Suppression of Scottish Culture - Writers and Artists

Robert Burns statue bottom Leith walk

A recent tv program documented Burns success in American. There are 15 Statues of Burns there, more than to any other writer or musician. Yet in Scotland’s capital, which is covered in unionist statues along its Hanoverian new town streets there is one statue hidden away down the bottom of Leith walk. I was over for the Edinburgh festival and noticed all the George St statues, shockingly there is little on Scotland’s most famous son. 
This happened to the world’s greatest poet who was dismissed as simply a ‘heaven taught ploughman poet’ – when in fact he knew five languages and was a ferocious reader of the classics, philosophers and of the Scottish enlightenment. 

There has been devious, underhand, manipulative moves - not only to ignore the Scottish contributions to the world of the arts, writing, history, and science -.but to whitewash them out of history by those who support the Unionist establishment, the Anglicised Scots of all things English, who see their future in a House of Lords!

**As an example in 1854 the Irish poet Oscar Wilde was born and his mother named him - Oscar Fingal Ossian - ‘Isn’t that grand, misty and Ossianic” she said - yet today who has heard of James MacPherson's Ossian poems? More recently the 1980s there were moves by the English controlled Arts council to close the Scottish National portrait gallery and ignore Scottish art, which was strongly opposed, and thankfully has instead been refurbished and is flourishing today.

Oscar Wilde

This happened in Scotland’s schools where practically no Scottish history was taught until recently – nothing on the Scottish enlightenment, nothing on the great inventions, nothing of great Scottish writers, nothing of the medical inventions.

What I did learn was of Tudor England and of English writers such as Shakespeare, Wilfred Owen and some American writers. My only lessons in Scottish history were a couple of Burns songs with the Primary schools choir – Ca the Knowes, Comin Through the Rye. I was hooked. I feel angry that at school and college in Edinburgh, I learnt of French, American and English writers – but nothing on the great Scottish writers! Hopefully today with Scottish studies at our universities, this has improved in our schools too.

We need to ask - Why have we Scots forgotten? The idea has been to suppress the subordinate cultures such as Ireland, Wales and Scotland. Writers likes Burns and others fought against this in the years after the forced union. I was reading of the origins of Romantic poetry after I picked up a book at the National portrait gallery London on Romantic poets – of the Ossian poems of James MacPherson (read by Napoleon and worldwide), Allan Ramsay, Robert Fergusson, Walter Scott, and of course the unparalleled Robert Burns - there was no mention - the international success of Scottish writers has been suppressed.

A few years ago my son graduated at the Royal college of Surgeons Edinburgh, where I was surprised to learn that we have the oldest centre for medicine in the world! There have also been many great Scottish scientific and medical innovations.

Artist and teacher Alexander Moffat and poet and lecturer Alan Raich, write in their informed book, Arts of Independence –“In most countries in their national galleries, half are devote to International Art and the other half to the Art of that nation itself." This is not the case in Scotland where Glasgow artists have been neglected too, as recently as the 1980s and they had to go to New York for recognition.  

I sat beside an Irish woman at a Celtic Connections concert once and I mentioned the wonderful Irish Writers museum in Dublin and by contrast  the tiny Scottish writers museum in Lady Stairs Close. She wondered, perhaps there are only a few great Scottish writers and she may well wonder….where are they and how are they remembered?

“Scots suffer from “virtual universal historical illiteracy’, says historian Tom Devine, “ perhaps that’s why they’ve struggled to engage with the Referendum campaign." 

I believe it is not only very important, but also time we honoured our great Bard, with a statue of him in St Andrews square (and not the other forgotten tyrant Dundas).

And that we also honoured Fergusson (Burn’s muse), Allan Ramsay and the many recent great Scottish writers along with the manygreatrecent authors with a decent Scottish writers museum.

Nationalism understandings matters – it matters to know and understand our roots, heritage and the stories that inform our nation. To understand the places and streets we walk upon. And not in an exclusive way but an inclusive way.

Hugh MacDiarmid

***The great Scottish poet Hugh MacDiarmid wrote, “To be truly international, you have to be national to begin with, to see the entire Scotland – and not an Anglo-centric or Anglo-American perspective that dominated media and 20^th century cultural analysis.“

“The idea that national self-determination can fuse and ignite art, safeguard its provision, be the ground from which self-knowledge, love of others and the optimism of curiosity grows.”

A United Nations of Britain?

When I visited the Dublin Irish writers museum I picked up a card that listed the best of them.

As I looked at the illustrations list I thought of all the great Irish culture and how much the world has benefitted from these Irish voices.

Which made me think also of Scottish voices – our innovations, our Scots songs, the Scottish Enlightenment. Then there are the wonderful Welsh choirs. I thought of Shakespeare, Chaucer, Turner, Wordsworth too and the great English writers and artists.

I thought of the nations of Scandinavia – Norway, Sweden, Finland, Denmark – they were also once joined through a royal marriage.

For the past hundred years each nation has been able to offer the world its own unique voice and are stronger for it – while they are still the nations of ‘Scandinavia’. In fact their voices are an even clearer, unique and positive force in the world than ever before.

Finland offers one of the world’s best education system with highly trained teachers. Norway, Iceland and Denmark too offer a more collaborative approach to running society, that favours equality, fairness and hard work at its heart. All Scandinavian countries are flourishing as independent nations. There is no point looking at the US – the story there is so different - a newer place where each state is fairly autonomous and is more comparable to the EU.

