Thursday 30 November 2023

The Break up of Britain Conference in recognition Tom Nairn November 2023

 



 
Tom Nairn has been a guiding light. 

He took Scotland’s constitutional questions and nationalism onto the global stage. Nairn gave us secure political foundations on which to build. He was instrumental in changing Scotland’s nationalism from a parochial to a more international and wide ranging civic nationalism. 

 

After the failed 1978 Scottish assembly referendum – there was broad movements for democratic renewal. Nairn marched every step of the way. He was deeply humane. He was both a poet and philosopher: he was a revolutionary and son of European culture. He was Professor of politics Melbourne. 

 

Clive Lewis


The conference brought voices from around all the four nations together.

*Green MP Caroline Lucas

English people also feel without a voice. Some cling to delusions and divisions – Brexit has deepened the crisis: every English region voted to leave. Who are the English? has been hijacked by the right. England is also the land of Tom Paine, chartists, suffragettes and ancient multi-cultural heritage. Is there another England – its urgent and important we must rediscover a new England Free these histories.

 

*Plaid Cymru MP Leanne Woods

Brexit vote expressed the democratic crisis – with our unelected elite making our decisions. Labour are about continuity and only so such devolution: its never enough. She spoke of the devastation of the miners  strikes and disaster, didn’t matter. Our binary outcomes – with PR, won’t go beyond red tie/ blue tie. Welsh devolution not more than the Welsh assembly and of the preservation and control from the centre. 

 

*CLVE LEWIS labour MP for Norwich south.

Who defied his labour whip to attend. He also spoke of the stories we tell ourselves. We need a new story of Britain – not the Enoch Powell (1950) version of ‘plucky Britain’. He spoke of the international questions and crisis and of viewing the crisis in the international context of the global elites who hoard the wealth. He said collaboration stopped at Westminster. Unawareness in the rest of UK of conversation of Scotland. Yorkshire flag – says they don’t want to be part of the elites. Labour won’t let discussion happen. Clive spoke of Corbyn – he had some good ideas but wrong messenger. Labour should embrace conversations – but can it seriously be changed from within?

 

*Lesley Riddoch, journalist and activist – Time to Create a new state.

There’s another state waiting: different conception of what Britain might be. Exceptionalism is falling apart. Riddoch was proud – and said, we’ve wasted so much time. It was good to get all perspectives. She spoke of Denmark, which used to control an empire but lost all of them 1864 in a terrible war. Scandinavia learned to let go without fighting. The problem in archaic British state is the divine right of kings is held with the PM, who can do as he likes.


There were also several break out rooms that covered topics such as – Irish re-unification, the monarchy, what next, Scotland in Europe. 


Hilary Wainwright said we must tear down the barricades (as in 1968) for democratic change. 
Or should we join Labour to make changes!” is this truly possible?? Is it British nationalism that has a problem – of denial, exceptionalism, and divisiveness. Britain denies nationalism. Scottish identity is not so deep rooted and has been stripped so often by Brittishness and empire. 

Scotland lacks agency and that’s not how a modern state functions. People should be active citizens. But can we reform the British state?

 

Nairn wrote that Scotland was the only county to jump ahead early 1700s, from a backward country to a trading and enlightened one. As a result of Walter Scott’s mythical novels – of a Scotland lost forever – Scottish literature lost its way in the 1800s. Scotland was not part of the rise of nationalism across Europe over the 1800s. 

 

Irish times journalist Fintan O’Toole writes that “Ireland only became truly independent with inter-dependence in Europe.” This may be a hard concept for British unionists to understand, that is the shared, co-operative project trading partnership of the EU.


II  As I left the conference to walk east along George st – the Hanoverian project – the long view is of the ugliest and tallest statue to the tyrant Henry Dundas, behind which is now the ugliest modern statue of the new Edina shopping centre, known as the Turd. Do these e statues and symbols matter?

 

Henry Dundas statue and the Turd behind

Vote for a fairer voting system and for democratic conversations across the UK. In Britain people are not trusted by politicians. 

The summer of democracy of 2014.... when reality came close to the dream….! 


