REVIEW Celtic Connections 2020

I always look forward to this very special folk, roots and world winter music festival, which offers a great start each year and is one of the highlights of my year. The central hub is the Glasgow concert hall, with its 5 venues spaces which comes alive to the sounds of pipes, whistles, song and those foot-stomping reels! 

This is also very much an international festival with musicians and visitors coming worldwide. For the 18 days of the festival take over Glasgow venues. This year the festival twinned with Finland. 

Celtic Music Radio is the place to hear the Danny Kyle stage open mic performers. This takes place each day 5 – 7pm at the concert hall. This year I heard finalists Muckle Spree and John Edge and the Kings of Nowhere.

On the first weekend there was a festival within the festival - Coastal Connections celebrating the vast and scenically majestic Scottish coastlines and islands. For the price of one ticket we were treated to many top performers – Tiree based Skerryvore, from the West Highlands Diamh, from Oban Capercaillie and from Orkney’s Fara.  A dramatic 10 metre sea goddess puppet made from reeds and named STORM, walked from the Clyde to the concert hall. 

Daimh

For the opening night concert the unique GRIT orchestra performed the Declaration – with 6 new compositions commissioned to celebrate the 700^th anniversary of the Declaration of Arbroath. As well as some of ever popular Martyn Bennet’s music.  

The Auld Lang Syne concert celebrated our great Scots bard Robert Burns, at the Glasgow concert hall when his songs were performed by Eddi Reader, Karen Matheson, Shona Donaldson and all were on top form. I was impressed by Jarlath Henderson, piper, composer and singer from Ireland.

GRIT orchestra the Declaration

Auld Lang Syne

I also enjoy the atmospheric Old Fruitmarket venue and this year saw This Caledonian Soul hosted by Blue Rose Code and his top soul band. His biggest influences are John Martyn and  he performed the song Fine Lines and a new song from his upcoming album. I’m a fan, and I highly recommend his albums.

Blue Rose Code, Caledonian Soul

Julie Fowlis

Rachel Sermanni

Plus the Scottish National Orchestra who performed Scottish composer, pianist, harpist Phamie Gow, composition Lammermuir, along with musicians Jarlath Henderson, Alasdair Fraser, Mairi Campbell.

To top all this I enjoyed the excellence of  the Transatlantic Sessions band with guest singers– Americans Cahelen Morrison, Sierra Hull; Irish Cathy Jordan and Scots singers Rachel Sermanni. Other highlights included – Cherish the Ladies, Roaming Roots Revue, Phil Cunningham’s 60^th, Salsa Celtica, Blazin Fiddles and much more.

Celtic Connections festival supports new artists –  with workshops, the open stage, and the

Scottish Showcase – with over 200 delegates from 23 countries.

Karen Matheson

Transatlantic Sessions 2020

The arts bring us together. Celtic connections is a class example of music crossing boundaries. There is mainstream pop – then there is the craft, heritage and depth of making of the live folk songs. It inspired Bob Dylan to do something more authentic. .

Auld Lang Syne Concert -Celtic Connections 2020

What an excellent concert!

With a top line up of singers backed by the quality playing of the Scottish chamber orchestra and house band, consisting of Donald Shaw, fiddler John McCusker. The concert was recorded for Radio Scotland. Of course performing the much loved Burns songs with a top orchestra and quality singers was bound to be a winner and everyone was on top form tonight. 

Karen Matheson

Gaelic singer, Karen Matheson began the concert with some of Burns most romantic songs:with her clear, expressive voice and backed by the band and orchestra – Bonnie Jean, Lassie in the Lint White Coat, Ca the Yowes. She also performed a Donald Shaw composition, Let Me Wander. 

Jarlath Henderson

From Northern Ireland, piper and singer Jarlath Henderson, impressed with one of my best loved Burns songs, Westlin Winds. “One of the best songs ever written, it says all there is to say.” quote from folk singer Dick Gaughan (I missed his powerful voice). Henderson also performed one his own compositions and an excellent vocal on, Green Grow the Rashes O.  

Eddi Reader was cheered on stage and she sang – Jamie Come Try Me, Red Red Rose, and Charlie is My Darling - backed by the orchestra. After which Shona Donaldson sang a poignant Highland Widow’s Lament and the Slaves Lament, plus the more upbeat and rhythmic Rattlin Roarin Willie.  

For the grand finale Reader sang her passionate interpretation of Ae Fond Kiss and for a glorious finish with Auld Lang Syne and with the audience on their feet after such an enjoyable night.  

