Showing posts with label playwright. Show all posts
Showing posts with label playwright. Show all posts

Saturday 5 October 2019

Bonnie Greer on Question Time spoke some Home truths!

Bonnie Greer on Question Time – spoke some Home truths! 

Bonnie Greer on BBC Question Time – spoke some Home truths! 
First of all , she said, "‘Ireland owes this country nothing, the UK doesn’t own Ireland. It is not a play thing for the UK. Ireland is Europe." 
Second. "’The US is Irish. There will be trouble with the US if the UK thinks it can mess with Ireland. I’m from Chicago, you must understand on St Patricks day the river there is green!"

She spoke a few home truths to people with closed minds – to people who really need to hear.
I often watch BBC question time each week with some trepidation, of the small minded, insular and ignorance often displayed, both by the audience and by the panel. 
What a breath of fresh air she was



She put journalist Melanie Phillips in her place too.
Bonnie Greer attended the Edinburgh book festival in 2014 – she is an American-British playwright, novelist, critic and broadcaster, who has lived in the UK since 1986. She is the Chancellor of Kingston University in Kingston upon Thames, London.

Monday 30 April 2018

George Buchanan Father of Democracy

A short distance from my home there is a monument in the small town of KiIlearn to one of the most important writers on democracy, reformer George Buchanan. 

He was one of the most significant literary and political figures of the 16th century -  poet, playwright, historian, humanist scholar, and teacher to the great French essayist Michel de Montagne, Mary Queen of Scots and later to her son James VI of Scotland and I of England (United Kingdom.)

Buchanan was a native Gaelic speaker from lower loch Lomond. He was deeply impressed that the Gael had held on to their language and culture for more than two thousand years. He was a Catholic, who was committed himself to the Reformation, and he joined the Reformed Protestant church in 1560s and published
In his article, The birth of the Democratic Intellect, professor Alan Raich, (National July 2017) discussed the importance of Buchanan’s writings. Buchanan wrote De Jure Regni apud Scotos, published in 1579 - one of the most important books in all British (or European) literature on democracy for all. It is originally the most essential text in our understanding of the constitution and the state. (how many of us have heard of it?)
“His book follows the Declaration of Arbroath (1320) in saying that all political power resides in the people, and it must reside in the people: and that it is lawful and necessary to resist kings (or queens, or we might say all rulers) if (or when) they become tyrants.
Buchannan was basing his argument at least partly on his understanding of the clan system. There were many attempts to suppress his work, in the century following – particularly by the king he tutored and he foresaw where stupid Stewart vanity would lead. He was a major player  in the European cultural context.”
 
monument to George buchanan at Killearn
**

George Buchanan 1508 - 1582 was a Scottish historian and humanist
Buchanan was "the most profound intellectual sixteenth century Scotland produced." His ideology of resistance to royal usurpation gained widespread acceptance during the Scottish Reformation. Keith Brown says the ease with which King James VII was deposed in 1689 shows the power of Buchananite ideas.
His father, a Highlander and a younger son of an old family, owned the farm of Moss, in the parish of Killearn but he died young, leaving his widow, five sons, and three daughters in poverty. George's mother, Agnes Heriot, was of the family of the Heriots of Trabroun, of which George Heriot, founder of Heriots hospital was also a member. Buchanan, a native speaker of Gaelic. In 1520 he went to the university of Paris and studied logic under John Mair.
In 1528 Buchanan graduated M.A. at Scots college, University of Paris. The next year he was appointed regent or professor, in the, College of Sainte-Barbe and taught there for over three years. Sainte-Barbe was one of the most prestigious and advanced colleges at that time. George added to that prestige by creating new reforms in teaching Latin. In 1529 he was elected "Procurator of the German Nation" in the University of Paris, and was re-elected four times in four successive months. He resigned his regentship in 1531, and in 1532 became tutor to Gilbert Kennedy, 3rd Earl of Cassilis with whom he returned to Scotland early in 1537. Though a layman, he was made Moderator of the General assembly of the Church of Scotland in 1567. He had sat in the assemblies from 1563.

The importance of the work is proved by the persistent efforts of the legislature to suppress it during the century following its publication. It was condemned by and act of parliament in 1584

In the lead-up to the anniversary Professor Roger Mason of the University of St Andrews has published A Dialogue on the Law of Kingship among the Scots, a critical edition and translation of George Buchanan's 'De Iure Regni apud Scotos Dialogus.

Wednesday 15 January 2014

Eve Ensler One Billion Rising


Eve Ensler (born May 25, 1953) is an American playwright, feminist, activist best known for her play The Vagina Monologues. I was inspired last night on BBCs Hardtalk by writer and feminist Eve Ensler who works against violence towards women. Certainly when I listen to the news it is often about violence towards women ( just today in the UK DJ Dave Lee Tarvis and Rolf Harris are both in court for charges of sexual assaults on young women) 


She says women need to break the silence - and that most women keep quiet about their problems.  Violence towards women occurs in all countries worldwide - there is still incest, bullying, sexual harassment in the developed world - 1 in 5 women in UK are attacked, 1 in 3 in the US, 1 in 5 women on college compasses US are attacked.  Violence against women is what maintains Patriarchy. 