New Scottish Art Galleries BURNS excluded

 



Burns and other poets) wrote with Scots voices and language - why is Robert Burns not included here?

At a time when mainly English Tory unionist voices were being heard late 1700s. No other writer has done more than burns. I was taken back, at the new Scottish galleries that there is only one mention of DB, with regard his The Hunt poem and an Edinburgh tea room painting. 

Its wonderful to see the new galleries. I realise Scott lived in Edinburgh, but Burns was there for quite a few months over the late 1786 and into 1787, and he was greatly influenced by his time there – he visited the men’s clubs – the Crochallan Fencibles Anchor close; William Creech’s bookshop and publishing house, at the Luckenbooths near St Giles, where each day the great and the good met; and the literary parties that Burns was invited to, where he met the renowned scholars of the Scottish enlightenment. He also met the great love of his life late 1786, Agnes McLahose: (his Clarinda) who he wrote many love letters to and his famous song of parting Ae Fond Kiss.

 

Scott may have been read widely in 1800s – but to my mind (and most other Scots) Burns is our national hero and bard. We was painted by his good friend, the artist Alexander Nasmyth – on their walks to Rosslyn.





As i walked around the Scottish art I thought
  - which Scotland are we emboldening and remembering here? After the first section covering the romantic period – we enter the brighter more modern period, with the windows open to the east Princes st garden views. 

I felt that the Burns creative legacy was a deliberately forgetting – Question? does his writing influence Scottish art. Burns was himself influenced by art – the symbolism and spiritual connection between the natural world, the creative fires and the established church teachings from his father – where dance was frowned upon. These strong interconnections.

He was influenced by the Ossian poems –by James MacPherson as the first Scot’s bard and also by other great poets. Burns was writing and collecting song before Scott – in fact he met the young 16 year old Scott at an Edinburgh literary party and Scott wrote about Burns after this great meeting. 

 

Burns was influenced by art and the close ties between our emotional life and nature – when he wrote one of the best love songs ever written - "Till a’ the seas gang dry, my Dear/ And the rocks melt wi’ the sun/ I will luve thee still, my dear, While the sands o’ life shall run."

It is hard to believe that Burns didn’t influence Scottish art with all the myths, memorabilia, statues and more that surround the great poet. Even so, his songs and poems were not enough to prevent the forgetting that occurred across Scotland over the 1800s. Today, as Lesley Riddoch writes in her 2023 book Thrive, ‘Scots know of William Wallace and Robert Bruce but nothing in-between up to modern times. Only in the past few decades have Scots recognised other great Scots from the 1980s onwards – with statues to James Clerk Maxwell and Adam Smith.

 

*      *      *      *       *


novelist Walter Scott

Scots bard Robert Burns
II   The galleries hold 60,000 works of Scottish art – from David Willkie, Alexander Nasmyth, Andrew Geddes, The Glasgow boys impress, particularly James Guthrie, and grand displays of William McTaggarts work.  

BUT Which Scotland – the empty Scotland or militarised? The proud Scotland or the shot stag. Romance or reality; mountain or flood;Ttory or Jacobin?

 

At the start of the exhibition there is an emphasis on the influence of Walter Scott’s historical fiction – Waverly and Heart of Midlothian. Scott was the inventor of historical novel. There is the claim “Nobody did more to popularise Scotland than Scott.’ There are photos of the construction of the imposing Scott monument nearby. David Octavious Hill’s pioneering photography, (a photography department at RSA 1857). On display is the painter John Drummond, and David Allan’s’ paintings of everyday life, the Porteous Riots.

*But I was surprised and saddened no mention of our great bard Robert Burns.


Moving on into the bright lit galleries with windows looking out onto east Princes st gardens displaying more modern art – the Glasgow boys, William McTaggert – The Sailing of the Emigrant ship, who was influenced by Constable 1776 – 1837 and Turner (1775- 1857). The Impressionist and Japanese print influences – of James Guthrie, Arthur Melville, Edward Arthur Waltour.