Eddi Reader

I wondered what would it have meant to Burns to have his songs thrill audiences all these years after he wrote them – and all over the world!  I was particularly glad to hear Westlin winds, Slaves Lament, Rattlin Roarin, Green Grow the Rashes O and Ae Fond Kiss, 

Burns was a great romantic poet and wrote some of the world’s greatest love songs -  but also so much more. He cared deeply on many issues – the Rights of Man (and women), his love and caring of nature, keeping Scots traditions alive, song collecting, equality, freedom and democracy. 

He was passionate about his song collecting but he was also a radical and reformer. His heroes from boyhood were freedom fighters. He also wrote one of the world’s best known and loved songs of equality - A Mans a Man for a That, which is sung today all over Europe, Canada and beyond. 

Jarlath Henderson, is an Irish folk musician. He is a  Uilleann piper, guitar, Cittern, low whistle and flute and winner of the BBC Radio 2 Young folk award 2003. 

Coastal Connections: at Celtic Connections Festival 2020

This new festival within a festival proved a highly successful and sold-out event. For the price of a ticket, we were given a wristband as access to musical performances of the highest calibre, celebrating Scotland’s vast coastlines and many islands.

The festival was held over the concert halls several spaces – the main auditorium, exhibition hall, Buchannan suite, and Strathclyde suite. The main event took place in a more relaxed setting in the main hall, with tables and chairs set up in the front area. All this proved ideal for families and for dancing. 

Some of the festivals top ceilidh bands took part – 

From north Uist we were treated to the perfect voice of Julie Fowlis along with Eamon Doorley, Zoe Conway and John McIntyre. Diamh from the Hebrides, proved a strong presence with accomplished musicians and with lead singer, Ellen MacDonald

Capercaillie from Oban, were the ultimate professionals: a band with strong tunes with contemporary rhythms led by

 accordion player and festival director Donald Shaw and with the moving Gaelic voice of Karen Matheson. Tiree-based Skerryvore are a powerhouse ceilidh band led by pipes and song, and they lit up the final show here. 

The more intimate spaces musicians included  - Orkney bands Gnoss and Fara; fiddler Gillian Frame from Arran; Ceol Nan Eilean from Benbecula; from Cape Breton Miller, MacDonald, Cormier and Feis Rois with John Somerville’s Voyage of the Hector; Esther Swift’s The Flood; from Lochaber Ingrid Henderson, Anna and Mairearad from the Black Isle. 

There were also art displays and musical instruments on show. I thought there might have been more coastal signage or art displays. There certainly are many outstanding photographers who shoot powerful images of Scotland’s incredible coastlines, perhaps a display for another day.

I’ve been fortunate myself to visit Scotland’s islands recently and the north coast. If the weather is kind ( as it is in may or the autumn) there is nothing to surpass the wildness, the subtle, shifting light, blinding wind or thunderous waves or perfect white sands.

(photos from north Uist nature reserve, Scarra Brae Orkney, North Coast 500

The festival had a dramatic opening spectacle with STORM, a 10m high sun goddess STORM made of driftwood by Edinburgh’s Vision Mechanics to celebrate our seas. Her voice the chorus of the waves to celebrate our seas, care of our coastlines and to put our environment first – she made her journey from the Clyde to the Glasgow concert hall.

GRIT orchestra Opening concert CELTIC CONNECTIONS

GRIT orchestra perform the Declaration:  A triumphant opening concert with the excellent and exuberant GRIT orchestra!

The concert hall buzzed in anticipation of this years festival. Some may think  - isn’t January a low month – not when the Celtic fiddles dance; along to the feet-tapping dance rhythms of percussion and drums; the vibrant rich brass; the mellow, haunting flutes; the heart-topping pipes – and all topped with the melodic, soaring voices such as Gaelic singer Karen Matheson and Fiona Hunter. 

The Grit Orchestra is an 80-piece ensemble of folk, jazz and classical musicians, who first performed Martyn Bennet’s  ground breaking album, with conductor Greg Lawson at the festival in 2015. 

For the first half of the concert they performed new compositions for one of the most famous statements for freedom, Declaration of Arbroath, ahead of its 700th anniversary in April and also inspired by Bennet’s own innovative creations.To explore concepts of freedom and what does freedom mean?

The new compositions for the Grit orchestra were – first cellist Rudi de Groote piece, Declaration Opening which offered a haunting anticipation; followed by fiddler Patsy Reid’s Suppliant Hearts with upbeat fiddles juxtaposed with stirring pipes; Oran do loch lall, a Donald Shaw introspective composition then captured a more gentle mood with the perfect voice of Gaelic singer Karen Matheson; next was the climatic freedom piece Ve Skerries by fiddler Chris Stout and harpist Catriona Mackay, with the impressive male voices of the all male Chapel choir and a Freedom poem read by poet Liz Lochhead - “What matters is not what we say, but what we do.”

