, abusing women and paying himself more than the rest of the band, not always the best idea.  He brought the tunes of Robert Johnston, Elmore Jones, Muddy Waters, and leading British bluesman Cyril Davies. Jones unlocked the blues secrets for Richards, taught Jagger the first rules of showmanship and brought invention and flamboyance to the band's extraordinary run of 60s singles. Try 'Singles Collection: The London Years.' 

While Jones' main instruments were the guitar and the harmonica, he was also a talented  multi-instrumentalist. Since his school days he had a focused interest in the music of skiffle, trad jazz, modern jazz and  the blues.  He started out playing jazz with local bands and later became Britain's first slide guitarist. Jones studied American blues music and was influenced by bluesman Cyril Davies, who was himself a devotee of Leadbelly's. Davies was perhaps the best player on the British trad and folk blues scene and his playing matched the intensity of the Chicago originals. Brian was influenced by Elmore Jones open D tuning on guitar and also by bluesman at the crossorads Robert Johnston. Then the New Orleans styled jazz and blues band of Chris Barber and Alexis Korner came to Cheltenham (Barber introduced Europe to the music of Big Bill Broonzy, Sister Rosetta Tharpe and Muddy Waters).

Jones moved to London to continue working on his music. There the opening of the damp basement 'Ealing Club' became a defining place as the cradle of British rock, from The Stones to Led Zepplin.  
Mick Jagger, Keith Richards and Dick Taylor were the first recruits for the 'Brian Jones Blues band'.  When they got a BBC session Brian supplied the new name - the 'Rollin Stones' which was the title of a Muddy Waters song. They started playing at the London's Marquee club and Charlie Watts joined as the drummer. Glyn Jones, their first producer recalled, 'Brian was very much the leader, he was quite specific about what they wanted.. He had a complete grip on everything.' Another producer Eddie Kramer said, 'Brian was the most musically gifted. his sense of tone colour was magnificent, he always thought out of the box. ..the marimbas on Under My Thumb. I can still remember being amazed when he brought out the recorder for Ruby Tuesday.'  
Jones sadly was the Stone unable to gain satisfaction in life, pun intended! whether it was with drugs or fast living. The lost boy, never satisfied. Bill Wyman remembers Jones as a visionary who could not deal with the Jagger-Oldham-Richards trio and he left it too late to fight back. However there were other issues too. Jones didn't view himself as a team player, he kept to himself on tour and paid himself more than the other band members. He was asked to leave in the band in June and died a month later in July 1969. Original Stones bassist Wyman stated about Jones, "...he formed the band. He chose the members. He named the band. He chose the music we played. He got us gigs. Very influential, very important, and then slowly lost it - highly intelligent - and just kind of wasted it and blew it all away." Jones had close relationships and was respected by other well known artists of the time - Dylan, Harrison, McCartney, Townsend, Hendrix and more.  These were simpler times - no internet, or online scrutiny - simply the touring. The youth culture had exploded with the baby boomers after the war.  Basically Jones saw that mixing the new and the old brought something exciting and fresh. 
The success of the Rolling Stones led to more popularity for blues music and musicians such as Muddy Waters who wrote 'Rollin Stone' the song the band drew its name from.  While they are best known for their No 1 rock and roll dance tracks (Brown Sugar, Lets' Spend the night Together, Satisfaction, Paint It Black, Little Red Rooster, Gimme Shelter, Jumpin Jack Flash, Get Off My Cloud, Honky Tonk Woman), they also played some unforgettable slow songs (Ruby Tuesday, As Tears Go By,The Last Time, It’s All Over Now)  Top Albums – Let It Bleed, Sticky Fingers, Aftermath.  A band for the road, The Rolling Stones have probably spent more time on stage, performed more dates, been to more cities and rocked more crowds than any other band. Ever. 
The Stones have had a prolific and long career and one of the longest of any rock band.  Also a prolific out put of recorded music and live albums - 29 studio albums, 12 live albums, and 107 singles.

Footnote :  I took a listen to my favourite Stones tracks -  Let It Bleed(69), Out Of Time (66), Under my Thumb (69), Time Is On my Side (69 ) Rugby Tuesday (66),.Play With Fire (65), The Last Time (65)
The song Rugby Tuesday, such a classic -. Marianne Faithful recalled that  Brian Jones presented an early version of this melody to the rest of the Rolling Stones. According to Victor Bockris, Richards came up with the basic track and the words and finished the song with Jones in the studio.  I began to think Jones was the inspiration but that Richards and Jagger took it on to write future songs and that much of the Stones best material was done while Jones was still playing with the band he created. 