James Guthrie


Symbolism and Celtic revival 1890s - the alternative world of dreams, myths and visions. 
With John Peploe, George Leslie Hunter. And good to see several wmen artists – Frances Campbell Cadell, Anne Redpath. Margaret Macdonald, 

There is so much to be impressed with here and both the particular Scottish influence of Scotland soft ever changing light. The weather beaten and mountainous landscapes – the Celtic Ossian, Gaelic poetry, alongside other great Scots scholars and poets 1700s - Dunbar, Allan Ramsay, Robert Fergusson, Robert Burns - who kept Scot’s voices alive. 

And of course Walter Scott’’s historical novels, which were popular worldwide. Political philosopher Tom Nairn criticised Scott - that he told of a ‘romanticised Scotland’ that was gone and lost forever’. This led to Scotland’s literacy voice being lost over the 1800s.

 


  

My Scotia ARTS BLOG from 2007- PKIMAGE musicfootnotes


My Scotia ARTS BLOG from 2007 PKIMAGE musicfootnotes - http://www.musicfootnotes.com - which has had over a million hits and interest worldwide.

*PHOTOGRAPHY - I’ve been pursuing photography since 2008 and have had images published in various media including print media and tv. I cover major arts festival, such as Celtic Connections and Edinburgh book festival. My main interest is portraiture, street photography and music. I was using Canon MKIII, but I’m now using a smaller Sony a7 and enjoy my prime lens and a portrait lens

 

*IMAGINING SCOTIA I’m proud Scotland has leading universities and innovative scientists, I’m proud Scotland has major international festivals and a vibrant successful creative community of artists and musicians. I’m proud Scotland has a wealth of resources – whisky, quality food, and the potential to be a world leader in renewables. 

I grew up in Edinburgh, lived in America ten years and now live north of Glasgow, which I hope gives me unique perspectives. I never realised I should be a Proud Scot though until recently.

 

Scotland boasts historic universities - the 4 oldest UK universities. innovations,

 

I support self-determination for a socially democratic and greener Scotland.

 

Recent BLOGS -  Celtic Connections 2024 announced; Songs Make a Nation, Images Scotia from Enlightenment to Kailyard, Edinburgh festivals 2023, Tom Nairn, To set up Scotland’s very own Media,

 

 



 

 **PLEASE ADD my new Facebook page – 

 

IMAGINING SCOTIA ARTS & MUSIC –  https://www.facebook.com/profile.php?id=61552543028198

To pursue my interest in Scottish arts, culture and history

An online page for my Photos, blogs, events and other ramblings – on all things Scottish – 

Hope the LINK works! Pauline 

 

My previous SCOTTISH MUSIC & ARTS BLOGS

Had over 800 followers, around 50 photo albums and over 12 years of posts! As I no longer have access to this page due to being hacked, I have set up a new Scottish arts page

 


SCOTS Booker Prize winners


Maggie O’Farrell

Alexander McColl Smith

Disgracefully as usual in a Time article there is no mention of Scotland’s recent Booker prize winners. The Scottish literary scene boasts several Booker prize winners – 2020 Douglas Stuart’s, Shuggie Bain, 1994 James Kelman’s, How Late It Was, How Late. 

Plus Booker shortlisted authors – Ali Smith, Andrew O’Hagan, AL Kennedy, Graham McCrea Burnett, Muriel Spark. World famous Scots novelists of modern times include –Iain Banks, Val McDermid, Irvine Welsh, Ian Rankin, Louise Welsh, Liz Lochhead, Alan Bisset, Chris Brookmyre, Denise Mina, Alexander McColl Smith, Alasdair Gray, Janice Galloway, William McIlcanney, Maggie O’Farrell, 

 

Famous Scots writers of the past – Arthur Conan Doyle, J M Barrie, John Buchan, Robert Louis Stevenson, James Boswell, John Barbour, Adam Smith, 

Irvine Welsh

Iain Banks

Ian Rankin


Hackett quotes Irish writer Magee, “The English may be too comfortable to write great novels.”  

