Monday 14 March 2016

Poet James Macpherson & OSSIAN


I read of the Ossian poems and their effect on Robert Burns. When I went to research this blog I was astonished at his story!  The author of the epic poems of Ossian - supposedly about the Celtic hero Fingal (more later). At this time in the late 18th century there was a rebirth in romantic thinking which led to the Romantic movement which has a big impact on all the arts in Europe.  
(1736 – 1796) was a Scottish writer, poet, literary collector and politician, known for his interpretations of  the Ossian poems. He was the first Scottish poet to gain an international reputation.
Macpherson's work - The Highlander (1758); 1760 as Fragments of Ancient Poetry collected in the Highlands of Scotland; 1761 Fingal, an Ancient Epic Poem in Six Books, together with Several Other Poems composed by Ossian, the Son of Fingal, translated from the Gaelic Language and written in musical measured prose. 1765 Temora, The Works of Ossian in 1765

When the epic Ossian poems were published by the Scottish poet James MacPherson  in 1760  - a fantasy of a third century Gaelic bard who wrote of a Celtic hero named Fingal - they achieved success  internationally. The general consensus today is that Macpherson was the author and had based them on ancient Gaelic folk tales. According to the clan Donald site Fingal of the Ossian poems was based on the Greatest Hero of the Celtic Race -  (Somerled) Somhairlidh mac Gillebride mhic Gilledomnan.  and not an ancient Irish hero as some made out at all. 

Did Macpherson equate the Scottish hero to Irish legend, in order to have his works published at all? At this time, after the Jacobite 45 wars, Highland culture was being severely repressed (the punishment was Transportation). Poetic license in other words and one of the beauties of poetry - that we can express ideas, concepts and beliefs we cannot so clearly in prose. The Scottish Highlands then became "a place of great beauty and romance - rather than one of wild warriors and hardships." (Tom  Devine).

The Clan Donald site believes Fingal was based on the renowned Celtic warrior king (Somerled) Somhairlidh mac Gillebride mhic Gilledomnan -  who died in Renfrew 1160 fighting the Scots. He was king of Argyle and the Western Isles. They believe the works were poor translations and that Macpherson deliberately wrote under the Ossian name  - as a fantasy to associate the ancient Gaelic poems to Ireland. They believe he did so to protect himself, as after the Jacobite 45 wars the English decided to repress the Highland culture and way of life.  


Herder, Goethe, Napoleon, Diderot, Burns, Scott and Voltaire were great admirers of the poems. Thomas Jefferson thought Ossian "the greatest Poet that has ever existed". They were proclaimed as the Celtic equivalent of the classical writers such as Homer.  Painters and composers chose Ossianic subjects.  The poems also influenced the composers Mozart, Beethoven, Schubert, Mendelssohn who expressed the freedom of Romanticism. Schubert composed Lieder set to many of Ossian's poems. Mendelssohn was inspired to visit the Hebrides and composed the Hebrides overture, Fingal's Cave.  Poets, Byron, Coleridge, Wordsworth and Yeats were also influenced. Lady Jane Wild named her son Oscar Fingal Wilde (the Irish poet and playwright) after the writer of the romantic Ossian poems....


Robert Burns mentioned Ossian in the footnotes of his first book of poems. He too wished to be a national bard (Poems in mostly in the Scots Dialect 1786). After the success of Burns poems, other nations such as England wished to have their own national bard too.  The Ossian poems were part of the glorification of heroic individuals and artists. By contrast Burns social democratic background was of the people and nature with quite modern and environmental views (like Tolstoy) he understood the importance of valuing all life - from the smallest creature to the highest lord. 

The Clan Donald site believes Fingal was based on the renowned Celtic warrior king (Somerled) Somhairlidh mac Gillebride mhic Gilledomnan -  who died in Renfrew 1160 fighting the Scots. He was King of Argyle and the Western Isles. They believe the works were poor translations and that Macpherson deliberately wrote under the Ossian name  - as a fantasy to associate the ancient Gaelic poems to Ireland. They believe he did so to protect himself from Transportation as after the Jacobite 45 wars, the English repressed the Highland culture and way of life.  

Clan Donald James Macpherson Ossian poems - http://www.clandonald-heritage

Scottish Poets

The stories we tell and pass on through our songs and poets inform and illuminate who we are, how we wish others to see us and how we view our future and past. 

I studied higher 'English' at school and also at college in Edinburgh. I am sad that I never learnt of Burn's story or of other Scottish stories or poets. Has Scottish history, arts and music been suppressed the past decades? Of course it has! - and often deliberately.  Robert Crawford mentions how the establishment sought to 'tone down' Robert Burns.


** THE SCOTTISH VISIONARIES
In the 1930s there was a Scottish Enlightenment that happened in Montrose led by poet Hugh MacDiarmid. He is one of Scotland's leading contemporary poets and a founding member of Scotland's national party.
*Liz Lochhead, Scottish poet, playwright, translator and broadcaster. She has been the Scottish Makar  2011 - 2016, or National Poet of Scotland. She is a great character and I have met her and taken her photo at Edinburgh International book festival (EIBF).