Her play The Vagina Monologues makes it OK for women to speak out. She heard women talk of these issues and stories that upset her.  One older woman spoke of being assaulted as a young girl and after this experience she never had sex. Eventually all the women's stories were made into her play The Vagina Monologues which is now performed world wide in 140 countries. She said the storied are universal and that all women understand them.  She claims that the violence perfumed by men against women can lead to depression, suicides and eating disorders.  She says women need to break the silence. She said that the threat of violence and daily terror leads to a siege mentality and that this existence of fear leads to depressions, destroys self esteem, confidence and sense of worthiness. 

Ensler stated that her feminism motivates her art and that they drive each other.  Eve was bullied by her own father and she said often these men are spilt personalities projecting one normal image to the outside world another violent one indoors. 
Writing was the one experience where she was able to make sense of her environment and have  a persona that wasn't being drowned. 

Of course we tend as women to blame ourselves - that is that we are somehow the cause of these attacks by our own behaviour.  I remember watching the movie Goodwill Hunting when the therapist says to Will - Its Not Your Fault, Its Not Your Fault over and over. I find it very hard not to believe it is not somehow my fault.  
Perhaps this book on art and words and music is about my journey to make sense of it all.  Music has been my escape route to a better place. When I was very young I started to write poems and  to draw. 

Ensler started the campaign One Billion Rising for Justice. She says this is a grassroots campaign organised worldwide. In 2013, One Billion women and men shook the earth through dance to end violence against women and girls.  She called on women to dance outside police buildings. Dance is a powerful expression of breaking free; tell stories, organise.   http://www.onebillionrising.org/

We write to you one month before 14 February, the actual day we will rise and dance for Justice. But we all know One Billion Rising for Justice is clearly not just a day. It is a campaign, a strategy, a determination, a new energy. It is months of preparation, investigation, and collaboration. It is the careful, conscious work of building a coalition, inviting new activists, and acknowledging those who have been on the frontlines for years. It is envisioning and writing new laws and legislation. It is breaking the silence, releasing our stories, naming and identifying injustices, creating demands, organizing forums and panels and events, as well as writing songs and poems and plays, and making videos. It is identifying the places where we will rise. It is learning about our sisters’ struggles around the world and making them our own. It is bringing the most marginalized to the front. It is the grassroots leading the way. It is men joining and standing with us. It is acknowledging the places of intersection. It is a decision, a vision of the world where the bodies of women and the body of our mother earth are honored and cherished and safe and held sacred. It is trust. It is expanding our identities and wounds to include the others. It is a fierce refusal to undermine or attack or diminish, but to take the time to find the language to express our grievances and frustrations, with the belief that each one of us in this struggle is on a path of evolution and revolution, wounded, broken, and doing our best. It is a wild energy that says Yes. Freedom is possible. Unity is Possible. Everything is possible. It is a Rising – dissolving borders, edges, separations. It is love, an unstoppable wave of love and justice.
This year, on 14 February 2014 we are calling on women and men everywhere to harness their power and imagination to rise for justice. Imagine, One Billion women releasing their stories, dancing and speaking out at the places where they need justice, where they need an end to violence against women and girls.  Join us!

Thursday 3 November 2011

Goa Xingjian

Goa is from China, after speaking out against the cultural revolution he now lives in exile in France, in his Second Life.  As happened in Russia after this country's revolution, the 'free thinkers' and the creative people have had to flee China.  He is a writer, poet, playwright and painter and I went to his talk this August at the Edinburgh International Book Festival 2011.
 
Goa discussed his views on the differences between the artistic genres and the aesthetics of the different art forms - he spoke of how painting is not literary, theatre is not literal, and the art of the narrative. He said that Literature has suffered from political interventions and it can subjugate literature when authors submit to politics. That globalization imposes also. 

He talked of the necessity for literature to confront experience. Of how we don't understand 'Evil' and the 'Nazi' experience and how history could easily repeat itself. That people 'like to be led' as it is the easy way and how important 'independence' of Thought' is. 

Gao had a deep serenity and calmness about him.  His paintings are very good and they lead the eye on mystical journeys. He talked of setting aside months to paint when he barely reads at all - because image and painting must come direct (without words). When he paints he listens to music and he feels that painting is beyond words.
Gao describes himself as a 'total artist' - creating novels, short stories, essays, plays, paintings and film.  His 'Ballad Nocturne'  continues his ongoing experimentation with dissolving and redefining artistic boundaries, and with melding aesthetic forms.