At least six times in her article she labels ‘Britain/ England’ as one and the same, the England label can never include Scots or the Welsh and we’ll never regard Britain as England as our cultural or historic home, even though so many Scots remain in ignorance of Scotland’s rich histories of which we might be proud. Its time Londoners woke up to this reality. 

Our creative stories, arts and music are intrinsic to our shared voices and view of self.

 

Perhaps creative thinkers either can’t afford or don’t want to be in London. In ‘Britain/ England’ mind-set little exists outside of London. In the 80s London boasted a thriving literary scene around Soho. But today’s London is dominated in its skyline by foreign oligarchs empty high-rises, populist musicals, global chain outlets and over priced art. 


Photos copyright Pauline Keightley

 

 

**BOOKS

Anthology of Scottish stories – Gerard Caruthers

Scottish literature, an introduction – Alan Riach.

The Fair Botanist – Sara Sheridan

 

Scottish Pastoral: Robert Burns and British Romanticism - 

 

Monday 30 October 2023

Has Robert Burns been neglected

 



The British establishment and media have neglected Robert Burns work in schools and elsewhere as worthy of study, and honoured Walter Scott instead. But who today reads Scott? It is Burns that people continue to sing and read all over the world. Burns wrote of equality and brotherhood, before these radical ideas were acceptable and in a way no other writer has quite managed to match. He was influence too by Philosophy writers, the radical Tomas Paine and the reformer Thomas Muir of those tumultuous times late1700s. At his Masonic meetings Burns mixed with all walks of life, from dukes, rich land owners, lawyers and famers.


One of the difficulties with any Burns study is to find the serious real Burns among the memorabilia industry that developed after his death in 1797. As stated by Professor Robert Crawford (The Bard) Burns was never any unionist though and he wrote songs such as – Parcel of Rogues, Liberty Tree, Scots Wa Hae). He did write other poems to try to keep the British establishment off his back and to secure subscribers for his poems. At one point he was scared he was being investigated as a possible radical and reformer. 

The poet Bob Dylan is a huge admirer of Burns, of his economy, tone, the colour of his words, and of the way he brought the old masters into his own composition. Burns was no ignorant farmer as has been portrayed – he read eagerly many of the great English writers, and a favourite was the English poet Alexander Pope. He also read Scottish philosophers such as Adam Smith’s Wealth of Nations and Henry Mackenzie’s Man of Feeling.. He knew four languages – French, scots, English and Latin. 

 

To live in Radical Times

Rodney Forsyth writes that artists such as Shakespeare and Dylan don’t look back and that they are always moving forwards – yet their paths have sure foundations but they are also deeply immersed in what went before. This is also true of our great bard Robert Burns.

 

In his article entitle ‘Bob and the Bard’, Forsyth writes of how manic creativity was driven in both Bob Dylan and in Shakespeare, ‘by the intuition they lived in decisive historical junctures.’  But he forgets the poet Robert Burns, and his times were even more radical and tumultuous than any other great artist!  

 

I have wondered, as do academics, why the world’s best loved poet and song smith, Robert Burns has been neglected by academic literary research. In his time there was first the American Wars of Revolution (1775 – 1783), when Burns was only 15 and five years later the French Revolution in 1789 – 1799. Goodness the British state and Crown must have been running terrified at this time that revolution would happen here! And they were. They sent preachers out to the churches to preach against the French terror.  In 1797, the year after Burns died, there was the Irish Rebellion and also the Scots Rebels, who were fighting for votes for all men. 

 

Burns was conflicted between the creative fires of Old Spunkie and the more sober influence of his father and the church teachings.

 

Break up of Britain Conference

 


Confronting the UKs democratic crisis!

At the Assembly Rooms in Edinburgh on 18th November 2023, we are convening a major event on the future of the United Kingdom, its nations, and the European Union, inspired by the work of Tom Nairn.

 

One of the speakers, Caroline Lucas, the Green MP for Brighton Pavilion, calls the event “incredibly timely and important.” Other speakers include The National columnist Lesley Riddoch, writer Neal Ascherson,  journalist Isabel Hilton, Clive Lewis MP, The Scotsman journalist Joyce McMillan, author James Robertson, Professor Richard Wyn Jones, former Plaid Cymru leader Leanne Wood and Radical Independence Campaign co-founder Jonathon Shafi – with many more speakers soon to be confirmed.