Then I look at us here in this disunited kingdom of islands – the routes of division and discord, misunderstandings, wasteful squabbles, power sharing, disharmony, extreme inequality and class divisions. Many of these wounds run deep and will not easily heal, disappear or ever go away. There is really only a simple answer – to look over the North seas to our Scandinavian cousins and learn lessons of how self-determining nations are working in a healthy way both independent and together.

Perhaps we too on these islands, can be a United nations of Britain and I hope Britain does not only mean England? England has historically been reluctant to offer Scotland real federalism. This half way house of 30% tax and limited control of welfare is unworkable and for sure something has to give. This doesn’t compare well to other devolved nations or states in America  - such as Quebec, Catalonia – who control their immigration and taxes and broadcasting. Catalonia alone has four tv channels! While Scotland has none1

Knowing that Ireland used the pound sterling for 50 years after its independence, it was demoralising for our supposedly fair and equal union to hear that England would not allow Scotland to use the pound and also knowing that if the Bank of England refused to allow the use the pound, it would also have to refuse other countries access to do business in pounds sterling and was like shooting itself in the foot! Scotland felt bullied and told off like a naughty child told to go to its room to play with only the toys assigned to it.. 

Why would Scotland be like Greece – rather than Iceland, Norway or Denmark? We have more resources than Greece, better universities and R & D. Fear is not a good way to cement a happy union. Let us try to look forward with positive expectations.

It is strange Gillian Bowditch Sunday Times 5^th March, sees Scotland as diminished by wanting what other nations have – I see Scotland instead as empowered and flourishing in the belief we are as confident, capable and able for self-determination as any other peoples!

CELTIC CONNECTIONS 2017 review

This year Celtic Connections music festival celebrated the contributions to music by women, with concerts this year by top women musicians – intimate Laura Marling, heart-warming Mary Chapin Carpenter, the star quality of Olivia Newton John and also the talent of, Beth Neilson Chapman, Eddi Reader and Julie Fowlis. Celtic Connections is the world's largest world, folk and roots music festival with over 2,000 musicians, 300 events, 20 venues.

My concerts this year also included rhythmic songwriter King Creosote, storyteller Rab Noakes and accomplished fiddler John McCusker. A special mention for Rose Code Blue’s concert at City halls, with his full band and as always some exciting new songs. Check him out!  Many of the most exciting younger folk musicians like to mix up the genres (cletic fusion) – King Creosote, C Duncan, Rose Code Blue. A prime example was Martyn Bennett who mixed the piping traditions with modern dance grooves to great effect.

Altan

Kathleen McInnes with Rab Noakes

John McCusker

I enjoyed a quality concert from Rab Noakes, when he sang both his classics (landmark songs) along with his more recent work – songs such as Gently Does It, I’m Walkin Here, Tramps and Immigrants. I remember singing his classics with other folk singers – Edens Flow, Clear Day, Together Forever, Branch. Happy Days! Noakes too mixes his Scottish roots and American influences.

Rab Noakes

Jim Lauderdale

Jerry Douglas

Music at Celtic Connections celebrates the benefits of our very diversity.

“One of the many true joys of CC is that within our tradition of Celtic music and international collaborations, we do not think about creative boundaries. Instead, we present on our stages some of the most brilliant musicians working today and explore the richness and diversity of the music we are celebrating.” Celtic Connections director Donald Shaw.

One of the joys of folk music is it live improvisation and collaboration. It is not about sheet music or the studio as much as sitting playing with others in a casual, relaxed way and the discovery old tunes and new. Its also about playing intimate, folk venues and clubs. Yes its about past a rich past tradition, but it also adds the new. As greats Burns, Yeats or Dylan knew and understood, artists need to build on the past and as Rab Noakes wrote , ‘A future with no past, has no future.’

John Paul White

Iona Fyfe

The climax of the festival is always the memorable Transatlantic Sessions concert, with its energetic Scottish tunes balanced with American rhythms. We left the Glasgow concert hall with the sounds of Scottish fiddles, American country, Trad and Gaelic ballads and engrossing rhythms, to take with us renewed into the winter night!

Next year Celtic will partner with Ireland. Many of Ireland's best musicians have performed at the festival – including Van Morrison, Clannad, Sharon Shannon, Karen Casey, Chieftains, Altan, Dervish, Damien Dempsey, Cara Dillon, more! Next year's festival promises to be a good one!

Showcase Scotland this year – C Duncan, Adam Holmes, Rachel Sermanni.

*BBC Radio Scotland Young Traditional Musician 2017 was won by fiddler Charlie Stewart. Other finalists included Dougie McCance (bagpipes), Ella Munro (Scots song), Grant McFarlan (accordion), Iona Fyfe (Scots song), Kim Cranie (Gaelic song).

*Danny Kyle Open Stage WINNERS (from 72 acts)

Doro Weber (drums) with the Magpies.

Marianne McGregor (Scottish singer songwriter),

An Dha ( English folk band), fiddle, cello)

Dope Sick Fly ( Scottish funk band)

Arocet ( Scottish trad )

“You have to be somebody before you can share yourself.” (online) Silcon valley apostate Jason Larnier

Laura Marling

Olivia Newton John

Julie Fowlis