Nicola Benedetti performed Opening concert Celtic Connections 2014

Nicola Benedetti 

This night proved an eclectic wide-ranging night of exemplary world class music. The Celtic Connections opening concert showcased several of the artists performing at this year’s festival and offered an interesting taster of the three weeks ahead.

Duncan Chisholm and Wolfstone

Joy Kills Sorrow

Fiddler Duncan Chisholm and Wolfstone, who performed at the very first CC opening night, opened the concert with some well played reels and one lament – Big Archie, Irish Air, Flooded Meadow set.  Folk roots dig deep. Then Boston based string band Joy Kills Sorrow, with strong vocals from singer Emma Beaton in a red dress, played progressive bluegrass with a rocking energy and close harmonies.  

Next there was a real treat for festival goers with Scottish classical violinist and world class music star Nicola Benedetti who has been working on Scottish material for her forthcoming album with Shetland fiddler Aly Bain and accordionist and composer Phil Cunningham. Bain makes it all look effortless and Cunningham is a talented pianist and composer. She performed 6 tunes – Hurricane, Chan & Chanaidh, Dean Brig/ Banks, Gentle Light, Coisich, Puirt.  Nicola played a song with Julie Fowlis’s clear vocal tones, which was a delight to hear. Then fiddler Aly Bain and Phil Cunningham on piano both joined her on stage. It appeared Aly had been coaching her on folk music techniques – he is trained in traditional Shetland style with its shifting rhythms and defined edge. 

The tune Gentle Light, written by Phil Cunningham, provided interweaving pure melodies that offered subtle flights – a joy. After which they took the tempo up with some energetic reels. After the set Aly, who is a quiet unassuming man, gave Benedetti a big hug and it was evident his joy of working with the younger accomplished player. Master craftsmen easily make their instruments soar with layers of melody and harmony.  Collaborations may take us out of our comfort zones thorugh challenging raise us up. 

Julie Fowlis &Nicola Benedetti 

Second Half :  Peter Mawanga & The Awaravi movement provided colourful Malawi culture with dance rhythms followed by beautiful Gaelic singer Julie Fowlis who sang Smeorachb and An Roghainn, Puirt. She told us the moving song The Choice was about the wish for second chances. 

Yves Lambert trio

Montreal’s Yves Lambert trio took the tempo up with rollicking Cajun style songs and they have a deep rich sound. Yves Lambert, accordionist and singer, has been is a driving force in Québécois music for 30 years and a lead singer with the trio La Bottine Souriante with multi-instrumentalists Olivier Rondeau and Tommy Gauthier.
The surprise for the night was American country singer songwriter Beth Neilson Chapman, who has written may hit songs for pop and country artists and she sang Pray and Nothing I can do About it (a hit for Willy Nelson).  The concert was aptly finished by Benedetti and Phil with the fine tune Aberlady.   

Beth Neilson Chapman,

I am pleased to see the festival go from strength to strength and raise its game each year with the standard, quality and range of musicianship and artistry. It is a huge boost for Glasgow to host this world class music festival that celebrates not only the folk traditions but also contemporary and world music. A heart warming uplifting note to start the festival on!   Photos and Review Pauline Keightley.

All Photographs are copyrighted Pauline Keightley and are taken with the permission of the artists, the festival, and the venues involved. Please respect my copyright. Photos at Celtic Connections since 2008. http://pkimage.co.uk/celticconnections

Benedetti  studied violin from age 4, she attended the Yhudi Menuhin school of music and she was BBC Young Musician of the Year 2004. She has performed solo with Scottish National Orchestra, Royal Philharmonic orchestra, London Symphony Orchestra, 

Life vs Hello

 

Back in the fifties photographer Eliot Elisofon took photos of the real African peoples to show their true majesty and strength of character. Before this many African images were of famine or war.

Back then images (and text and music) made a difference in peoples lives. They hoped to show a better way forward, more understanding, knowledge, history, beauty and information. Perhaps the word I search for here is substance.

The biggest selling Photo magazines were Life and the French Match. Life was bigger than Hello and it had full page colour images of major events such as the first moon landings or the Kennedy's. In many ways it opened up a whole new world in ways that the small B & W Tv screen was unable to. 