This was followed by Fraser Fifield’s, atmospheric Secret Histories and saxophonist Paul Towndrow’s Declaration Ending, when woodwind and brass solos sounded the hope filled finale. 

  

II  For the second half of the concert the orchestra treated us again to Martyn Bennet’s Grit album tracks, with firm favourites and sung by Fiona Hunter - No Regrets, Blackbird, Play the melody on the chanter. Alongside Bennet’s drama and dance grooves, he understood the significance of the memorable melody. The Grit orchestra music is a unique contemporary sound that fuses  traditions, folk songs and modern dance beats. 

The Declaration compositions were described by festival director Donald Shaw as “a declaration of intent to grasp the thistle and give a sense of confidence to orchestral works from Scottish folk composers. It’s about freedom, exploration and intent. 

Conductor Greg Lawson said, “We must strive to be different and understand our differences – which will make us stronger.”

The Arbroath Declaration

...for, as long as but a hundred of us remain alive, never will we on any conditions be brought under English rule. It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom – for that alone, which no honest man gives up but with life itself.

1st half

Rudi de Groote - Declaration Opening

Suppliant Hearts - Patsy Reid

Oran do loch lall - Alexander Cameron/Donald Shaw/Norman MacLean

Ve Skerries - Chris Stout& Catriona Mackay

Secret Histories - Fraser Fifield

Paul Towndrow - Declaration Ending

2nd half

Move 

Nae Regrets 

Blackbird 

Aye

Karabach 

Chanter

Celtic Connections music festival 2019

If we loose Indigenous languages wee loose colour and diversity”  Brexit has brought the Celtic nations together

One of the highlights of my year is attending the wonderful and top class concerts of this highly respected folk, world and roots music festival. I’ve been shooting at Celtic Connections now since 2008, and its interesting to see how the festival evolves each year. I enjoy the atmospheric Old Fruitmarket , the main concert hall, the Danny Kyle stage and the enthusiastic buzz of this major Glasgow music festival

This year my concerts included  -  New Traditions: Talisk, Xabier Diaz, Vishten; Grace and Danger: concert to celebrate John Martyn; Kathleen MacInnes and amiina; Transatlantic Sessions with Cara Dillon

Celtic Connections 2019 included the Opening Concert, when 100 young musicians from Scotland and Galicia took to the stage on the Glasgow Royal Concert Hall performed alongside leading traditional Scottish artists.The festival line up included - Cherish the Ladies, Graham Nash, Elephant Sessions, Bokanté, Loudon Wainwright III, Judy Collins, Ronnie Spector & the Ronettes, Kathy Mattea, Shooglenifty, Aidan Moffat & RM Hubbert, Susheela Raman, Songhoy Blues, Mariza and a special performance of ‘An Treas Suaile’ (The Third Wave) with Julie Fowlis and Duncan Chisholm.

**A celebration of quality live music and challenging collaborations, which stays true to its Celtic roots and while also being innovative. This years International partner in 2019 was Spain’s Galicia. (given autonomy in 1981). Finland will be the festival’s partner in 2020. The festival includes: Showcase Scotland opportunities; Educational Program with morning concerts and workshops; Celtic Connections encourages new talent Danny Kyle Open Stage. Includes music, ceilidhs, talks, workshops, screenings and more, the world-leading annual music festival Celtic Connections 2019. 

** Celtic Connections encourages indigenous languages – as part of 2019 Unesco International year of indigenous Languages, Canada sent over artists and cultural leaders, representing their indigenous languages, to exchange ideas, dialogues, and to practice with Scots Gaelic talent. To give artists space and time to interrogate how Scotland and Canada’s shared colonial histories manifest within contemporary creative practice. 

18 days of music, ceilidhs, talks, workshops, screenings and more, of this world-leading music festival Celtic Connections. 2000 artists from 25 countries in 300 events on 35 stages across Glasgow – the most widespread Celtic Connections since the festival began in 1994. With attendances over 130,000 the festival was a huge draw for audiences from all over the world. Celtic Connections is a festival which stays true to its Celtic roots, while also exploring new ideas, musical styles including folk, blues, techno, jazz and Americana.  

Donald Shaw, Creative Producer for Celtic Connections, said:“The commissions and special collaborations which are one of our hallmarks, have travelled in musical directions which have amazed us all.“We sought to make this year’s festival our most innovative yet and thanks to the musicians who joined us we achieved this. It’s hard to believe it is almost over, and time now to start thinking of how we can better this next year when our incredible festival will return.”        

Alan Morrison, Head of Music, Creative Scotland said:The festival proved yet again that Scotland is as eager to welcome international acts with open arms as it is to share our own musical heritage with all our visitors, building friendships across borders. Celtic Connections 2020 can’t come soon enough.”