 

https://thebreakupofbritain.net

 



Tom Nairn on why Scotland missed the European national revival 1800s

Nationalism, Nairn argues is always both \good and bad.' And originated from that derived in – the impossibility of escape from the uneven development of capitalism.’ Nationalism is not a question of simple identity, but rather of something more – a catalyst.

Scotland’s greatest political theorist of the modern times.Tom Nairn’s brilliant Break Up of Britain (1977), is one of the best reads on how and why the archaic institutions of the British state and its pre-democracy of the constitution of 1688, before universal suffrage, are failing us.

One of the best books on the British state's constitutional crisis.  He writes on why Scottish nationalism is different to the rest of Europe. “All I’m arguing for is nations, minus the dratted “ism”; democratic natural, independent, diverse, ordinary, even boring rather than the museum pieces, or dictatorship or hustlers like Blair of Berlusconi.” Tom Nairn,   Free worlds End, opendemocracy, Dec 4th 2004. 

 

Intrinsically there is the dual nature of nationalism, captured in his image of it as a two–faced Janus, the Roman good of doorways, for both past and future, which repudiates concepts of either good or bad nationalism.



*TOM Nairn

“All I’m arguing for is nations, minus the dratted “ism”; democratic natural, independent, diverse, ordinary, even boring rather than the museum pieces, or dictatorship or hustlers like Blair of Berlusconi.” Tom Nairn, Free worlds End, opendemocracy, Dec 4th 2004. 

Misfit of the British state to the modern world and not from the express of romantic tartanry, which the author excoriates – and the centrality of nation in political change. Several commentators name Tom Nairn as one of the most influential Scottish political theorists of the 20th century.  “The most influential book on British politics to be published in the last half century”  Anthony Burnett writes in the 2021 Introduction to Nairn’s Break up of Britain. 



 

Our Cultural Capital: Share it out! Bryan Appleyard Times


We must question why London gets by miles the biggest investment – sucking from the rest of the country

Residents of Country Durham paid £34 m to the Arts lottery since 1995  and received 12m in arts funding in return! By contrast the City of Westminster contributed 14.5m and received 408m! 

 

Shocking! The last figures for private giving were in 2011 and showed that 85% of giving went to London. 

 

Of course every country needs a capital - the problem is in the UK you only have the one main city – by contrast in the US they set up the government in Washington - away from the main city of New York. 

 

In most European countries there are several main cities. 

 

http://www.thesundaytimes.co.uk/sto/culture/arts/article1552767.ece





Sunday 29 October 2023

Romanticism in Scotland

 

Nigel Leask rites Burns has been tragically over-looked in academic studies and the need to consider Burns in a de-centralized four nation approach to British culture and of the marginalisation of Burns as a major Romantic poet.

 

The book is entitled 'Scottish Pastoral: Robert Burn and British Romanticism' Leask

sets out to recover a major Romantic poet in a Scottish, British, and colonial context. Burns's fame as Scotland's national bard, and his influence on Scottish writers like Hogg, Scott, Elizabeth Hamilton, Lockhart, Wilson and Carlyle, has achieved local recognition. The goal of this book is to reassess the global significance of Scottish and British Romanticism in the light of Burns's achievement and influence. ' And a more historically contextualised notion of the Scottish Enlightenment. And to situate Burns and 18th century Scottish poetry in relation to Enlightenment theories.

 

But much light remains to be cast on his literary and intellectual context in the Scottish Enlightenment, as well as his far-reaching influence on English and Irish Romantic writers like Wordsworth, Coleridge, Lamb, Roscoe, Byron, Shelley, Keats, Clare, Hazlitt, De Quincey Tom Moore and J.C.Mangan. 