By contrast today's Hello magazine is completely about our celebrity culture - and if you scratch beneath the surface I have no idea ( apart from fashion style) what the magazine tells us. There are no scientists, authors, artists and a few musicians, on its pages. It is all gloss, gloss, gloss and I worry for the impressionable young. They appear to be feeding an appetite for gossip, but are they not also creating that appetite? 

Today quality images of nature can be seen in tv films.

Nowadays only the Sunday Times magazine offers some quality photojournalism and nature images in  a proper full page spread. There is today an over emphasis (especially for women) on fashion and celebrity. While I enjoy creative fashion images in Vogue or Bazaar but….

for me nothing quite beats the incredible nature photo, an insightful portrait, the memorable photojournalism war photo, a dynamic or expressive live music image, or a moment in history..

I miss those large colour quality historic Life magazine images.

In fact it was Life magazine that first sparked my passion for photography and portriat drawing.

When I view the magazine racks I am discouraged by the low standards of images - the gaudiness, brashness, lack of subtleties..  

We can view millions of images online these days but to find the quality among the average.....now that is the challenge that is both time consuming and confusing too! 

185 views

Eve Ensler One Billion Rising

Eve Ensler (born May 25, 1953) is an American playwright, feminist, activist best known for her play The Vagina Monologues. I was inspired last night on BBCs Hardtalk by writer and feminist Eve Ensler who works against violence towards women. Certainly when I listen to the news it is often about violence towards women ( just today in the UK DJ Dave Lee Tarvis and Rolf Harris are both in court for charges of sexual assaults on young women) 

http://www.bbc.co.uk/programmes/eveensler

She says women need to break the silence - and that most women keep quiet about their problems.  Violence towards women occurs in all countries worldwide - there is still incest, bullying, sexual harassment in the developed world - 1 in 5 women in UK are attacked, 1 in 3 in the US, 1 in 5 women on college compasses US are attacked.  Violence against women is what maintains Patriarchy. 

Her play The Vagina Monologues makes it OK for women to speak out. She heard women talk of these issues and stories that upset her.  One older woman spoke of being assaulted as a young girl and after this experience she never had sex. Eventually all the women's stories were made into her play The Vagina Monologues which is now performed world wide in 140 countries. She said the storied are universal and that all women understand them.  She claims that the violence perfumed by men against women can lead to depression, suicides and eating disorders.  She says women need to break the silence. She said that the threat of violence and daily terror leads to a siege mentality and that this existence of fear leads to depressions, destroys self esteem, confidence and sense of worthiness. 

Ensler stated that her feminism motivates her art and that they drive each other.  Eve was bullied by her own father and she said often these men are spilt personalities projecting one normal image to the outside world another violent one indoors. 

Writing was the one experience where she was able to make sense of her environment and have  a persona that wasn't being drowned. 

Of course we tend as women to blame ourselves - that is that we are somehow the cause of these attacks by our own behaviour.  I remember watching the movie Goodwill Hunting when the therapist says to Will - Its Not Your Fault, Its Not Your Fault over and over. I find it very hard not to believe it is not somehow my fault.  

Perhaps this book on art and words and music is about my journey to make sense of it all.  Music has been my escape route to a better place. When I was very young I started to write poems and  to draw. 

http://www.eveensler.org/

Ensler started the campaign One Billion Rising for Justice. She says this is a grassroots campaign organised worldwide. In 2013, One Billion women and men shook the earth through dance to end violence against women and girls.  She called on women to dance outside police buildings. Dance is a powerful expression of breaking free; tell stories, organise.   http://www.onebillionrising.org/

We write to you one month before 14 February, the actual day we will rise and dance for Justice. But we all know One Billion Rising for Justice is clearly not just a day. It is a campaign, a strategy, a determination, a new energy. It is months of preparation, investigation, and collaboration. It is the careful, conscious work of building a coalition, inviting new activists, and acknowledging those who have been on the frontlines for years. It is envisioning and writing new laws and legislation. It is breaking the silence, releasing our stories, naming and identifying injustices, creating demands, organizing forums and panels and events, as well as writing songs and poems and plays, and making videos. It is identifying the places where we will rise. It is learning about our sisters’ struggles around the world and making them our own. It is bringing the most marginalized to the front. It is the grassroots leading the way. It is men joining and standing with us. It is acknowledging the places of intersection. It is a decision, a vision of the world where the bodies of women and the body of our mother earth are honored and cherished and safe and held sacred. It is trust. It is expanding our identities and wounds to include the others. It is a fierce refusal to undermine or attack or diminish, but to take the time to find the language to express our grievances and frustrations, with the belief that each one of us in this struggle is on a path of evolution and revolution, wounded, broken, and doing our best. It is a wild energy that says Yes. Freedom is possible. Unity is Possible. Everything is possible. It is a Rising – dissolving borders, edges, separations. It is love, an unstoppable wave of love and justice.