The Rolling Stones 'endurance and relevance' ( Quote critic and musicologist Robert Palmer) is due to the band being 'rooted in traditional verities, in rhythm-and-blues and soul music' while 'more ephemeral pop fashions have come and gone.' Though R & B and blues cover songs dominated the Stones early material their repertoire has always included rock and roll.  (References from Mojo August 2012)  

823 views

Tuesday 24 July 2012

Music Photography

Broken  Records Queens Hall

Mumford  ABC Glasgow
Viking Galaxy Classic Grande
Michael Marra
Sometimes at gigs something magic happens…. the audience is really up for it, as are the musicians on the stage.  It is as if it all comes together in that one time and place. And it is at these rare gigs that I am able to  get a good position and shot unobtrusively for the entire gig – and I am not restricted to those ridiculous 3 songs (which I know matter for the bigger stages).  The trouble with restrictions is it creates a ‘manic’ grab for photographers while it can be an adrenaline rush. Also I am not sure it’s the best situation for portfolio images or a quality photoshoot. Sometimes.

I got into music photography by chance. I took some photos at a gig several years ago and realised I had a talent for capturing the right moments. While I should add I have studied art and portraiture many years, so perhaps photography is a natural progression. Also as I am a huge music fan it made sense for me and music is my motivation - from Mozart to pop.


Snowpatrol Bellahouston

Tuesday 17 July 2012

Dougie McLean Milngavie Folk Club June 30 2012

Dougie was magic. He was on good form and like a choir master he really got everyone singing in full voice.  

This event took place to an expectant and warmly enthusiastic Milngavie Town Hall audience. Some were clearly die-hard McLean fans and some had travelled long journeys for the gig.
Premier Scottish songwriter is best known for his song Caledonia which has become part of Scottish culture and is often performed at weddings and played by pipebands. He also wrote the theme The Gael for the The Last of the Mohicans (1992).

McLean performed songs from his 2012 album Resolution, as well as some of his large back catalogue. He gave us a full two entertaining sets of his warm thoughtful songs.
He began with the song Holding Back - 'a wee song about contentment' he said. (there may well have been a few more songs I didn't manage to get the title of).

First Set: Holding Back/ Don’t Look Down/ Another Time/ Loving One (She Loves me when I'm gone, She thinks about me when I'm gone)/ Some Hearts/

Second Set: Resolution/ Not Look Down/ Scythe Song/ In Darkness/ Broken Wings/ Caledonia/ For his encore he sang the song You Sing Loud (Shine on, oh shine on over me) 
 

He encouraged us to sing and he said that people were never passive in Scottish music - he explained that they joined in and that is why the old folk songs had so many refrains. For the song Some Hearts he conducted our singing and he suggested we sang with more harmonies.

He also spoke about how music can heal and the inspirational work of Nordoff Robbins Music therapy for terminally ill children. 
He said - I travel with my little songs. McLean has a touching compassionate voice in his songs.

His song themes appear subtle and soothing sitting alongside calming melodies but actually they carry powerful messages and emotions. McLean is something of a philosopher in his songs which offer thoughtful insights on life with a strong sincerity. He fully recognises and accepts the emotional draw of the 'song'. His songs are personal but also intimate and universal, as if speaking directly to you.

His songs have lines such as - You may fall but you must not lie down/Some hearts will fill with wonder/ Some hearts will break in two/ Some hearts will wait for summer/ Time will turn.
Price we have to pay/ Place we started from to resolution’ 
Lost in the fiddle’s sweet sound….For a moment free from one more endless day.

He said that we must make loads of mistakes in order to really ‘live’ life. He said that music wasn't always kind and it can sometimes be a heart breaking kind of thing

McLean has been a professional musician for 38 years since a chance encounter with the Tannahill Weavers.
Try Dougie McLean songs - She Will Find Me, Another Time (about his father), Broken Wings, Holding Back,

Sometimes subtle messages in song can be even more powerful
.  http://www.dougiemaclean.com/

Friday 13 July 2012

The Best Male Voices

The Falsetto

Some of the best loved falsetto voices were The Beach Boys surfing California sound. There is something inspirational and heaven ward in the beauty of the high male voice – much more so than the female soprano voice.
The best known church choirs are the young male choristers. The falsetto was also often heard in the soul and Motown songs coming out of America. Are these voices taking us closer to heaven? They can be sweet and tender and they appeal greatly to women who melt and swoon over it.  For women they offer empathy and show the sensitive side of men.
Other examples of wonderful falsettos are the singers from Earth Wind and Fire; Freddy Mercury of Queen; The Bee Gees.

One of the greatest male singers ever was Jeff Buckley who blended his love of Nina Simone and Led Zeppelin to weave his wild vocal expressions that have influenced a new generation of male singers. Hybrid masculine and feminine sensibilities.
Hyden Thorpe of the Wild Beasts feels the falsetto expresses the vulnerable hurting side of yourself and pulls him out of the everyday experiences with a freer way of singing.

While I also enjoy the more rough edged male vocals given the choice I prefer the soaring high male voice.
My favourite soul singer was Otis Redding, along with pop singers John Lennon and the Bee Gees.  

some quotes from the  BBC 'Imagine' Just One Falsetto'- http://www.bbc.co.uk/programmes/