* James MacPherson
I read of the Ossian poems and their effect on Robert Burns. When I went to research this blog I was astonished at his story! (more on another blog) The author of the epic poems of Ossian - supposedly about the Celtic hero Fingal (more later). At this time in the late 18th century there was a rebirth in romantic thinking which led to the Romantic movement and had a big impact on all the arts in Europe. Macpherson tapped into this revival and had huge international success. Today most accept that he used poetic licence to create his own Celtic hero. 
According to the clan Donald site Fingal of the Ossian poems was based on the Greatest Hero of the Celtic Race -  (Somerled) Somhairlidh mac Gillebride mhic Gilledomnan.  (and not an ancient Irish hero as some made out at all).  Did Macpherson equate the Scottish hero to Irish legend, in order to have his works published at all? At this time, after the Jacobite 45 wars, Highland culture was being severely repressed (the punishment was Transportation) Poetic license in other words - and one of the beauties of poetry - that we can express ideas, concepts and beliefs we cannot so clearly in prose.   The Scottish Highlands suddenly became a place of great beauty and romance - rather than one of wild warriors and hardships.


*Robert Burns.  Then there is of course our very famous national bard , the incomparable Robert Burns, who is revered and admired the world over. Especially in Russia, where they value the great emotional sweep that Burns expresses in his poetry.  In the footnotes to his first Book of Poems Mostly in the Scots Dialect 1786, Burns mentionedcxccc Ossian and how he too wanted to be a national bard. After this other countries, such as England, also wanted to have a national poet.

SCOTTISH POETS
Robert Burns, Robert Fergusson, Edwin Morgan, Walter Scott, James MacPherson,
Hamish Henderson, Frances Wright, Robert Louis Stevenson, Arthur Conan Doyle, Liz Lochhead, Hugh MacDiarmid, Jackie Kay, Norman MacCaig, Sorley MacLean .... and more. 

Scottish Writers Museum?
We lack a serious and expansive writers museum in Edinburgh on the scale of Dublin's which is housed in a impressive Georgian mansion -  most of our great writers are not represented properly. It is a massive disgrace. I believe there is talk of housing a new decent sized Scottish Writers Museum perhaps near the Scottish National Library in George IV bridge?   The present one is in Lady Stairs Close up a winding narrow staircase has poor access. And only houses three Scottish writers - Burns, Scott and Stevenson.   
I heard an Irish lady remark at Celtic - when I mentioned the Scottish Writers museum and the wonderful Irish writers museum she remarked that Scotland had few great writers!  
 Much of Scottish culture has been lost and forgotten - so that the teachers are no longer able to pass on . Unless we stand on the shoulders of greatness we are as nothing. 

The Scottish Visionaries.  One of the highly interesting aspects of the SNP and Scottish nationalism is that it is primarily inclusive and outward looking.  Is this because it was started by visionary poets - Robert Burns,  Hugh MacDiarmid and others?

What is civic nationalism?
It is not about any national superiority or about being narrow and inward looking - as compared to other right wing nationalist parties. Rather it is about our past stories. 

Thursday 10 March 2016

Scottish A Cappella National Championships

Tone Up
The Killers Quinns

enjoyed a fun night at the Scottish A Cappella National Championships St Andrews University on Friday 4th March - with The Accidentals, The Belles, Aberpella, the Killer Quines, The Other Guys, The Hummingbirds, Tone Up, Edinburgh University A Cappella Society
The Belles
The Accidentals
Aberpella

Wednesday 9 March 2016

Black & White Photos Celtic Connections


 Celtic Connections 2016 galleries - http://pkimage.co.uk/celticconnections2016



Saturday 27 February 2016

Rab Noakes at Milngavie folk club

Noakes was among old friends and new on Saturday at Milngavie folk club.
He has many song gems in his studied repertoire - as well as his own quality songs - some unexpected such as Cliff Richard's sing along Dynamite; some hoped for with Dylan's Time Out of Mind outtake track Mississippi; some remembered with his radio hit of the 70s Branch. 

He spoke of Nashville, Lindisfarne, Hank Williams, Joe Strummer, Kathleen McInnes, Monroeville, Alabama.. when he made the comment - 'Where it is easier to get in with a rifle than a guitar!' He holds a relaxed friendly banter with his audience.

Noakes gets to the heart of songs in a real and natural unaffected way. He is a massive Dylan fan and this came over in his interpretations and mood of the songs. It was good to hear him sing the Twa Corbies; his Michael Marra song and his other cover song choices.
SONGS tonight:
Out of Sight, It Happened All The Same, I’m Walkin Here, Branch, Goodbye Blues, Where Dead Voices Gather, Your Clear White Light, Standing Up (Blue Nile song), Slipping Away, Roll on Saturday, Highway 61, Hard Cash The Guernsey Kitchen Porter (Michael Marra song), The Twa Corbies, Mindful, By the Day, Dynamite (Cliff Richards song) Don’t Say Money Doesn’t Matter, Mississippi (Bob Dylan song)

I'm a fan of Rab's older songs …but his new material steps things up several notches and there are many classics in his newer songs. 
His song evolution is interesting and his song writing has evolved and deepened with more subtle undertones and story-filled lyrics. From his Americana and rock n' roll country blues, to his east coast Fife influences - they are all here.