This year, on 14 February 2014 we are calling on women and men everywhere to harness their power and imagination to rise for justice. Imagine, One Billion women releasing their stories, dancing and speaking out at the places where they need justice, where they need an end to violence against women and girls.  Join us!

Emeli Sande Photos

Emeli Sande Photos - from her gigs here 2007 to 2012 are available to purchase on my website - http://pkimage.co.uk/f514285744

PHOTOS – our eye improves  - just through practice, practice, practice. Sorry there are no shortcuts.

 

Celtic Connections 2014!

I am looking forward to Celtic festival 2014!

Celtic Connections includes well known musicians from traditional and roots music,world, indie, jazz, folk, soul and Americana. I always particularly enjoy the unique and often fun collaborations.  

This year the festival will host concerts at the new Glasgow Hydro venue and will showcase some of the cream of Scottish musical talents. Highlights include 80s Scottish band Del Amitri and respected rock band Mogwai along with RM Hubbert.  

Also an International Burns Night at the Hydro that includes - world musicians The Mahotella Queens, Alkinoos Ioannidis, Raghu Dixit, Neil Finn of Crowded House alongside Scottish talent with Karine Polwart, Salsa Celtica, the Royal Scottish National Orchestra, Capercaillie, Rachel Sermanni and Dougie MacLean

The Old Fruitmarket during Celtic hosts fun ceilidh nights with bands such as the Treacherous Orchestra and  Irish singer Imelda May.  

There are also wonderful small venue gigs worth checking out that include some of the stalwarts of the Scottish music scene including - Rab Noakes, Dick Gaughan. Plus the beautiful singing voices of Julie Fowlis, Eddi Reader, Mary Chapin Carpenter,  
  

Also a 30^th Anniversary concert for Capercaillie one of Scotland’s foremost Celtic bands. The band were among the first to connect Scotland’s Gaelic traditions to the pop and world music scene, with all the “boldness, sensitivity and deep-dyed musicianship” such cross-fertilisations demand. Their new album, At the Heart Of It All, circles back towards Capercaillie’s founding Gaelic wellspring, centring on Karen Matheson’s sublime vocals, arranged with consummately elegant restraint. 

Among the artists appearing  -  Del Amitri, Imelda May, Capercaillie, Bobby Womack, Mahotella Queens, Salsa Celtica, Amadou & Miriam, Lúnasa, AR Rahman & Scottish Symphony Orchestra, Mogwai, Peatbog Faeries, Julie Fowlis, Elephant Revival, Mary Chapin Carpenter, Manu Dibango, Treacherous Orchestra, Shawn Colvin, Nicola Benedetti, Stockton's Wing, The Gloaming, Lau, Suzanne Vega, Seth Lakeman, RANT, Boban Marković Orchestra, Alkinoos Ioannidis, The Olllam, Bill Callahan, De Temps Antan, RM Hubbert, Lloyd Cole & the Leopards, Kathleen MacInnes, Tim Finn, Dick Gaughan and The Stray Birds.

2014 will see Celtic Connections celebrates its 21^st year. Over 2000 musicians from every corner of the globe will come to Glasgow between 16^th January and 2^nd February 2014. 
 All Photographs are copyrighted Pauline Keightley and are taken with the permission of the artists, the festival, and the venues involved. Please respect my copyright. Photos at Celtic Connections since 2008. http://pkimage.co.uk/celticconnections

Next summer Glasgow will host the Commonwealth Games. Celtic Connections has become the biggest celebration of the tunes and songs that connect Scotland’s musical legacy to the rest of the world.

 http://www.celticconnections.com/

Del Amitri Fri 24 Jan 2014, 07.30 PM
The Hydro

MOGWAI
Tue 28 Jan 2014, 07.30 PM
Main Auditorium

The NEW female Piano singer songwriters

Back in the 70s there were so many wonderful piano singer songwriters. There is something quite special about piano melodies as opposed to guitar composed songs.