 

MUSIC  - Burns is best known as a songwriter and song collector

Burns's poetry is now largely excluded from a revised canon of Romantic literature as it is taught in UK and US English departments, despite the fact that the canon has broadened to include women and minority writers. In fact the decline of his reputation as a major Romantic poet has continued measurably even since 1945. Astonishingly, there is to date no dedicated study of Burns's influence on British Romanticism.

 

Contemporary Burns scholarship is still largely concerned with studying the poet in a national literary framework, despite important recent work by Carol McGuirk, Liam McIllvanney, Robert Crawford and Gerry Carruthers, opening up Burns to broader contexts. 

 

Robert Burns was part of an attempt to produce a canon of Scottish song, which resulted in a cross fertilisation of Scottish and continental classical music, with romantic music becoming dominant in Scotland into the 20th century. 

Robert Burns (1759–96) and Walter Scott (1771–1832) were highly influenced by the Ossian poems. Burns, an Ayrshire poet and lyricist, is widely regarded as the national poet of Scotland and a major influence on the Romantic movement. His poem (and song) "Auld Lang Syne" is often sung at Hogmanay (the last day of the year), and Scots Wha Hae served for a long time as an unofficial national anthem of the country. Burns A Mans a Man as sung by Sheena Wellington at the opening of the Scottish parliament.

 

Novelist Walter Scott popularised Scottish cultural identity 19th century.  He played a major part in defining Scottish and British politics, helping to create a romanticised view of Scotland and the Highlands that changed Scottish national identity. Tom Nairn argues to a false mythical Scotland gone forever. Scott has a highly successful career, with other historical novels - Rob Roy (1817), The Heart of Midlothian (1818) and Ivanhoe (1820) 

 

Burns was greatly influenced by Scots poets Allan Ramsay, James Macpherson, and Robert Fergusson – who wrote poems in scots about Edinburgh. And English poets such as Alexander Pope. Allan Ramsay(1686–1758) laid the foundations of a reawakening of interest in older Scottish literature, as well as leading the trend for pastoral poetry, developed the Habbie stanza as a poetic form. 

 

James Macpherson(1736–96) was the first Scottish poet to gain an international reputation. Claiming to have found poetry written by the ancient bard Ossian, he published translations that were internationally popular, being proclaimed as a Celtic equivalent of the Classical epics. Fingal, written in 1762, was translated into European languages, and its appreciation of natural beauty and treatment of the ancient legend has been credited more than any single work with bringing about the Romantic movement in European, and in German literature (Johann Herder and Johann Goethe). Also popular in France –read by Napoleon.

 

Other major Scottish literary figures connected with Romanticism include the poets James Hogg (1770–1835), Allan Cunningham (1784–1842) and John Galt (1779–1839). One of the most significant figures of the Romantic movement, Lord Bryon, was brought up in Scotland until he acquired his English title. 

 


**Romanticism in Scotland  II

was an artistic, literary and intellectual movement late 1700s and early 1800s. 

Part of the wider European romantic movement, which was partly a reaction against the Age of Enlightenment, emphasizing individual, national and emotional responses, moving beyond Renaissance and Classical models. In the arts, Romanticism manifested itself in literature with the mythical bard Ossian, the exploration of national poetry in the work of Robert Burns and in the historical novels of Walter Scott. Scott also had a major impact on the development of a national Scottish drama. Art was heavily influenced by Ossian and of the Highlands as the location of a wild and dramatic landscape. 

In music, 

 

In art there was a stress on imagination, landscape and a spiritual correspondence with nature. It has been described by Margaret Drabble as "an unending revolt against classical form, conservative morality, authoritarian government, personal insincerity, and human moderation" Although after union 1707 Scotland increasingly adopted English language and cultural norms, its literature developed a distinct national identity and began to enjoy an international reputation.

 

The editors of the recent essay collection Scotland and the Borders of Romanticism argue, from the 19th century Scottish literature came to stand for an 'inauthentic Romanticism, defined by a mystified commitment to history and folklore', in marginal relationship to an 'organic' English Romanticism. 

 

Scotland was also the location of two of the most important literary magazines of the era, The Edinburgh Review, (1802) and Blackwood Magazine(1817)which significantly influenced the development of British literature and drama in the era of Romanticism. 