I strongly recommend the new album for the song quality and the live one take recording standard. Rab's music challenges in a subtle way and his songs gets under your skin along with his melodic quality guitar playing and vocal expressions. 

Noake's NEW ALBUM has the title I'm Walkin Here - based on the Dustin Hoffman film midnight Cowboy when Hoffman says to a taxi driver , I'm Walkin Here'  - and has collaborations with Barbara Dickson, Roddy Hart, Jill Jackson, Jimmie Macgregor, Alice Marra, Emma Pollock, and more.  This is a 2 CD - one with new material the other with older songs. http://rabnoakes.com

Noakes was ably supported by guitarist and songwriter Rowan Ross. http://www.rowanross.com/


Noakes is a Scottish singer songwriter who played with Stealers Wheel with Gerry Rafferty and also with Lindisfarne.


Thursday 18 February 2016

Celtic 2016 Review

Blazin Fiddles

Now another #ccfest is over for another year. I've walked to the venues, tapped my foot many times, clapped with enthusiasm and been on warm tides of musical pleasures! 
I reflect and am sad too now it is over.  

While the core of the festival is around folk traditions it also welcomes and incorporates world music, indie, country, bluegrass, contemporary and is on an international scale..

New Scottish artists – Karine Polwart, Idlewild, Chvrches, C Duncan, Lau, Braebach, Rura, Rachel Sermanni, Kathryn Joseph.
Jerry Douglas at Transatlantic Sessions 2016
The festival reaches out to encourage both collaborations and new talent. 

The Danny Kyle Open Stage encourages new talent –  Rura, Rachel Sermanni, Gennessee, Karine Polwart and many others - have been discovered there; Also the Showcase Scotland which attracts industry people worldwide. And the Celtic education program brought in school to several concerts.

**The Danny Kyle Open Stage WINNERS 2016 - Bella and The Bear; Quick; Northern Company; Ross Miller & Charlie Stewart; Charly Houston; Bella Gaffney.

RURA and the Canadian East Pointers
I’ve enjoyed top class fiddle bands, beautiful singing, quality tunes, excellent musicians.

Joe Newberry
Cara Dillon

My concerts this year included –
Opening concert Celebrating 50 years TSMA, Traditional Scottish Music Assoc; Ireland 2016 with The Chieftains; Pilgrimer Re-imagining Joni MItchell's Hejira; Lucinda Williams; John Grant & Rachel Sermanni; RURA; Blazin Fiddle; Transatlantic Sessions.

Stand outs in 2016 were the singers Rhiannon Giddens and Cara Dillon, the young band Rura, the quality Transatlantic Sessions, the character of Lucinda Williams, the fun at the Irish concert.

I attend concerts for the music I hope I will enjoy and for new artists I've not heard before. 
A big thanks for all at the Press office for all their kind assistance!

My CELTIC CONNECTIONS 2016 Photos
http://pkimage.co.uk/celticconnections2016

RURA
18 days of concerts, ceilidhs, talks, art exhibitions, workshops, free events, late night sessions and a host of special one-off musical collaborations
“Celtic Connections brings together musicians from across the world for a celebration of musical traditions, the best of contemporary folk and world music, and the ways in which different musical cultures interweave and inspire and, always, entertain.

  “The expertise and skill that drives Celtic Connections also shines through in a education programme that benefits thousands of children across Glasgow and Scotland. Invaluable opportunities enrich lives and offer chances to learn, to enjoy, to be part of the always unique, always brilliant musical happening which is Celtic Connections.”   http://www.celticconnections.com/


Blazin Fiddles

Monday 15 February 2016

The Danny Kyle Open Stage at Celtic Connections 2016

Dosca who were highly commended
The Danny Kyle Open Stage encourages new talent –  Rura, Rachel Sermanni, Gennesse, Karine Polwart and many others - have been discovered there. Also the Showcase Scotland which attracts industry people worldwide. And the Celtic education program brought in schools to several concerts.

Some photos of this years Open Stage - which is great fun and often some outstanding musicians here. It runs from 5 to 7 every day and is FREE! 


The Danny Kyle Open Stage WINNERS 2016 - Bella and The Bear; Quick; Northern Company; Ross Miller & Charlie Stewart; Charly Houston; Bella Gaffney.


Celtic Connections also runs over its weekends The Festival Club and the Late Sessions at the Drygate. 

Braebach at the Late Sessions
ALSO the excellent Elephant Sessions who supported Blazin Fiddles