There was Paul Simon's Bridge over Troubled Water (while he composed mostly on guitar), McCartney's Long and Winding Road, Elton John's Your Song, Carole King's Tomorrow and of course Joni Mitchell's songs.

But today, while there are many top guitar carrying singer songwriters I struggle to find any quality piano singer songwriters ... where are they? 
  
The only high quality younger piano singer songwriters I can think of are all female - Adele, who had to fight to have ONLY piano on her massive hit Someone Like You; Emeli Sande and her lovely Clown and River songs; and Canadian singer songwriter the irrepressible Sarah McLachlan and her very moving piano song Answer (new album next year).  She sings songs of understanding that are haunting and questioning. 

The only guy I can think of is Chris Martin's piano songs with his Coldplay band (Fix You).

Here's the irrepressible piano singer songwriter Sarah McLachlan. I listened to her Afterglow album quite often a few years back and I went to check on her and she has a great YouTube clip with a great band too here -    

Sarah McLachlan, is a Canadian musician, singer, and songwriter. Known for her emotional ballads and mezzo-soprano vocal range, as of 2009, she has sold over 40 million albums worldwide. McLachlan's best-selling album to date is Surfacing, for which she won two Grammy Awards (out of four nominations) and four Juno Awards.

The Right Arrangements

I watched Lana del Ray’s 'National Anthem' video trailer with its' strong black and whites and it moves at just the right pace. I also watched Lana's gig at Hackney weekend where the crowd was singing along and clearly into the music. This was very good and touching too her joy of the crowd and lovely to see after the poor reviews for her Saturday Night Live performance - when the rock band backing her didn't work with the style of her music and I posted that she needed simply 'strings and piano.' So why do label people always think 'to be cool' the artists needs a rock band when it all depends on the type of music.

Newsroom

I really like the theme music for the American HBO Tv series Newsroom – it evokes all those past B & W news stories when news seemed to be real and hard hitting, individual, and on the ground rather than the smooth over versions we seem to get now.

So I checked to see who the composer was and discovered it was a Thomas Newman who has also composed the music for films such as American Beauty, Shawshank Redemption, Skyfall and others.

I often switch off the news because it is so bland and gets blogged down in minute details rather than really telling us the story. HBO has the freedom to be creative with its writers and it seems these days that the DVD tv series are often of higher quality than most movies screened at the cinema.

2014!

Quote TS Eliot 

"Last year’s words belong to last year’s language,

And next year’s words await another voice."

 

"We shall not cease from exploration

And the end of all our exploring/ Will be to arrive where we started/ And to know the place for the first time." 

We play out our lives in real time, one day, one place, one heart, hoping to reach others.

Life is not linear

And Art is about mystery.  P. Keightley

Thomas Eliot (1888 – 1965) was an essayist, publisher, playwright, literary and social critic and "one of the twentieth century's major poets." Born in St. Louis, Missouri in the United States, he moved to the United Kingdom in 1914 and was naturalised as a British subject in 1927.  He attracted widespread attention for his poem The Love Song of J. Alfred Prufrock (1915), which is seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930) and Four Quartets (1945).^[2] He was awarded the Nobel Prize in Literature in 1948.

Music photography 2013

Miles Kane

Music photography 2013  - 
I have had some fun gigs this year. Miles Kane had so much energy at the O2, Kris Drever and Eamon Coyle provided first rate folk tunes, Neil Young was memorable, Finlay MacDonald and Chris Stout played fine jigs and reels at Celtic Connections, LA female rock band Haim had strong vocal harmonies and great fun rock tunes at SW3, and best of all Peter Gabriel with his mesmerising voice and meaningful songs at the new Glasgow Hydro.

Django Django

 

Kris Drever and Eamon Coyle provided first rate folk tunes, 

Music Photography

Sometimes at gigs something magic happens…. the audience is really up for it, as are the musicians on the stage. It is as if it all comes together in that one time and place. And it is at these rare gigs that I am able to get a good position and shot unobtrusively for the entire gig – and I am not restricted to those ridiculous 3 songs grab (which I know matter for the bigger stages). The trouble with restrictions is it creates a ‘manic’ grab for photographers while it can be an adrenaline rush. It means all a photographer can capture is those head shots, perhaps more if they are lucky. .