 

Romanticism declined in the 1830s, but it continued to affect music and art. It had a lasting impact on the nature of Scottish identity and outside perceptions of Scotland. It is often thought to incorporate an emotional assertion of the self and of individual experience along with a sense of the infinite, transcendental and sublime. 

 

James MacPherson


Robert Burns and Pastoral is a full-scale reassessment of the writings of Robert Burns (1759-1796), arguably the most original poet writing in the British Isles between Pope and Blake, and the creator of the first modern vernacular style in British poetry. Although still celebrated as Scotland's national poet, Burns has long been marginalised in English literary studies worldwide, due to a mistaken view that his poetry is linguistically incomprehensible and of interest to Scottish readers only. 

 

Nigel Leask challenges this view by interpreting Burns's poetry as an innovative and critical engagement with the experience of rural modernity, namely to the revolutionary transformation of Scottish agriculture and society in the decades between 1760 and 1800, thereby resituating it within the mainstream of the Scottish and European enlightenments. Detailed study of the literary, social, and historical contexts of Burns's poetry explodes the myth of the 'Heaven-taught ploughman', revealing his poetic artfulness and critical acumen as a social observer, as well as his significance as a Romantic precursor. Leask discusses Burns's radical decision to write 'Scots pastoral' (rather than English georgic) poetry in the tradition of Allan Ramsay and Robert Fergusson, focusing on themes of Scottish and British identity, agricultural improvement, poetic self-fashioning, language, politics, religion, patronage, poverty, antiquarianism, and the animal world. The book offers fresh interpretations of all Burns's major poems and some of the songs, the first to do so since Thomas Crawford's landmark study of 1960. It concludes with a new assessment of his importance for British Romanticism and to a 'Four Nations' understanding of Scottish literature and culture.

 

Union with David Olusoga BBC Review

 



While Olisoga is an informed historian, and consulted many experts and this is a highly watchable  if it times biased program.

However he at times skims over relevant sections of the 320 years of the union between Scotland and England 1707 and later of the four nations to form the United Kingdom is 1801.

For instance he focuses on the hardships in Ireland and of their being bribed to join the United kingdom union in 1801 – but does mot mention the mass murders and of the obliteration of the highland way of life in Scotland after the Jacobite 45, when the clans were disarmed. There is no mention of the Scottish Parcel of Rogues who sold Scotland for bribes.

The only way to be able to wear the kilt was to join the British highland regiments. 

Union flags designs of James VI


After the JACOBITE 45 rebellion Olusoga states “ the British state, with the help of some clan chiefs, launched a campaign to repress the Scots” –what they really did was mass murder of women and children and the destruction of the highland way of life. the huge contribution Scotland, as the workers of the empire made to the empire is ignored, while England were the rulesr is ignored. 

By the 18th century – one in 10 lived in London – which became the centre of Printing, key port, trade artery, parliament, monarchy, finance, banking, theatre, arts and culture. Why is it good that so many had to travel to London to make their fortune?

Then there’s the episode Four on Union and Disunion – which focuses on Wales and Ireland, with only a mention of the closing of Ravenscraig steel work at Motherwell – but no mention of Scotland’s oil which was used by Westminster to increase spending on London. 

Olusoga had a chat with A professor from Oxford who stated, ‘There isn’t a long history of power being spread outside the capitol…the starting dates of universities in the north, many are just over a 100 years old. Civic buildings are not that old.” This by implication gives the strong impression that the rest of Britain, outside of London, is backward and uncultured. This is basically untrue. 

Scotland boasts 4 of the UKs oldest universities – Oxford and Cambridge were initially centres of clerical teachings late 1090s: in the 1400s it was Scottish universities which were the four leading centres of learning – St Andrews 1410, Glasgow 1451, Aberdeen 1495, Edinburgh 1583. And it wasn’t until the 1800s that England set up its universities - Manchester 1824, London 1826, Durham 1832.

Olusoga also misses the crucial point that Scotland’s self-determination is about democracy and democratic rights and NOT identity at all.