Showing posts with label Auld Lang Syne. Show all posts
Showing posts with label Auld Lang Syne. Show all posts

Wednesday 30 September 2020

BURNS Photos


May liberty meet wi success

May prudence protest her frae evil

May tyrants and tyranny tine i the mist

And wander their way to the deil! 

For the past years I have been following in Robert Burns footsteps and reading of the national Scots bard. As I live north of Glasgow I’ve been able to make several journeys down to Burns country in Ayrshire to find the real Burns behind the many myths. Here are some of my favourite Burns photos.

Burns wanted to be a Bard for all of Scotland, not only Ayrshire – and so in 1787 he embarked on travels by horseback across the Borders, the west highlands and further north. He collected songs and poems, to help keep Scots heritage alive. Its not widely recognised but he gained great inspiration from many English poets, such as Alexander Pope and other writers and his letters are written in English. But it was when he read Robert Fergusson’s poetry in Scots, he realised the power of his native tongue. So he combined the force of Scots and the imagery of English. He also knew Latin and French and had been tutored by his father and a young teacher John Murdoch. He was also a great reader. 





 

Burns pens

Ellisland farm beside the river Nith

Burns desk Ellisland looking over the orchard 



Burns was a unique mix of his mother's ballads and his fathers education. He worded hard, wrote and read constantly. Robert Burns 1759 - 1796

1786 

Burns first book of poems published

1787

 Oct. Again in Edinburgh and wrote songs for the Scots Musical Museum. Dec met Nancy.

1788. Left Edinburgh and married Jean in April and moved to build a farmhouse Ellisland north of Dumfries. Jean joined December at the farm. Trained to be an exciseman collecting taxes. 

1790 Feb. Third Volume of Scots Musical Museum with 40 songs published.

At Hallowe’en composed Tam O’Shanter. 

 

1791 Moved to Dumfries in October 

July his brother William died at 13. 

1792

Fourth volume of poems published with 47 of my poems. Nancy left for Jamaica in January 1792. Elizabeth Riddell born November.

April given the Dumfries first foot and walk, which paid more.

Reform was happening. John Taylor was arrested and accused by Robert Dundas as a ringleader – ‘of a mob, raged in a riotous and tumultuous manner.’  And brought before Creech. A witness was Robert Graham of Fintry and Alexander Nasmyth was on the jury. Burns asked him to design scenery for the new theatre. 

Sent Creech poems autumn 1792 and signed myself Ca ira, a wild flourish! 

 

1793

Creech published Second Edinburgh Edition, 2 volume edition of Burns Poems. 

The French king was executed. Burns suffered extreme mood swings and conflicts – hypochondria he called it. 'I often despaired, suffered low moods. The more I was in the position of authority the more I rebelled!'

May moved to a red brick 2 storey town house, Mill fennel, 

1794

James Glencairn born August. 

1795

Joined the Dumfries volunteers. Sept Elizabeth died. Burns fell ill. 

1796

December fifth volume of  Scots Music Museum published with 3 Burns songs – 

Dancing was independence. Burns died july 1796


Mauchline


Dumfries house



First Book Poems Chiefly in the Scotch Dialect

Friday 28 August 2020

Song for Scotland -'Auld Lang Syne'



Scots spread around the world as – explorers, lecturers, innovators, writers – and had close trade to Europe.

Kane writes of the impact songs can have, to bring us all together in community spirit, to build hope. 
From a shattered apartment Beirut – windows blown in, amid her ruin an elderly woman sits at her piano and plays the classic international song by our Bard Robert Burns, his song of unity and friendship -

'Auld Lang Syne.’

Making beauty from ashes.....
This song's emotional power travels the globe and gives people hope. Not about divisions but about bringing people together in what really matters. 

Making beauty from ashes.

Scots and journalist musician Pat Kane concludes for indy (Scotland National August 8th)
All the way from Beirut the perfect national anthem for indy Scotland. 
“hardly for the first time, Scotland is already profoundly woven into the world, as the world waits for our official return. Closing suggestion, isn’t this the obvious, post indy Scottish national anthem in waiting? A song the world already sings – joyfully, harmoniously, in happy celebration? Right under our noises, all this time. “

Here are the pipes and chorus and a perfect rendition of Auld Lang Synehttps://www.youtube.com/auld-lang-syne

Burns heard the old song and added new verses - its a song too for the auld Scotia that was being lost. 
This is a song about bringing people together. Because Scotland's self-determination is not about any nationhood - but rather our right to democracy for all who live here in Scotland - for our fairer, more equal, greener and well being future. 

Kane writes of the impact songs can have, to bring us all together in community spirit, to build hope. Collective singing can ‘induce feelings of happiness, safety and security in a group – calming, energising, organising and inspiring. 
He recommends the book - David Levitin , The World in Six Songs. 

Friday 31 January 2020

Auld Lang Syne Concert -Celtic Connections 2020



What an excellent concert!
With a top line up of singers backed by the quality playing of the Scottish chamber orchestra and house band, consisting of Donald Shaw, fiddler John McCusker. The concert was recorded for Radio Scotland. Of course performing the much loved Burns songs with a top orchestra and quality singers was bound to be a winner and everyone was on top form tonight. 

Karen Matheson

Gaelic singer, Karen Matheson began the concert with some of Burns most romantic songs:with her clear, expressive voice and backed by the band and orchestra – Bonnie Jean, Lassie in the Lint White Coat, Ca the Yowes. She also performed a Donald Shaw composition, Let Me Wander. 

Jarlath Henderson

From Northern Ireland, piper and singer Jarlath Henderson, impressed with one of my best loved Burns songs, Westlin Winds. “One of the best songs ever written, it says all there is to say.” quote from folk singer Dick Gaughan (I missed his powerful voice). Henderson also performed one his own compositions and an excellent vocal on, Green Grow the Rashes O.  

Eddi Reader was cheered on stage and she sang – Jamie Come Try Me, Red Red Rose, and Charlie is My Darling - backed by the orchestra. After which Shona Donaldson sang a poignant Highland Widow’s Lament and the Slaves Lament, plus the more upbeat and rhythmic Rattlin Roarin Willie.  

For the grand finale Reader sang her passionate interpretation of Ae Fond Kiss and for a glorious finish with Auld Lang Syne and with the audience on their feet after such an enjoyable night.  

Eddi Reader
I wondered what would it have meant to Burns to have his songs thrill audiences all these years after he wrote them – and all over the world!  I was particularly glad to hear Westlin winds, Slaves Lament, Rattlin Roarin, Green Grow the Rashes O and Ae Fond Kiss, 

Burns was a great romantic poet and wrote some of the world’s greatest love songs -  but also so much more. He cared deeply on many issues – the Rights of Man (and women), his love and caring of nature, keeping Scots traditions alive, song collecting, equality, freedom and democracy. 

He was passionate about his song collecting but he was also a radical and reformer. His heroes from boyhood were freedom fighters. He also wrote one of the world’s best known and loved songs of equality - A Mans a Man for a That, which is sung today all over Europe, Canada and beyond. 


Jarlath Henderson, is an Irish folk musician. He is a  Uilleann piper, guitar, Cittern, low whistle and flute and winner of the BBC Radio 2 Young folk award 2003.