 I am not sure it’s the best situation for portfolio images or a quality photoshoot. 

 

 I took some photos at a gig several years back and realised I had a talent for capturing the right moments and occasionally even an image with something a little bit magic. Music is my motivation - from Mozart to pop to folk and shades inbetween!  I grew playing Joni Mitchell and Bach.

In recent years I have attended some magic gigs and I have posted here about my top ever gigs.

Finlay MacDonald and Chris Stout played fine jigs and reels at Celtic Connections, 

Pauline Keightley Photography

Music and Portrait Photography

Glasgow

Emeli Sande, Celtic Connections, Edinburgh Festival,

http://pkimage.co.uk/

X Factor UK 2013

It is hard to judge what impact the tv show X factor (and other reality shows) may have had on the music biz today. Some contestants have gone on to highly successful careers after the show – notably boy band One Direction, Olly Murs, Darius, Leona Lewis and from Britain’s Got Talent Susan Boyle.  Oddly most of the most successful graduates of reality tv shows were the runner ups. I am not sure what that tells us about the voting public or of the music biz??  

I notice this year that judge Louis Walsh has used words such as – hard working and musical about the contestants. I assume to give the impression this is not about a quick fix superstardom at all – but rather an opportunity for those who have already put in hard graft. After all I am certain The Spice Girls and Westlife were also put together bands only behind the scenes back then. 

There are few live music shows in tv and with so much recording going on and I am sure the live style of these shows is here to stay.  

Talent singing contests went on in ancient Greece, so I’d say the format is here to stay – while it does need to evolve and change, I like my books serious and my tv light and slightly trashy! Mind you I do enjoy those American Tv DVD drama series such as Mad Men, Breaking Bad, Boardwalk Empire and more.   

The winner 2013 Sam Bailey has been given a support slot on Beyonce's tour. All about the live gigs these days. Nicholas MacDonald, only 17 and from Scotland, was the runner up. this year.

And PS - I enjoyed Elton John and Gary Barlow on their pianos as they sang a world exclusive song Face to Face ,... but what happened to Kate Perry's singing, it was totally off tune!

My Favourite Musicals

 

I went to see The Lion King musical  by Elton John & Tim Rice) recently, which was very good and great effects and all.  I was asked what my favourite ever musical is. I answered Westside Story (composed by Leonard Bernstein) which I do love for its energy and songs. But later I thought my top musical may be Cabaret (composed by John Kander)  I saw the film of the Cabaret musical in 1972.

I grew up playing musicals on piano – from The Mikado, South Pacific to the Sound of Music – which I loved to sing.  Most of these musicals were composed by Richard Rodgers and Oscar Hammerstein II. 

Gilbert and Sullivan wrote some of the best musicals which were great fun to play and which I saw on stage several times. 

In more recent times the biggest stage musicals have been composed by Andrew Lloyd Webber, and I saw The Phantom of the Opera in Edinburgh’s playhouse which was a top rate musical with wonderful songs.  

Leonard Bernstein was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the United States of America to receive worldwide acclaim. According to The New York Times, he was "one of the most prodigiously talented and successful musicians in American history."
Richard Rodgers was an American composer of music for more than 900 songs and for 43 Broadway musicals. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular music down to the present day, and have an enduring broad appeal. Rodgers was the first person to win the top show business awards in television, recording, movies and Broadway—an Emmy, a Grammy, an Oscar and a Tony – an EGOT.
Gilbert and Sullivan refers to the theatrical partnership of the librettist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900). The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.  Gilbert, who wrote the words, created fanciful "topsy-turvy" worlds for these operas where each absurdity is taken to its logical conclusion—fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates turn out to be noblemen who have gone wrong. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. 

Andrew Lloyd Webber, is a British composer and impresario of musical theatre.  Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals and he has won 7 Tony Awards, 3 Grammy Awards, an Academy Award, 14 Ivor Novello Awards, 7 Olivier Awards, a Golden Globe Award, and the Kennedy Center Honors in 2006. Several of his songs have been widely recorded and were hits outside of their parent musicals, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" and "You Must Love Me" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats